Annotation:High Dad in the Morning

|Tune properties and standard notation

 HIGH DAD IN THE MORNING. Old-Time, Bluegrass; Breakdown. USA. G Major. Standard tuning (fiddle). AABBCC. The tune starts on an E minor chord, the relative minor. The tune supposedly has its origins in American black-face minstrelsy (see Hans Nathan's Dan Emmett and the Rise of Early Negro Minstrelsy). However, modern versions are sourced to bluegrass fiddler Kenny Baker, who learned the tune from a tape of Doug Dillard's father, Homer E. Dillard, a Missouri musician. Minstrel Dan Emmett did write a song in 1863 called "High Daddy," that begins: The sun's gone down to take a little sleep, I met High Daddy in the morning;  The moon's come out to take a little  I met High Daddy and I won't go home any more, any more ''Then wake up boys! for master's gone to bed,'' I met High Daddy in the morning; We'll have a spree, if we haven't got a red, I met High Daddy and I won't go home any more, any more. CHO: Then darky, never die, Black face and china eye; Go down to the barnyard, boys, The owl's on the roost. High Daddy won't come nigh, He's choked on chicken pie; 'Tis all 'O.K.' I say, And right upon the goose. Musically, it is no relation to the Diller/Baker tune.  Source for notated version: Kenny Baker [Brody, Phillips].  Printed sources: Brody (Fiddler's Fakebook), 1983; p. 135. Phillips (Traditional American Fiddle Tunes), vol. 1, 1994; p. 112.  Recorded sources: County 719, Kenny Baker- "Portrait of a Bluegrass Fiddler" (1968). Rounder 0241, The Chicken Chokers - "Shoot Your Radio" (1987). Rounder 0442, John Hartford - "Hamilton Ironworks" (2001) Takoma D-1064, Norman Blake- "Directions."  See also listing at: Jane Keefer's Folk Music Index: An Index to Recorded Sources

|Tune properties and standard notation