Difference between revisions of "Boatie Rows (The)"

From The Traditional Tune Archive
Jump to: navigation, search
[checked revision][checked revision]
Line 19: Line 19:
 
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
 
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
 
----
 
----
 +
<pre>
 +
X:1
 +
T:Boatie Rows, The
 +
M:2/4
 +
L:1/8
 +
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
 +
B:(Glasgow, 1797, No. 163, p. 61)
 +
Z:AK/Fiddler’s Companion
 +
K:D
 +
D|F<AAD|GBBd|A<FFD|E3D |FAAD|GBBd|
 +
A>FFD|E2 zD|d>AAB|dAA>A|BABd|e2 de|
 +
e2 d/e/|(fe/d/) fe|dB (AB/c/)|{e}!fermata!d3B|A>FFD|E3||
 +
</pre>
 
<pre>
 
<pre>
 
X:1
 
X:1

Revision as of 23:25, 17 January 2016


Boatie Rows (The)

(The Traditional Tune Archive)   Browse Properties Browse/:Boatie Rows (The)
 Theme code Index   3552H 5332
 Also known as    Keel Row (The), Weel May the Boatie Row
 Composer/Core Source    
 Region    England, Scotland, United States
 Genre/Style    Contra, English, Northumbrian/Borders, Scottish
 Meter/Rhythm    Country Dance, Reel (single/double), Schottische/Schottis/Jennkka/Reinlander, Strathspey
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AB
 Editor/Compiler    William Bradbury Ryan
 Book/Manuscript title    Ryan's Mammoth Collection
 Tune and/or Page number    p. 167
 Year of publication/Date of MS    1883
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    


Tune annotations


X:1
T:Boatie Rows, The
M:2/4
L:1/8
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5
B:(Glasgow, 1797, No. 163, p. 61)
Z:AK/Fiddler’s Companion
K:D
D|F<AAD|GBBd|A<FFD|E3D |FAAD|GBBd|
A>FFD|E2 zD|d>AAB|dAA>A|BABd|e2 de|
e2 d/e/|(fe/d/) fe|dB (AB/c/)|{e}!fermata!d3B|A>FFD|E3||
X:1
%
T:Boatie Rows, The
M:C
L:1/8
R:Strathspey
S:Ryan's Mammoth Collection (1883)
Z:AK/Fiddler's Companion
K:G
G | (B<d) (d>.e) (d>.g) (a/g/f/e/) | (d<B) (B>.G) (B<A) (A>.G) | (B<d) d>e d>g (a/g/f/e/) | (d<g) a>b g2 (.g.G) | 
(B<d) (d>.e) (d>.g) (a/g/f/e/) | (d<B) (B>.G) (B<A) (A>.G) | (B<d) d>e d>g (a/g/f/e/) | (d<g) a>b g2g || 
d | (g>.d)(d>f) (g>.d)(d>.g) | {f}(e>.d)(e>.g) {f/g/}a3f | (g<b) (e<g) (d>.g) (d>.B) | {B}(A>.G)(A>.B) {A}G3f | 
gdd (e/f/) gdd (g/f/) |{f}e>d (e/f/g/) {f/g/}a3 (g/f/) | (g<b) (e<g) (dg/f/) {f}(e/d/c/B/) | {B}(A>.G) (A<B) {A}G2G || 

Tune annotations