Money Musk (1)

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X:1 T:Monnymusk T:Money Musk [1] M:C L:1/8 R:Strathspey B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, p. 41) Z:AK/Fiddler’s Companion K:G e|d<GB>G d>Gc>e|d<GTB>G (AB/A/) ce|d<GB>G (B/c/d) d>g|e<cA>d TB>GG:| f|g2 (d>g) B>gd>f|g>dc>g B>gA>f|g>de>g d>gB>g|Te>cAd TB>GGf| g>(dd)g B>gd>f|g>dc>g B>gAf|g>deg d<gc<g|B<gA>c TB>GG||

X: 2 T: Money Musk [1] B: Peacocks' Tunes (1805) L: 1/8 M: C Z: Valerio M. Pelliccioni K: G e|d>GB>G d>Gc>e|d>GB>G (AB/A/) c>e|d>GB>G (3Bcd dg|e>cA>d A>GG:|| e/f/|g>eB>g d>gA>g|g>dc>g B>gA>g|g>de>g d>gB>g|e>cA>d BGG e/f/| g>dB>g d>gB>f|g>dc>g B>gA>f|g>de>g d>gc>g|B>gA>g B>GG:||

X:7 T:Monie Musk [1] S:Petrie's Second Collection of Strathspey Reels and Country Dances &c., p. 11 Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/5/04 L:1/8 M:C R:Strathspey K:A f|e<Ac>A e>Ad<f|e<Ac>A (B/c/B) d>f|e<Ac>A c<(ee>a)|fdBe cAA :| g|a<ee>a c<ae>g|a<ec>a c>aG>g |a<e f>a e>ac<a |f>dB<e c<(AAg)| a<ee>a c<ae<g|a<ec>a c>aB>g |a<ef<a eada |caBa cAA |]

X:1 T:Money Musk [1] S:Micah Hawkins music manuscript collection (p. 3) N:Hawkins (1777-1825) was a NYC tavern owner and musician who wrote the N:first American two-act opera. He was the uncle of painter and N:fiddler William Sidney Mount. M:C| L:1/8 R:Reel Z:AK/Fiddler's Companion K:D f|e>Ac>A e>Ad>f|e>Ac>A Bc/B/ (df)|eAcA cd/e/ ea|fdBe cA A2:| |:g|aeca eaca|acAa AaBg|aefa eaca|fdBe dA A2:|

X:1 T:Dannsa Gaelach T:Monymusk T:Money Musk [1] M:C L:1/16 R:Reel B:Donald MacDonald - A Collection of Piobaireachd (1822) Z:AK/Fiddler's Companion K:A f2|e3Ac3A e3Ad2f2|e3Ac3A (3B2B2B2 d3f|e3Ac3A c2e2e3a|f2dB2e2 c2A2A2:| fg|a3ec3a e3ac3a|a3ed3a c2aB3 fg|a3ec3a e3ac3a|f3dB3e c2A2A2 fg| a3ec3a e2ac3 fg|a3ed3a c3aB2 fg|a3ef3a e3ad3a|c3aB3a c2A2A2||

X:1 T:Money Musk [1] M:2/4 L:1/8 R:Reel B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 1, p. 98) Z:AK/Fiddler’s Companion K:A {b}(a/f/)|.e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) B/c/d/f/|.e/(A/c/A/) .c/(a/g/a/)|f/d/B/e/ c/A/A/f/| .e/(A/c/A/) e/A/d/f/|.e/(A/c/A/) E/G/B/c/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a|| (3e/f/g/|.a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|.a/(e/f/a/) (e/a/)(c/a/)|f/d/B/e/ c/A/E/e/| .a/(e/f/a/) (e/a/)(c/a/)|a/e/d/b/ c/a/B/g/|A/B/c/d/ (3e/f/g/ (b/>a/)|g/e/f/g/ a||

X:1 T:Second to Money Musk M:C L:1/8 N:William Sidney Mount music manuscript, page dated Feb. 22nd, 1848. Z:AK/Fiddler’s Companion K:A (3EGB (3EGB (3EGB (3FAB|(3EGB (3EGB (3DFA (3DFA|(3EGB (3EGB (3EGB (3EGB|(3EAc (3DFB|(3EGB E:| |:(3EGB (3EGB (3EGB (3EGB|(3EGB (3EGB (3EGB (3DFB|(3EGB (3EAc (3EGB (3EGB|1(3EAc (3DFB (3EGB (3EGB:|2 (3EAc (3DFB (3EGB E||

X:1 T:Ceòl a Bhodich T:Carle's Delight, The T:Monymusk M:C L:1/16 R:Strathspey B:William Gunn - The Caledonian Repository of Music B:Adapted for the Bagpipes (Glasgow, 1848, p. 35) Z:AK/Fiddler’s Companion K:Amix e2|AA3c3A e3Ad3f|AA3c3A BB3d3f|e3Ac3A de3e3f|g3dB3d c3AAA3:| e2|a3ec3a ga3c3e|a3ec3e d3gB3g|a3ec3a ga3c3e|g3dB3d c3AAe| a3ec3a ga3c3e|a3ec3e|d3gB3g|a3fg3e f3de3c|g3dB3d c3AA3||

X:24 T:Money Musk. Roose.0202 B:Roose MS, 1850 %See also VMP transcriptions: %John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.370); %Rev.R.Harrison's MS, c1815, Cumbria (RH.446). Z:Village Music Project 2019 Roger Hare M:C L:1/8 Q:1/4=120 K:A |: f | e>Ac>A e>Ad>f | e>Ac>A B/c/B Bf | e>Ac>A (c/d/)e ea | e>Ac>A cAA :| |: f/g/ | a>ec>a e>ac>a | a>ed>a c>af>g | a>ef>a e>ad>a | f>dB>e cAA f/g/ | a>ec>a e>ac>a | a>ed>a c>aB>a | a>ef>a c>ae>a | c>aB>a cAA :|

X:182 T:Money Musk O:No 181 William Clarke of Feltwell (1858) Z:Transcribed by David Dolby 2010 M:4/4 L:1/8 N:In m.s. Bar B2 is |gdcg B>gA>g| K:G e|d>GB>G d>GB>e|d>GB>G AB/A/ c>e|d>GB>G B>cd>g|e>cA>d B>GG:| |:e/f/|g>dB.g d>gB>g|g>dc>g B>gA>g|f>de>g d>gB>g|e>cA>d BGG e/f/| g>dB>g d>gB>g|g>dc>g B>gA>g|g>de>g d>gc>g|B>gA>g BGG:|

X:1 T:Money Musk [1] M:4/4 L:1/8 R:Reel S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 7) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:G e|dGBG dBce|dGBG ABce|dGBG Bddg|ecAc BG G:| |:g|gdBg dgBg|gdca BgAf|gdeg dgBg|ecAc BG G:|

X:1 T:Money Musk M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (vol. 2, c. 1883, p. 1, No. 4) B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=0&z=-338.7536%2C923.1979%2C4214.9032%2C1474.4442 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:A f2|eA cB/A/ eAdf|eA cB/A/ Bcdf|eA cB/A/ ceae|fdBd cA A2|| a2 ea caea|a2 ga bBBg|a2 ea caea|fdBd cAAg| a2 ea caea|a2 ga bBBg|agfe fedc|defg a2||

X:1 T:Mony Musk in the Scotch Way M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (1883, Book 3, No. 252) N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally N:from north Longford, but who moved around 1852 to Newpark, N:Bohey, Gortletteragh, south Leitrim. K:A f|eAcA eAaA|eA cB/A/ GA Bc/d/|eAcA eAae|f/e/d Be/e/ cAA:| g|aaea caAa|aa ag/a/ bBBg|aa/a/ ea caAa|f/e/d Be/e/ cAAg| aa aa/a/ aa aa/a/|aa aa/a/ bBBc|dbca BaAa|f/e/d Be/e/ cA A2||

X:1 T:Money Musk [1] M:2/4 L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 129. Mid-19th century, County Cork Z:AK/Fiddler’s Companion K:A e(c/A/) d/e/f/g/|ec/A/ B/c/d/B/|ec/A/ d/e/f/g/|a/f/e/d/ c/A/A:| a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|ag/a/ e/a/g/a/|a/f/e/d/ cA/A/| a(g/a/) e/a/g/a/|a(g/a/) b(B/B/)|a/g/f/e/ f/e/d/c/|d/e/f/g/ a/g/a/f/||

X:1 T:Money Musk [1] M:C L:1/8 R:Reel S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 129. Mid-19th century, County Cork N:A second version of the tune on the same page. Z:AK/Fiddler’s Companion K:A af|eA (3cBA eAfA|eA (3cBA Bcdf|eA (3cBA eaga|feBd cA A2:| a2 ea caea|a2 ga bB B2|a2 ea caea|gdBd cA A2| a2 ea caea|a2 ga bB B2|g2 ga fedc|defg a2 af||

X:1 T:Mony Musk [1] M:C| L:1/8 S:Anonymous 1862 American music manuscript collection (p. 6) N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up Z:AK/Fiddler’s Companion K:A (a/f/)|eAcA eAcf|eAcA Bcdf|eAcA eaga|fdBe cAAf| eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:| |:A|AAce a2a2|AAce b2b2|AAce a2a2|efgb a2a2| AAce a2a2|AAce b2b2|AAce a2a2|efgb a3:| |:e|aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3e| aec'e aec'e|bed'e bed'e|aec'e aec'e|aec'b a3:|]

X:1 T:Money Musk [1] M:C| L:1/8 R:Reel S:Philip Carolan music manuscript collection N:Philip Carolan (c. 1839-1910, Crossmolina, County Mayo), a musically literate N:farmer and fiddler who compiled his ms. probably during 1863-1873. S:Angela Buckley, thesis, “A Critical Edition of the Irish Music Manuscripts of S:Philip Carolan c. 1839-1910, vol. 2”, Waterford Institute of Technology, S:2007, p. 72. Carolan ms. 1, No. 216. K:A (edc)(f ed)cf|(edc)(A Bc)df|(edc)(B Aa)(ga)|(fd)Bd (cA)A2:| |:(a2e)(a ca)(eg)|a2 eg (fB)B2|(a2 e)(a ca)(eg)|(fd)Bd (cA) A2| (a2 e)(a ca)(eg)|a2 eg (fB)B2|(agf)(e fe)dc|(def)(g ag)af:|

X: 52 T: MONEY MUSK %R: strathspey B: Jean White "100 Popular Hornpipes, Reels, Jigs and Country Dances", Boston 1880 p.23 F: http://www.loc.gov/resource/sm1880.09124.0#seq-1 Z: 2014 John Chambers <jc:trillian.mit.edu> %N: The triplets in the 2nd strain are missing their '3's; fixed. %N: The unusual part of this setting is playing each strain first with dotted notes, then with triplets. M: C| L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - f |\ e>Ac>A e>Ad>f | e>Ac>A B>cd>f |\ e>Ac>A c>de>a | f>dB>e c<AA>f | (3ecA (3cBA (3ecA (3def | (3ecA (3cBA (3B=c^c (3def |\ (3ecA (3cBA (3cde (3fga | (3fdc (3Bed (3cec A :| |: e |\ a>ec>a A>ae>a | a>ec>a d>aB>g |\ a>ec>a A>ae>a | f>dB>e c>AA>e | (3aed (3cea (3Aca (3cea | (3aed (3cea (3dfb (3Beg |\ (3aed (3cea (3Aca (3cea | (3fdc (3Bed c<A A H:| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

X:2 T:Monymusk [1] M:C L:1/8 R:Strathspey B:Stewart-Robertson – The Athole Collection (1884) Z:AK/Fiddler’s Companion K:C e|d<G B>G d>G c<e|d<G B>G (3ABA c>e|d<G B>G B<d d>g|e>cA>d ~B<GG:| |:f|g>dB>g d>gB>g|g>dB>g c>gA>f||1 g>de>g d>gB>g|e>cA>d B<GG:|2 g>de>g d<bc<a|B<gA<g B<GG||

X:5 T:Moniemusk Reel [1], The M:4/4 L:1/8 S:Capt. F. O'Neill Z:Paul Kinder N:O’Neill remarks: “The first and second parts as above noted constitute the original tune N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in N: 1783. The third was substituted for the more difficult second by modern fiddlers, and N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest N: Highland piper of his day in Chicago, some fifty years ago.” R:Reel K:G e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:| |:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:| |:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:| 2gefd ecdc|BcAc BG G2||g2 gf g2 (3def| g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def| g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||

X:1 T:Money Musk M:C L:1/8 B:Reilly MSS, Drumreilly, Co Leitrim (MS2, ref RY2.151) N:Transcribed by fiddle player Philip Reilly (1860-1932) Z:Conor Ward K:A f||:!segno! eAcA eAdf|eAcA Bcdf|eAcA cdea|fdBd cAaf:|| aece aece|aece dBBg|afge fdec|dfed cA Ag| aece Aece|aece bBBg|(3agf (3gfe (3fed (3edc| dfed (3cBA af||

X:1 T:Jigues T:Money Musk [1] N:The second tune in a set of untitled duple-time dance pieces from N:the playing of fiddler Arthur-Joseph (A.J.) Boulay (1883-1948), N:who was born in New Hampshire, but who spent much of his life in Quebec. M:C| L:1/8 R:Reel Q:"Fast" D:http://www.collectionscanada.ca/obj/m2/f7/16187.mp3 D:Victor 263130b (78 RPM), A.J. Bouley (1922) Z:Andrew Kuntz K:A af|eAcA eAdf|eAcA Bcdf|eAcd ecde|fBBd cAAf| eAcA eAdf|eAcA Bcdf|eAcd eaga|bgeg a2|| |:(3efg|aefe aece|aece bece|aece Aece|fefg a2:|

X:1 T:Money Musk [1] M:2/4 L:1/8 R:Air B:E.F. Adam - Old Time Fiddlers Favorite Barn Dance Tunes (St. Louis, B:1928, No. 59, p. 23) Z:AK/Fiddler's Companion K:A f/|e/A/c/A/ e/A/d/f/|e/A/c/A/ (3B/c/B/d/-f/|e/A/c/A/ (3c/d/c/e/-a/|f/d/B/e/ (c/A/)A:| |:a/|a/e/c/a/ e/a/c/a/|a/e/d/b/ c/a/B/g/|a/e/c/a/ e/a/c/a/|f/d/B/e/ c/-A/A:|]

X:1 T:Money Musk [1] M:2/2 L:1/8 B:J.A. Boucher – “Le Repertoire du Violoneux” (1933, No. 34, p. 21) B:“Le Repertoire du Violoneux” (Nouvelle édition 2018 par Jean Duval) [1] K:A f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAA:| |:a|aefa eaca|aede ceBa|aefa eaga|fdBe cAA:| |:e|ac'ea c'e'eg|gbeg be'ea|ac'ea c'e'eg|gbeg az z:| |:e|e'eac' eac'e|e'egb egbe|e'eac' eac'e|e'egb ega:|]

X:6 T:Money Musk [1] C:Joseph Allard M:2/4 L:1/16 Z:Transcribed by Bruce Osborne K:G ge|:dGBG dGce|dGBG ABce|dGBG dGBg|BeAc BGGe|! dGBG dGBe|dGBG ABce|dGBG dGBg|BeAc BGG2:|! |:gdeg dgBa|gdca BAAf|gdeg dBca|BgAd BGGf|! gdeg dgBa|gdca BAAf|gdeg dBca|BgAf gGG2:|!

X:3 T:Money Musk [1] M:2/4 L:1/16 Q:122 C:Trad. S:from Cyril Stinnett (Mo.) R:Reel A:Missouri B:transcribed in OTFR as #18 D:taken from the playing of Cyril Stinnett Z:B. Shull, trans.; R. P. LaVaque, ABCs K:A (e2|:e)Acf ecdf|eAc(A Bc)d(f|e)(Ac)d eag(e|f)dBe cAAe|! eAcf ecdf|eAc(A Bc)d(f|e)(Ac)d eaf(e|f)dBe cAAA|! |Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAA|! Aeae (fg)ae|ceae B(Bc)(B|A)cae (fg)ae|fdBe cAAe-|! |a-e)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAe|! (ae)(fa) (ea)ce|aedb caBe|(aef)a (ea)ce|fdBe cAAA|! |a2c'(a ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad)(c'|bd')bg a2c'(b-|! -a-e)ac' (ba)c'b|(ae)ac' (bc')(d'b)|a(ec')a f(ad')(c'|bd')bg a2(c'a):|]

X:4 T:Moneymusk [1] M:4/4 L:1/8 O:Probably a version from Teelin, County Donegal. K:A af || eAcA e2 (3agf | eAdc BEGB | eAcA e3a | fdBa (3gfe (3agf | eAcAe2(3agf |eAcA Bcdf | eccB cdea | fdBc defg || a2ea ceA2 | aAce fBB2 | a2ea ceA2 |dcBc defg | a2ea ceA2 | aAce fBBe | (3agf (3gfe (3fed (3cBA | (3fga (3gfe fgaf ||

X:1 T:Money Musk [1] L:1/8 M:4/4 K:G e|d<GB>G d>Gc>e|d<GB>G A/B/A c>e|d<GB>G B/c/d d>g|e>c A>d B<G G:| f|g2d>g B>gd>f|g>d c>g B>g A>f|g>de>g d>gB>g|e>c A>d B<GG>f|| f|g>dd>g B>gd>f|g>d c>g B>g A>f|g>d e>g d>g c<g|B<g A>c B<G G|| |:g|G/G/G B>G B/dG/ c<e|G/G/G B<g A/A/A c<e|G/G/G B<G B/c/d d<g|{de} =f>c A/B/c B<G G:| z/d/|g>d B<g d<gB>d|g>d c<g B<g A>d|g>d B<g d<gB<g|e/f/g A/B/c B<G G>d| g>d B<g d<gB>d|g/f/e d<g B<g A>d|g>d e<g d<g c<g|B<g A<g B<G G|]

X:18 T: Money Musk C: B:Good Morning: After a Sleep of Twenty-five Years, Old-fasioned Dancing is B:Being Revived by Mr. and Mr. Henry Ford. Dearborn, Michigan, 1926. N:This is very close to the way that Phil Cook, an Akwesasne Mohawk fiddler N:from upstate New York who moved to Richland, Washington, played this tune. M:2/4 K:A f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAf eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAe|| aeca eace|aedb caBg|aeca eaga|fdBe cAAe| aeca eace|aedb caBg|aeca eaga|fdBe cAAB|| c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a2 AB| c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a4|| Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a4| Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a3|]

X:1 T:Money Musk [1] M:C| L:1/8 N:From an August 24, 1966, field recording of the playing of Fidel N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that N:consisted of Acadian, Irish, American and French-Canadian tunes. D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506 F:UGA Brown Media Archives: identifier artrosen_0056 (Track 3 -21:26 on the tape) Z:Transcribed by Andrew Kuntz K:G P:A e|:dGBG dGce|SdGBG ABce|dGBG dGBd|1ecAc BGGe:|2ecAc BG .[GB]z|| P:B g(deg) ddBd|.gzce BdAd|gdeg dgBd|ecAc BGGd| g(deg) ddBd|ggce dGBB|[M:2/4].AzAA|[M:C|] gdeg d2 Bd| {ef}edef gfge|| P:Var. 1 dGBG dGce|dGBG ABce|dGBG dGBd|ecAc BGG(e/g/| d)GBd Gdce| dGBd ABcd|d(GBG) dGBG|A(c/B/A)d BG.[G2B2]|| gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |ecAc BG [G2B2]| gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |{ef}edef (g/f/g)ge||.G>GBG dGceS| P:Var. 2 GGBd gggg|dGBd aaaa|ddBd azgg|{ef}edef ggg(e/f/| d)BBd gggg|ddBd aaaa|dGBd gggg|fdef ggge||