White Cockade (1) (The)

X:1 T:White Cockade [1] M:C| L:1/8 R:March S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91) Z:AK/Fiddler's Companion K:G GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA| B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:| g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||  X:2 T:Second to the White Cockcade S:Thomas Calvert Collection, Kelso, Scotland (1799) Z:Jack Campin May 2001 M:C L:1/8 N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book K:G BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc| G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|| GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA| G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]   X:43 C:Page 22 T:White Cockade. MBe.43, The A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 M:2/4 L:1/8 Q:1/4=100 R: N:Well known in the district as a tune to play for Westmorland Style step dancing N:Not the same as the White Cockade MBe.27 on page 13 K:G g|dB BA/G/|BBBg|dB BA/G/|BA AG/A/| BB BA/B/|{A}G"sic"G>ga|(b/a/g/f/) (a/g/f/e/)|dB BB:| BB BA/B/|GGga|(b/a/g/f/) (a/g/f/e/)|dB BB:|   X:3 T:White Cockade [1] M:C L:1/8 Q:"Allegretto" B:Wilson - Companion to the Ball Room (1816, p. 39) Z:AK/Fiddler's Companion K:G G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|   X:4 T:White Cockade [1] (Scotch) M:C L:1/8 Q:"Allegretto" R:Country Dance B:Thomas Wilson - Companion to the Ball Room (1816, p. 54) Z:AK/Fiddler's Companion K:G GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA| B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2|| AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||   X:5 T:White Cockade M:2/4 L:1/8 R:Country Dance Tune S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154) Z:AK/Fiddler's Companion K:G gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/| B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:| B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]   X:6 T:White Cockade, The M:2/4 L:1/8 Q:"Allegro Spiritoso" R:Country Dance B:J. Clinton - Gems of Ireland:200 Airs (1841, No. 199, p. 104) Z:AK/Fiddler's Companion K:G (G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)| .B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B || (B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)| .B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)| (dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)| .B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||   X:7 T:White Cockade [1], The M:C| L:1/8 Q:"Spiritoso" R:Country Dance B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9) Z:AK/Fiddler's Companion K:G GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA| .B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2|| Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| .B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||   X:8 T:White Cockade [1], The M:2/4 L:1/16 R:Pipe March B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99) Z:AK/Fiddler's Companion K:G e2|G3B B2AB|G3B B>Bg/|G3B B2AG|B2A2 A2GA| B <section begin=X27 /> X:9 T:White Cockade, The, with Variations M:C L:1/8 R:Hornpipe B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 30, p. 10) B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=9&z=106.4282%2C299.3808%2C3343.425%2C1294.4477 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler's Companion K:G GA|B2 Bd cBAB|GBBA Bgge|dBGB cBAG|FGAF DFAF| GBdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2|| Bc|d2B2g2B2|dcde d2 ge|dcBc defg|agab a2 GA| BcdB cBAG|Bdef g2a2|bagf ag/f/ gf/e/|d2B2B2|| P:1st Variation DGBG DGBG|DGBG cBAG|DGBG DGBG|ABcB cBAG| DGBG DGBG|DGBd g2a2|bagf ag/f/ gf/e/ |d2B2B2|| P:2nd Variation ge|dBGB dgfg|bgfg dcBc|dBGB defg|agab agfe| dBGB dgfg|bgfg dcBd|c'bc'b c'bag|f2d2d2|| P:3rd Variation ge|dB BB/B/ GG GG/G/|DB BB/B/ GB BB/B/|dB BB/B/ GBGB|AcBd cBAg| dB BB/B/ GG GG/G/|DB BB/B/ GBdg|bagf ag/f/ gf/e/|d2B2B2|| <section end=X27 /> <section begin=X30 /> X:10 T:White Cockade, The L:1/8 M:C| R:Country Dance B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:G GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA| B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:| B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|] <section end=X30/> <section begin=X33 /> X:11 T:White Cockade [1] M:2/4 L:1/8 R:Air and Reel N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon. N:The key signature in the MS is (inexplicably) E Major. Z:AK/Fiddler's Companion K:G G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:| BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|] <section end=X33 /> <section begin=X36 /> X:12 T:The White Cockade		M:4/4	L:1/8	R:March	B:Deloughery - Sliabh Luachra on Parade (1980, No. 125) N:From the playing of Terry Teahan Z:Patrick Cavanagh K:G	G/A/|BB c/B/A/G/ dB Bg/e/|dB B/A/G/A/ BA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:| <section end=X36/>
 * Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4|
 * c|{e}dBgB|ddde|{e}dc/B/ {a}~gf/g/|gA AG/A/|
 * B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]
 * B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/|
 * c2|d3B g3B|dedB d3e|e2dB g2fg|a3A AGAB|
 * Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
 * dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
 * B/c/|dB g/d/B/c/ dB BB/c/|dB gf/g/ aA AG/A/|BB c/B/A/G/ Bd g>a|b/a/g/f/ e/f/g/e/ dB B:||

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