Annotation:Fred Wilson's Clog (1)

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 FRED WILSON'S CLOG. AKA and see "Brown's Hornpipe," "California Schottische," "Cincinnati Hornpipe (1)," "Cliff Hornpipe," "Cork Hornpipe (1," "Dundee Hornpipe," "Fred Wilson's Hornpipe," "Harvest Home (1)," "Higgins' Hornpipe," "Kephart's Clog" (Pa.), "Kildare Fancy," "Ruby Lip," "Standard Hornpipe," "Fisherman's Favorite," "Billy Wilson's Clog," "Zig-Zag Clog," "Snyder's Jig" (Pa.), "Wilson's Clog (1)," "Granny Will Your Dog Bite? (4)" (Pa.). American, Cape Breton; Clog or Hornpipe. USA; Maine, southwestern Pa. F Major (Coles, Sweet, Tolman): D Major (Bayard, Begin). Standard tuning. AABB. One of a very large hornpipe family that includes the tunes listed above, undoubtedly plus some others. "Cliff Hornpipe" is perhaps the closest variant, while "Harvest Home" and its closest variants are related to "Fred Wilson's" in the 'B', or second, part, with the first parts being either distantly related or unrelated. Bayard states that this well-known tune was a favorite of Pennsylvania fiddlers and fifers, and guesses it dates to the early 19th century. It was one of the tunes listed in the repertoire of Maine musician Mellie Dunham, who was Henry Ford's champion fiddler in the late 1920's. Edward Le Roy Rice, in his book Monarchs of Minstrelsy (New York, 1911), gives this bio of Fred Wilson: ''FRED WILSON. The distinction of being the oldest living minstrel undoubtedly belongs '' to the subject of this sketch, who made his first appearance about 1843, and for four  or five years allied himself with many of the various minstrel companies that sprang up  ''after the success of the parent organization. In 1848 he joined 'Bije' Thayer's Minstrels, '' ''a prominent Boston Company. While Mr. Wilson was not the first to do clog dancing in '' ''this country, he was undoubtedly the first to do so in a minstrel company. In the Fall of '' 1858 he joined Bryant's Minstrels in New York, and about December 1, that year, made  his first appearance in Boston with the Morris Bros., Pell and Trowbridge's Minstrels,  ''where he made a lengthy stay. April 29, 1861, he opened with Lloyd's Minstrels in New '' ''York, closing May 25, following. Later he went to China in a government capacity, but '' not liking the cooking in the Celestial Empire, returned to the United States, arriving  ''January 25, 1864. (Charley) Morris and Wilson's Minstrels opened their permanent '' ''Home in St. Louis, April 10, 1865; the partnership dissolved in February, 1867. Fred '' Wilson's Minstrels toured for two or three years, and then Mr. Wilson made another  ''foreign trip; but returned in the Summer of 1871. In 1872 he was with Cal. Wagner's '' Minstrels, and in 1875 made another foreign invasion, remaining abroad five years, ''returning in 1880 and joining Haverly's Minstrels. Subsequently Mr. Wilson, whose '' specialty for many years had been clog dancing, except in 1852 when he was a clown  ''in a circus, took up executive duties with many minstrel and other organizations. He '' ''also promoted several attractions of his own. Fred Wilson was born in Boston, Mass., '' ''November 9, 1827. '' Frank Dumont in an article in the New York Clipper (March 27, 1915-"The Younger Generation in Minstrelsy and Reminiscences of the Past"), credits Wilson with introducing the clog dance on the minstrel stage several years before the Civil War, when he was with Morris Brothers' Minstrels. "Fred Wilson's" was one of many tunes learned from Ryan/Cole's by Cape Breton fiddlers, and, according to Richard Nevins (Shanachie 14001), was popular around Margaree, Cape Breton (fiddler Angus Chisholm was born in Margaree Forks).  Sources for notated versions: 8 southwestern Pa. fidders [Bayard]; fiddler Dawson Girdwood (Perth, Ottawa Valley, Ontario) [Begin].  Printed sources: Bayard (Dance to the Fiddle), 1981; No. 410A-H, pp. 389-392. Begin (Fiddle Music from the Ottawa Valley: Dawson Girdwood), 1985; No. 42, p. 52 (appears as "Fed Wilson's Hornpipe"). Cazden, 1955; p. 37. Cole (1000 Fiddle Tunes), 1940; p. 100 (appears as "Fred Wilson's Hornpipe"). Ford (Traditional Music in America), 1940; p. 100. O'Malley, 1919; p. 34. Ryan's Mammoth Collection, 1883; p. 135. Sweet (Fifer's Delight); No. or p. 47 (appears as "Zig-Zag"). Tolman (Nelson Music Collection'''), 1969; p. 16 (appears as "Fred Wilson's"). White's Excelsior Collection, 1907; p. 43. White's Unique Collection, 1896; No. 113.  Recorded sources: Shanachie 14001, "The Early Recordings of Angus Chisholm" (1978). Fretless 101, "The Campbell Family: Champion Fiddlers" (as "Billy Wilson's Clog"). Fretless 103, "Clem Myers: Northeast Regional Old Time Fiddle Champion 1967 & 1970 (as "Billy Wilson's Clog"). Front Hall 01, Bill Spence & Fennigs All Stars--"The Hammered Dulcimer."  See also listings at: Alan Ng's Irishtune.info  Jane Keefer's Folk Music Index: An Index to Recorded Sources  Alan Snyder's Cape Breton Fiddle Recordings Index

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