White Leaf (The)



Annotations 

X:1 T:White Leaf, The M:4/4 L:1/8 R:Reel S:Francis Reynolds MSS, c. 1885 (Gaigue, Ballinamuck, Co. Longford) Z:Transcribed by Conor Ward N:Ward remarks: "Note that the bowing style used by Reynolds throughout N:the tune was known locally as 'slur and cut' - for a group of four N:quavers the first two notes are slurred the second two are cut." K:A af|eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fe)dc|(Bc)de f2 af| eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fg)af|edc(B A2):| aA A/A/A (aA)fA|aA A/A/A (fe)dc|(Bc)de (fg)af|(ed)cB A2:|]  X:1 T:White Leaf, The M:C| L:1/8 R:Reel S:Murphy manuscript K:A E2|A2 (3cBA eAcA|e^def e=dcA|Bcde fdde|f2 bg afedc| A2 (3cBA eAcA|e^def e=dcB|...   X:1 T:Green Leaf or White Leaf, The M:4/4 L:1/8 R:Reel S:Larry Smyth ms., vol. II, c. 1900 N:Larry Smyth (1866-1930), Abbeylara, Co. Longford. Z:Conor Ward K:A gf|eA A/A/A eAfA|eA A/A/A (fe)dc|(Bc)de (fe)dc|Bcde f2 gf| eA A/A/A (eA)fA|eA A/A/A fedc|(Bc)de fgaf|edcB A2:| aA A/A/A (aA)fA|aA A/A/A (fe)dc|(Bc)de (fg)af|edcB A2:|]   X:1 T:White Leaf, The M:4/4 L:1/8 B:Bulmer & Sharpley, book 4, 27 K:A (3EFG|A2 cA eAcA|(3Bcd ef edcA|Bcde fdde|fdad fdcB| A2cA eAcA|(3Bcd ef edcA|Bcde fgaf|edcB A2:| aA A2 cAce|a2 ga faec|Bcde fgaf|edcB A2:|] 
 * fg|aA A/A/A (aA)fA|aA A/A/A (ag)fg|bB B/B/B (bB)fB|bB B/B/B (ba)fg|
 * fg|(aA) A/A/A aAfA|aA A/A/A (ag)fe|bB B/B/B (bB)fB|bB B/B/B (ag)fg|
 * ce|eA A2 cAce|a2 ga fece|bf f2 fece|bffe ^defg|

   Annotations __NOTITLE__