Money in Both Pockets (1)

Find traditional instrumental music
Jump to navigation Jump to search


Money in Both Pockets (1)  Click on the tune title to see or modify Money in Both Pockets (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Money in Both Pockets (1)
Query the Archive
Query the Archive
 Theme code Index    1H355 1H354H
 Also known as    Airgiod Ann Gac Pocad, Airgead in Gac Poca, Trip to Galloway (2), Spinner's Lilt (The)
 Composer/Core Source    
 Region    England, Scotland, Ireland, Canada, United States
 Genre/Style    Cape Breton/PEI, Contra, Irish, Northumbrian/Borders, Scottish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    6/8
 History    ENGLAND(North West), CANADA(Maritimes/English)
 Structure    AB, AAB, AABB, AABBCC, AABBCCDD
 Editor/Compiler    Robert Petrie
 Book/Manuscript title    Book:Collection of Strathspey Reels and Country Dances &c.
 Tune and/or Page number    p. 11
 Year of publication/Date of MS    1790
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Money in Both Pockets [1] C:Trad., Irish? S:Petrie's Collection of Strathspey Reels and Country Dances &c., 1790 Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 2/28/04 N:Petrie's First Collection, page 11 L:1/8 M:6/8 K:D A | d2F FEF | ABA AGF | d2F TFEF | ABA gfe | d2F FEF | ABA AGF | EFE EFA | BcTB B2 :| |: A | dfa afd |cea ecA | dfa afd | g3 f2g | agf bag | agf ede | fdB AFA | BcB B2 :| z |: dcd dAF | ABA AGF | Tdcd dAF | Aaf gfe | %Petrie omitted the 8th rest at the beginning of the above line -SW dcd dAF | ABA AGF| E2E EFA | BcB B2z :| %Petrie omitted the 8th rest at the end of the above line -SW |: Tdcd afd | cea ecA | Tdcd afd |Tgfg f2g | (f/g/af) (g/a/bg) | (f/g/af) ede | fdB AFA | BcB B2z :| %Petrie omitted the 8th rest at the end of the above line -SW


X:2 T:Money in Both Pockets [1] M:6/8 L:1/8 R:Jig N:Gow notes that when this tune is danced, the 2nd part is only played to N:the end of the eighth measure. B:Gow - Third Collection of Niel Gow's Reels (1792) Z:AK/Fiddler's Companion K:D f|:{c}d2F TFEF|A2A AGF|{c}d2F TFEF|A3 gfe|{c}d2F {G}FEF| A>BA {B}AGF|TE>FE EFA|TB3 {A/B/}ABc:||(df)a afd|(ce).a ecA| (df).a afd|Tg3 {f/g/}f2 f/g/|{f/g/}a>gf {g/a/}b>ag|{f/g/}a>gf Te>de| f<dB A<FA|TB3 d2A|df/g/a afd|(c/d/e/)f/^g/a/ (f/e/)(d/c/)B/A/|T(d/c/d/)e/f/g/ afd| {a}gfg f2 f/g/|(a/g/)f/g/a/f (b/a/)g/b/a/g/|(a/g/)f/a/g/f/ {f}ede|f>dB A<FA|TB3 ABc||


X:3 T:Money in Both Pockets [1] M:6/8 L:1/8 R:Jig S:MacDonald - 3rd Collection of Strathspey Reels (c. 1792) Z:AK/Fiddler's Companion K:D d2F TFEF | ABA AGF | d2F TFEF | A3 gfe | d2F FEF | ABA AGF | E2E EFA | B3B2A :| |: dfa afd | cea ecA | dfa afd | Tg3 f2g | agf bag | agf ede | fdB AFA | B3B2A :|]


X:4 T:Money in both Pockets [1] M:6/8 L:1/8 R:Country Dance B:Preston's Twenty Four Country Dances for the Year 1793 (No. 221, p. 91) Z:AK/Fiddler's Companion K:D A|d2F FGF|ABA AGF|d2F FGF|ABA gfe| d2F FGF|ABA AGF|EFE EFA|BcB B2:| |:A|dfa afd|cea ecA|dfa afd|g3f2a| agf bag|agf ede|fdB AFA|BcB B2:|]


X:1 T:Money in Both Pockets [1] M:6/8 L:1/8 B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 161, p. 42) B: https://archive.org/details/flutemelodies0000rile/page/n55/mode/2up Z:AK/Fiddler’s Companion K:D A|d2F FEF|ABA AGF|d2F FEF|A2B gfe| d2F FEF|ABA AGF|EFE EFG|B=cB B2:| |:A|dfa afd|cea ecA|dfa afd|g3 f2g| gfe bag|agf edc|dcB AFA|B=cB B2:|]


X: 5 T:Money in Both Pockets [1] R:Jig S:Rev. R. Harrison's MS, RH.103, c. 1815, Cumbria O:England A:Temple Sowerby, Cumbria Z:vmp.Simon Wilson. Review PJH, 2008. M:6/8 L:1/8 K:D |:A|d2F F>EF|ABA AGF|d2F F>EF|ABA gfe|! d2F F>EF|ABA AGF|EFE EFG|BcB B2:|! |:A|dfa afd|ceg ecA|dfa afd|(g3f2)a|! agf bag|agf ede|fdB AFA|BcB B2:|


X:6 T:Money in Both Pockets [1] M:6/8 L:1/8 R:Jig B:J. Anderson - Anderson's Budget of Strathspeys, Reels & Country Dances B: for the German Flute or Violin (Edinburgh, 1820, p. 20) Z:AK/Fiddler's Companion K:D A|d2F FGF|ABA AFA|d2F FGF|ABA f2e| d2F FGF|ABA AGF|EFE EFA|B3 A2:| |:B|dfa afd|cea ecA|dfa afd|(g3 f2)g| agf bag|agf ede|fdB AFA|B3 A2:|]


X:7 T:Money in Both Pockets [1] M:6/8 L:1/8 R:Air Q:"Moderato" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 182, p. 93) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:G d|(g2B) (BA).B|(d>ed) (dc).B|(g2B) (BA).B|(d>ed) (c'b).a| (g2B) T(BAB)|(d>ed) (dcB)|(A>BA) (AB).d|(e>=fe) .e2:| |:d|(gb).d' (d'b).g|(fa).d' (af).d|(gb).d' (d'b).g|c'3 b2.c'| (d'c').b (e'd').c'|(d'c').b (ag).f|(gf).e (dB).d|(e>=fe) .e2:|]


X:1 T:Money in Both Pockets [1] M:6/8 L:1/8 R:Country Dance Tune B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 34) Z:AK/Fiddler’s Companion K:D c|d2F F>GF|A>BA AGF|d2F F>GF|A3 gfe| d2F F>GF|A>BA AGF|E>FE EFA|B3 A2:| |:c|dfa afd|cea ecA|dfa agf|(g3 f2)g| agf bag|agf ede|fdB AFA|B3 A2:|]


X:22 T:Money in both pockets [1]. Roose.0200 B:Roose MS, 1850 %See also VMP transcriptions: %T.Westrop's 120 Country Dances, 1860's (WES.091); %John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.341); %Rev.R.Harrison's MS, c1815, Cumbria (RH.103). Z:Village Music Project 2019 Roger Hare M:6/8 L:1/8 Q:3/8=80 K:D |: A | d2 A FEF | ABA AGF | d2 A FEF | e2 f gfe | d2 A FEF | ABA AGF | EFE EFA | (B3 A2) :| |: A | dfa afd | cde ecA | dfa afd | f3 a2 a | afa geg | fed cBA | dcB AFA | (B3 A2) :|


X: 8 T:Money in Both Pockets [1] M:6/8 L:1/8 R:Jig B:T. Westrop's 120 Country Dances, 1860's, no. 91 Z:VMP-R.Greig 2010 K:D c|+accent+d2F FEF|ABA ABc|+accent+d2F FEF|ABA gfe| +accent+d2F FEF|ABA AGF|EFE FGA|BcBB2|| c|dfa afd|cea ecA|dfa afd|(g3f2)g| agf bag|bgf ede|fdB AFA|BcBB2|]


X:9 T:Money in Both Pockets [1] M:6/8 L:1/8 R:Jig S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 35 Z:AK/Fiddler's Companion K:C G | c2E EDE | GAG GFE | c2E EDE | G2g fed | c2E EDE | GAG GFE | DED DEG| ABA A2 :| |: G | ceg gec | Bdg dBG | ceg gec | f3 e2f | gfe agf | gfe dcB | cBA GEG | ABA A2 :|]



Cookies help us deliver our services. By using The Traditional Tune Archive services, you agree to our use of cookies.