Waynesburgh
X:1 T:Waynesboro M:C| L:1/8 R:Breakdown K:G GFGA Bdef | gfga gedB | e [A3a3] abag | (3efg ab aged | efga bgag | fage dcBG | BGAG FGDG |1 E G2A G2 DF :|2 E G2A [D4G4] || |:(3DEF GA BGAB | GBeB dBAG | E [E3A3] ABAG | (3EFG AB AGEG | G,B,DF GABd | gbge dBAG | BGAG FGDG |1 E G2A [D4G4] :|2 EG2A [D2G2] DF |]
X:2
T:Waynesboro
M:C|
L:1/8
R:Reel
S:Simon Mayor
N:From a transcription by John Lamancusa, by permission. See http://www.mne.psu.edu/lamancusa/tunes.htm
K:G
d2 |: GFGA BABc | d g2e dBAG | E A2 A ABAG | AGAB dBAD |
GFGA BABc |dg2e dBAG | E G2 G GAGE |1 DB,A,B, G,2D2 :|2 DB,A,B, G,2A2 ||
|: B3 B A2A2 | GAGE D2D2 | E A2 A ABAG | AGAB dBAD |
B3B A2A2 |GAGE D2D2 | EG2G GAGE |1 DB,A,B, G,2A2 :|2 DB,A,B, G,2 z2 ||
X:1
T:Waynesboro
M:C
L:1/4
R:Reel
K:G
N:From the playing of Bruce Molsky,
N:Mark Simos and the
N:Berklee Old-Time Ensemble
N:on YouTube 2014
N:Bruce Molsky explains why he plays a third part:-
N:”Years ago I met Mairéad Ní Mhaonaigh for the first time at a
N:party in Minneapolis when she was on a tour with Altan.
N:She coaxed me into the session (I don’t really play Irish music),
N:and she pulled out Over the Moor to Maggie, 2/3 of which I recognized.
N:Learned the third part there, and I’ve been playing it ever since.”
D:https://www.youtube.com/watch?v=
Z: Transcribed by Jan Howard 2021
z2zG/E/|:"G"D/E/G/A/ B/c/d | e/d/g/d/ e/d/B/G/ |"Am" (A2 A/)B/A/G/ |E/AB/ AG/E/ |
"G" D/E/G/A/ B/d/e/^f/ | "C" g g e/d/B/G/ |"D7" D/^F/G/A/ B/G/A/G/ |"G" [1 E/GG/ G/z/G/E/ :|"G" [2E/GG/ G/z/g/a/ ||
|: "G" bb aa | "G" g/a/g/e/ dB | "Am" a3/a/ a/b/a/g/ | e/ab/ ag/a/ |
"G" bb aa | "C" g/a/g/e/ d/B/A/G/| "D7" D/^F/G/A/ B/G/A/G/ | "G" [1 E/GG/ G/z/g/a/ :|"G" [2 E/GG/ G/z/c/d/ ||
|:"C" e2 d2 | c/d/c/A/ B/G/A/G/ |"Am" E/AG/ A/B/A/G/ | E/G/A/B/ A/B/c/d/ | "C" ee dd |
c/d/c/A/ B/G/A/G/| "C"E/^F/G/A/ "D7" B/G/A/G/ |"G" [1 E/GG/ G/z/c/d/ :|"G" [2 E/G^F/ G2 ||