Pop Goes the Weasel



Annotations 

X: 1 T:Pop Goes the Weasel S:R. Hughes MS, RHu.112, 1823, Whitchurch, Shrops. A:Whitchurch, Shropshire Z:Neil Brookes 2007 M:6/8 L:1/8 R:Jig B:Village Music project, Hughes, Richard F:http://www.village-music-project.org.uk/abc/HughesR.abc K:G G2B AcA|BdB AFD|G2B AcA|B3"cr in MS"G3:|! gfg efg|afd d2B|G2B AcA|B3G3:|  X:1 T:Pop Goes the Weasell M:6/8 L:1/8 R:Jig B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 19, p. 8) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. Z:AK/Fiddler’s Companion K:D D2D E2G|FAF D2A|D2D E2G|F3 D2A| D2D E2G|FAF D3|B3 E2G|F3D3:| G2F G2A|B2c d3|B3 E2G|F3 D3:|]   X: 1 T:Pop Goes the Weasel M:6/8 L:1/8 R:Country Dance B:T. Westrop's 120 Country Dances, WES.044, 1860's Z:VMP-R.Greig 2010 K:G G2BA2c|BcdG2z|G2BA2c|B3G2z| G2BA2c|BcdG2z|+snap+e2z(A2d)|B3G2z|]! c2Bc2d|(e2f)g3|+snap+e2z(A2d)|B3G2z:|   X: 1 T:Pop Goes the Weasel M:6/8 L:1/8 S:George H.Watson MS, GHW.003, Swanton Abbott, Norfolk, c. 1880 R:.Jig O:England A:Norfolk N:mf indication at start of tune - assuming convention of notation under N:the relevant stave - otherwise could be at start of B part. N:Third bar of B part in MS appears as g3A3 e2 g - I have interpreted as N:double stop first dotted crotchet, then crochet quaver N:Rall sign over rests in penultimate bar of B part Z:vmp.Taz Tarry K:G G2G A2A|(Bd)B G2z|G2G A2A|(B3 G2) z|! G2G A2A|(Bd)B G2z|.e zz (A2c)|(B3 G2) z:|! "^MF"g3 e2g|(faf) d2 z|[f3A3] e2 g|(f3 d2)z|! .c z .B .c z .d|.e z .f .g zz|[eG] z z A2 c|(B3G2) z:|   X:1 T:Pop goes the Weazel M:2/4 L:1/8 B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 133, p. 46) B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=45&z=75.2901%2C581.1012%2C3451.7239%2C1437.3821 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:G G2 Gc|Bd/B/ G2|GBAc|B2G2|GBAc|Bd/B/ G2|e2 Ac|B2G2:|   X: 1 T: Pop Goes the Weasel R: reel B: Köhler's Violin Repository, v.2, 1885, p.120, no.3 F: http://www.archive.org/details/klersviolinrepos02rugg Z: 2012 John Chambers  M: C| L: 1/8 K: A ((3uefg) !segno!|\ a2fa g2eg | a2fa g2ec | (dc)de (fg)af | (ef)ed (dc)BA | a2fa g2eg | a2fa g2ec | (dc)de (fg)a2 | "^Pizz.""_Pop."e2vBd c2A2 || vEAcA BAcA | EAcA ~B2A2 | EAcA Bcdf | (ef)ed (dc)BA | EAcA BAcA | EAcA ~B2A2 | EAcA Bdd2 | "^Pizz.""_Pop."e2vBd c2A2 !segno!"_D.C."|]   X:3 T:Pop Goes the Weasel. GHW.003 M:6/8 L:1/8 Q:3/8=120 B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890 R:.Jig A:England; Norfolk N:mf indication at start of tune - assuming convention of notation under N:the relevant stave - otherwise could be at start of B part. N:Third bar of B part in MS appears as g3A3 e2 g - I have interpreted as N:double stop first dotted crotchet, then crochet quaver N:Rall sign over rests in penultimate bar of B part Z:Village Music Project, Taz Tarry, 2000 K:G G2G A2A|(Bd)B G2z|G2G A2A|(B3 G2) z| G2G A2A|(Bd)B G2z|.e zz (A2c)|(B3 G2) z:| "^MF"g3 e2g|(faf) d2 z|[f3A3] e2 g|(f3 d2)z| .c z .B .c z .d|.e z .f .g zz|[eG] z z A2 c|(B3G2) z:|   X:1 T:Pop Goes the Weasel M:2/4 L:1/8 S:Shaw – Cowboy Dances (1943) Z:AK/Fiddler’s Companion K:G D|G>G AA|(3BdB G>D|G>G A>c|B2 G>D| G>G A>A|(3BdB G2|ez A>c|B2 G>d| g>f g>e|(3faf d>d|g>f g>e|f2 d>d| c>B c>d|e>f g2|ez A>c|G2G|| <section end=X8 />
 * gfg efg|agf def|gfg efg|f3"cr in MS"d3|!
 * d3B2d|c2A ABc|d3 B2d|c3 A3|
 * g2f (ef).g|(fa).fd2f|g2f (ef).g|f3d3|
 * g2 eg|fa/f/ d2|gf/g/ eg|f2d2|cBcd|ef g2|e2 Ac|B2G2:|]

<section begin=X1 /> <section end=X1 /> <font face="sans-serif" size="4"> Annotations __NOTITLE__