Difference between revisions of "TTA:About"

From The Traditional Tune Archive
Jump to: navigation, search
Line 1: Line 1:
 
<p><font face="garamond, serif" size="4">
 
<p><font face="garamond, serif" size="4">
Although I am not a trained musicologist, and make no pretense to the profession, I have tried to apply such professional rigors to this Semantic Abc Web  as I have internalized through my own formal and informal education.  
+
Although we are not a trained musicologist, and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web  as we have internalized through our own formal and informal education.  
 
<br>
 
<br>
 
<br>
 
<br>
Line 6: Line 6:
 
<br>
 
<br>
 
<br>
 
<br>
Many musicians, like myself, are simply curious about titles, origins, sources and anecdotes regarding the music they play.  Who, for example, can resist the urge to know where the title ''Blowzabella'' came from or what it means, or speculating on the motivations for naming a perfectly respectable tune ''Bloody Oul' Hag, is it Tay Ye Want''?   
+
Many musicians, like ourself, are simply curious about titles, origins, sources and anecdotes regarding the music they play.  Who, for example, can resist the urge to know where the title ''Blowzabella'' came from or what it means, or speculating on the motivations for naming a perfectly respectable tune ''Bloody Oul' Hag, is it Tay Ye Want''?   
 
<br>
 
<br>
 
<br>
 
<br>
Knowing the history of the melody I play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances my rendering of it.
+
Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.
 
<br>
 
<br>
 
<br>
 
<br>
Line 27: Line 27:
 
permission in writing from the author. Requests for
 
permission in writing from the author. Requests for
 
permission or further information are therefore useless.  
 
permission or further information are therefore useless.  
Inquiries can also
+
*Inquiries can also
 
be made  
 
be made  
 
**Andrew Kuntz, c/o Staggerin' Willie Music Publishing, 8 Veatch St., Wappingers Falls, N.Y. 12590 or e-mail to [[mailto:aikuntz@aol.com Andrew Kuntz]]
 
**Andrew Kuntz, c/o Staggerin' Willie Music Publishing, 8 Veatch St., Wappingers Falls, N.Y. 12590 or e-mail to [[mailto:aikuntz@aol.com Andrew Kuntz]]
 
**Valerio M. Pelliccioni, Via Ca' Bernardo 16 - 24040, Fornovo San Giovanni (BG) - ITALT, or e-mail to [[mailto:vmp@silkwood.it | Valerio M. Pelliccioni]].
 
**Valerio M. Pelliccioni, Via Ca' Bernardo 16 - 24040, Fornovo San Giovanni (BG) - ITALT, or e-mail to [[mailto:vmp@silkwood.it | Valerio M. Pelliccioni]].
 
</font></p>
 
</font></p>

Revision as of 02:01, 20 June 2010

Although we are not a trained musicologist, and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education.

This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance.

Many musicians, like ourself, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want?

Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.


All rights shared.


Every part of this work can be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, microfilm and recording, or by any information storage and retrieval system without permission in writing from the author. Requests for permission or further information are therefore useless.

  • Inquiries can also

be made

    • Andrew Kuntz, c/o Staggerin' Willie Music Publishing, 8 Veatch St., Wappingers Falls, N.Y. 12590 or e-mail to [Andrew Kuntz]
    • Valerio M. Pelliccioni, Via Ca' Bernardo 16 - 24040, Fornovo San Giovanni (BG) - ITALT, or e-mail to [| Valerio M. Pelliccioni].