Annotation:Dear Winnie (2)

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X:1 T:Una Arúin T:Dear Oona (2) T:Dear Willie (2) M:C L:1/8 R:Air B:Joyce - Old Irish Folk Music and Songs (1909, No. 676) Z:AK/Fiddler's Companion K:Gdor (5G/A/c/d/e/|f6 {d}d>g|g3f d2~cd|cAGA G2 GA|G6 g2| gfdc dfga|(b3 b/)g/ (a3 a/)g/|gfdc de/f/ a>g|g6 g2| gfdc dfga|(b3 b/)g/ (a3 a/)g/|gfdc de/f/ a>g|g4 (5GAcde| (f3 f/)d/ de/f/ g/a/b/a/|g3 g/f/ d cd/e/|f/d/c/A/ GA G2 GA|G6||



DEAR WINNIE [2]. AKA and see "Dear Oona (2)," "Una Arúin." Irish, Slow Air (4/4 time). G Dorian. Standard tuning (fiddle). One part. "Many of the long notes are marked, in [William] Forde's MS., with shakes, as Walsh played them on his violin: too many I think: and I have omitted them. As to the bar marked 'A', those who wish to avoid the ornamental notes will sinply play the four large notes. A very lovely melody" [Joyce]. Virginia Blankenhorn (Univ. of Edinburgh) points out that striping the ornamentation from the melody "reveals a serviceable tune suitable for a text in ballad meter. The last half of the tune is a mirror-image of the first half, giving a symmetrical ABBA quatrain structure"[1].


Additional notes
Source for notated version : - Walsh (a violin player), transcribed by William Forde [Joyce].

Printed sources : - Joyce (Old Irish Folk Music and Song), 1909; No. 676, pp. 338-339.






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  1. Virginia Blankenhorn (Univ. of Edinburgh), "Bunting and Beyond", International Congress of Celtic Studies, Utrecht, 24 July, 2023.[1]