Madam Bonaparte's Waltz
X:1 T:Madam Bonaparte’s Waltz M:3/8 L:1/8 R:Waltz B:Edward Riley – “Riley’s Flute Melodies vol. 2” (New York, 1817, No. 261, p. 71) F: https://archive.org/details/flutemelodies0000rile/page/70/mode/2up Z:AK/Fiddler’s Companion K:C (3G/A/B/|(cBc)|(ABc)|.d(d/c/)(B/A/)|(GAB)|(cBc)|(ABc)|.d(d/c/)(B/A/)|G2:| |:g|(eg).g|(fa).a|(df).f|(egf)|(ege)|(cec)|.c{e}(d/c/)(d/e/)|c2!fine!:| K:F c|(.f.f.f)|(.a.a.a)|.c'.c'.c'|g2a|.b(b/g/)|.aaf|.g{a}(g/f/)(g/a/)|f2!D.C.!||
X:847 T:Madam Bonuparts' Waltz. Roose.0847 T:Madam Bonaparte's Waltz. Roose.0847 T:Madam Buonaparte's Waltz. Roose.0847 B:J. Roose MS, Manchester 1850 Z:Village Music Project 2019 Eric Conrad M:3/8 R:waltz Q:3/8=45 L:1/16 N:At the beginning of the C part (bridge), before the key change (no flasts -> 1 flat), the N:two dot repeat mark is explicitly struck out. So the C part is definitely not repeated. N: N:NB1) measures A.5-6. These are not slurred as in A.1-2. Also the bar line N: separating A.5 and A.6 is missing in the MS. N:NB2) measures C.1-3. The MS has the notes in these measures as both slurred and staccato. N:NB3) measures C.5-7. The MS has the first notes in these measures as staccatissimo (!wedge!). N:NB4) measure B.8. Fine (end) is marked using a fermata (bird's eye) symbol. P:ABCAB K:C P:A K:C |: (3GAB | (c2B2c2) | (A2B2c2) | d2(dc)(BA) | G2A2B2 | \ "_NB1"c2B2c2 | A2B2c2 | d2(dc)(BA) | G4 :| P:B |: g2 | e2g2g2 | f2a2a2 | d2f2f2 | e2g2f2 | \ e2g2e2 | c2e2c2 | d2{/e}(dc)(de) | "_NB4"!fine!c4 :| P:C K:F c2 | "_NB2"(.f2.f2.f2) | "_NB2"(.a2.a2.a2) | "_NB2"(.c'2.c'2.c'2) | g4a2 | \ %U:.=!wedge! % staccatissimo (uncomment to display next three bars as in MS) "_NB3".b2(b2g2) | "_NB3".a2(a2f2) | "_NB3".g2(gf)(ga) | !D.C.!f4 ||