Cooley's Reel (1)

 COOLEY'S REEL [1]. AKA and see "Joe Cooley's Reel (2)," "Lutrell Pass," "Reynold's Reel," "Ríl na Tulai," "Tulla Reel." Irish, Reel. E Dorian. Standard tuning (fiddle). AAB (Carlin, Laufman): AABB (Brody, Mallinson, McNulty, Mulvihill, Songer, Taylor): AA'BB (Miller & Perron, Moylan): AA'BB' (Alewine, Harker/Rafferty, O'Malley). The tune is associated with the renowned button accordion player Joe Cooley (1924-1973), originally from Peterswell, County Galway, near the northern boundary of the Sliabh Aughty mountians. Cooley spent much of his later life in an itinerant lifestyle in various cities in America, and back and forth to Ireland. He was a member for a time of the famous Tulla Céilí Band in Ireland. Peter Wood, in his book The Living Note: the Heartbeat of Irish Music (1996), had this to say about Cooley: Cooley's accordion playing made a great impression on all those  ''who heard him. He had great energy and style. Everything for '' ''him was wrapped up in emotion. There was at the time, and '' there have been since, technically better players, faster players, players who know their way round the box better than Joe did, but it was always about Joe that you'd find the crowd gathered, looking at him, watching him drive his whole body behind his ''box. You could be standing at the back of a place when Cooley'' came to play, the place emptied out into the corners, but when  he strapped on the box and launched into a tune the crowds would start toward him, even if they didn't know who he was. ''He inspired people. Oh, they'd say, can't he make it talk.'' There are several stories circulating regarding the origins of this extremely popular session tune. According to David Taylor (1992) the reel was the composition of Co. Mayo and New York fiddler John McGrath (1900-1955), although this assertion does not seem supported elsewhere. Philippe Varlet maintains it was the invention of accordion player Joe Mills of the Aughrim Slopes Céilí Band, who originally entitled it "Lutrell Pass." Charlie Piggott, writing in his book co-authored with Fintan Vallely, Blooming Meadows (1998), has yet another version, related to him by Joe's brother Séamus. Its origins date to the 1940's when the teenaged brothers attended a house session in the neighboring county of Clare. There they listened to an old man with a battered concertina playing in front of an open fire (Séamus remembers some of the buttons had been replaced by cigarette ends!), and one tune in particular caught their attention. On returning home the brothers tried their best to remember what the old man had played, staying up through the night working and worrying the remembered fragments until finally the reel took shape. Séamus credits Joe with the first part of their refashioned piece, while himself taking credit for the turn. The melody is often paired with "The Wise Maid," a medley recorded by Cooley himself on his Gael-Linn album. Sources for notated versions: Jay Ungar (West Hurley, New York) [Brody]; accordion player Johnny O'Leary (Slaibh Luachra region of the Cork-Kerry border), recorded in recital at Na Píobairí Uilleann, November, 1990 [Moylan]; Jim Bly (Co. Roscommon/Northampton, England) & Frank McCollam (Ballycastle, Co. Antrim) [Mulvihill]; set dance music recorded live at Na Píobairí Uilleann, mid-1980's [Taylor]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker]. Printed sources: Alewine (Maid that Cut Off the Chicken's Lips), 1987; p. 13. Brody (Fiddler's Fakebook), 1983; p. 74. Carlin (Master Collection), 1984; p. 117, No. 197. Harker (300 Tunes from Mike Rafferty), 2005; No. 78, p. 25. Laufman (Okay, Let's Try a Contra, Men on the Right, Ladies on the Left, Up and Down the Hall), 1973; p. 35. Mallinson (Essential), 1995; No. 27, p. 12. McNulty (Dance Music of Ireland), 1965; p. 7. Miller & Perron (Irish Traditional Fiddle Tunes), 1977; vol.1, No. 33. Miller & Perron (Irish Traditional Fiddle Music), 2nd Edition, 2006; p. 58. Moylan (Johnny O'Leary's), 1994; No. 170, p. 98. Mulvihill (1st Collection), 1986; No. 7, p. 2. O'Malley (Luke O'Malley's Collection of Irish Music, vol. 1), 1976; No. 65, p. 33. Songer (Portland Collection), 1997; p. 54. Taylor (Music for the Sets: Yellow Book), 1995; p. 21. Recorded sources: Avoca 139, Sean Maguire--"Music of Ireland." CAT-WMR004, Wendy MacIssac - "The 'Reel' Thing" (1994). Coleman Music Center CHC 009, fiddler P. Fitzpatrick & flutist Desmond Higgins - "The Coleman Archive, vol. 2: The Home Place" (2005. Various artists). Coleman Music Center CHC 009, whistle player Jim Donoghue - "The Coleman Archive, vol. 2: The Home Place" (2005. Various artists). Fretless 118, Marie Rhines- "The Reconciliation." Gael-Linn Records, Frankie Gavin & Paul Brock - "Tribute to Joe Cooley." Green Linnet 1009, Patricia Conway and Mick Moloney- "Irish Music: The Living Tradition" (appears as "Joe Cooley's Reel"). Great Meadow Music GMM 2018, Frank Ferrel & Joe Derrane - "Fiddledance" (2004). Greenhays GR 710, John McCutcheon - "Fine Times at Our House" (1982). Philo 1040l, Jay Ungar and Lynn Hardy- "Catskill Mountain Goose Chase" (1977. Appears as third tune of "Four Reels"). Rounder 0111, Russ Barenberg- "Cowboy Calypso." Tara Music TARACD 2006, Tony Linnane & Noel Hill (1978). Voyager 320-S, Frank Ferrel- "Fiddle Tunes." See also listings at: Alan Snyder's Cape Breton Fiddle Recording Index, Jane Keefer's Folk Music Index: An Index to Recorded Sources , Alan Ng's Irishtune.info.

X:1 T:Cooley's Reel M:C| L:1/8 R:Reel K:Emin EBBA (B2 B)A|~B2 AB dBAG|FDAD BDAG|FDFA dAFD| EBBA (B2 B)A|~B2 AB defg|afef dBAF|1 DEFD E2 z2:|2 DEFD E2 zf| eB ~B2 eBgf|eB ~B2 defg|afef dBAF|DEFD E2 z2:||
 * eB ~B2 eBfB|eB ~B2 gedB|A2 FA DAFA|~A2 FA defd|

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