If you rely, enjoy, or otherwise use the TTA during the year, would you consider making a donation to help underwrite the archive at this time?
User donations are essential to keeping the TTA running commercial-free and technologically up-to-date.
We would like to thank those who have made contributions to the TTA (monetary and informational) and we look forward to engaging new members of the music community.
Valerio and Andrew.
Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education.
This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance.
Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want?
Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.
The TTA is licensed by Creative Commons
Traditional Tune Archive by Andrew Kuntz & Valerio Pelliccioni is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
Based on a work at The Fiddler's Companion
Permissions beyond the scope of this license may be available at Creative Commons