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| <pre> | | <pre> |
| [[File:Otter's Holt.mp3|thumb|left|The Otter's Holt]]
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| {{break|4}}
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| <font face="sans-serif" size="4"> | | <font face="sans-serif" size="4"> |
| <div class="noprint"> | | <div class="noprint"> |
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| ---- | | ---- |
| <section begin=abc /> | | <section begin=abc /> |
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| %
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| T:Yankey Doodle
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| M:2/4
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| L:1/8
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| B:Rev. James Pike music copybook (1730, Somersworth, New Hampshire)
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| Z:AK/Fiddler's Companion
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| K:D
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| d2ef|dfec|d2 ef|d2 cA|d2 ef|gfed|cABc|d2d2:|
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| |:d2 BG|dB =c2|ABAG FG A2|d2 BG|Bd =c2|ABce|d2d2:|]
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| <section end=abc /> | | <section end=abc /> |
| <section begin=X1 /> | | <section begin=X1 /> |
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| %
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| T:Yankee Doodle
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| M:2/4
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| L:1/8
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| S:Barton - The Disappointment; or, The Force of Credulity (1767, Air IV)
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| Z:AK/Fiddler's Companion
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| K:G
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| (D|G) G A B|G G (F D)|G G B|G2 F(D|G) G A B|
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| c B (AG)|F D E F |G2 G2|:E>=F D C|D ^F G2|
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| D>E D C|(B,C) D2|E>=F E C|E ^F G G |D G F A |G2 Gz:|]
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| <section end=X1 /> | | <section end=X1 /> |
| <section begin=X2 /> | | <section begin=X2 /> |
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| %
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| T:Yankee Doodle
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| M:2/4
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| L:1/8
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| R:March
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| S:Thomas Nixon Jr./Joseph Long copybook (c. 1776-78)
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| Z:AK/Fiddler’s Companion
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| K:G
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| g2ab|gbaf|g2 ab|g2 fd|g2 ab|c'bag|fdef|g2g2:|
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| |:g2 ec|eg f2|dedc|Bc d2|g2 ec|eg f2|defa|g2g2:|]
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| <section end=X2 /> | | <section end=X2 /> |
| <section begin=X3 /> | | <section begin=X3 /> |
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| %
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| T:Yanky Doodle
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| M:2/4
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| L:1/8
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| R:Country Dance
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| B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 102, p. 36)
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| Z:AK/Fiddler’s Companion
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| K:D
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| ddef|ddec|ddef|d2c2|ddef|ddec|
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| AABc|d2d2::d2 BG|BG B2|=c2 AG|FG A2|
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| BG =c2|AB^cA|d2d2::dfeg|fdec|dfeg|
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| f2 ed|dfeg|fdec|AABc|d2d2::d2 BG|
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| Bd=cB|ABAG|FGAB|=cdcA|Bd=cA|AB^cA|
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| d2 d>g::fdec|dBAg|fdef|B2 Ag|fdec|
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| dBAF|A2 Bc|d2 dg::FAAd|BAAG|FAAd|
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| B2 AG|FAAd|BAAF|A2 Bc|d2d2::a2 af|
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| a2 ag|f2e2|a2 af|gfef|A2 Bc|d2d2:|
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| |:(B/A/B/c/) Bd|A/G/A/B/) Ad|(B/A/B/c/) Bd|BAGF|
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| (B/A/B/c/) Bd|(A/G/A/B/) Ad|A2 Bc|d2d2:|]
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| <section end=X3 /> | | <section end=X3 /> |
| <section begin=X4 />
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| %
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| T:Kitty Fisher’s Jig
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| L:1/8
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| M:6/8
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| S:Rimbault, Leisure Hour, p. 90, 1876
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| N:Supposedly from Walsh’s Collection of Dances for the Year 1750
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| K:C
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| c2c d2e|c2c B2G|c2c d2e|c3 B2G|
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| c2c d2e|f2e d2c|B2G A2B|c3 c3||
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| A2A A2G|A2B c3|G2A G2F|E3 G3|
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| c2c d2e|f2e d2c|B2g A2B|c3c3||
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| <section end=X4 />
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| <section begin=X5 />
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| %
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| T:Return of Ulysses, to Ithaca
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| L:1/8
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| M:2/4
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| S:Musical Tour of C. Dibdin, p. 342, 1788
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| K:C
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| G|c cde|cc BG|c cde|cc BA|c cde|fedc|
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| BGAB|c z c z|fefg|afdc|BGAB|czcz:|
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| |:G|ccde|ccBG|ccde|c2 BG|cc de|fe dc|
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| BG AB|c2c2|AA GF|GA _BB|BA GF|c2 GG|AAGF|
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| GA _B =B/A/|BG AB|c2c2|feff|afdc|BGAB|c2C2:|
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| <section end=X5 />
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| <section begin=X6 />
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| %
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| T:Adzooks, old crusty, why so rusty
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| L:1/8
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| M:C
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| S:Arnold – Two to One (1784)
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| K:E
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| B|eefg eedB|eef(g e2) dz/B/|e(efg) agfe|dBcd e2E||
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| |:B|ee fg ee dB|ee fg e2 dB|ee fg ag fe|BG cd e2 ez/f2e/2|
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| dBcd e2e2::c>d cA cd e2|B>c BA G2B2|
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| c>d cA cd e2|c>e df e2e2|c>edf e2E:|
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| <section end=X6 />
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| <section begin=X7 />
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| %
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| T:Untitled
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| M:2/4
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| L:1/8
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| R:March
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| N:A version of "Yankee Doodle."
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| S:Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, pp. 32-33)
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| N:The tune is categorized as a march only due to its inclusion
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| N:in a fifer’s ms., however the Woburn Fife Manuscript also contains
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| N:dance tunes that may or may not have been employed as marches.
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| Z:AK/Fiddler’s Companion
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| K:D
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| (3ABc|d>f e>f|d>fe>c|d>fe>f|d2 c>A|d>fe>f|g>fe>d|
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| c>AB>c|d2d:||:z|d>cB>G|B>d c2|A>BA>G|
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| F>G A2|d>cB>G|B>d c2|A>dc>e|d2 d:|]
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| <section end=X7 />
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| <section begin=X8 />
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| %
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| T:Yankee Doodle
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| M:2/4
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| L:1/8
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| S:William Sydney Mount manuscripts.
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| N:The tune appears on a page with a handwritten playing guide for the fife or tin
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| N:whistle, addressed to John B. Mount and dated March 26th, 1861. At the bottom of the
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| N:page he says: “For musical instructions, ask your Father, or , look at his instruction
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| N:book, about time & the characters of the notes & the proportion they bear to each
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| N:other. ‘Howe’s Violin Instructor’ will teach you. If you will apply yourself. I hope you
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| N:will. WSM.” Elias Howe, of Boston, published several instructors and tutors in the
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| N:mid-19th century, as well as a massive collection of tunes called Musician’s Omnibus.
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| N:The ‘A’ part is the part that is now familiar to modern ears, however, the ‘B’ part
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| N:appears to be in a transitional phase from 18th century versions, such as that printed by
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| N:Aird (1782) and the one familiar to us today. Modern versions have dropped the ‘c’
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| N:natural note, a modal feature, and remain in the major key.
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| Z:Transcribed by Andrew Kuntz
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| K:D
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| d2 ef | dfec | d2 ef | d2 cA | d2 ef | gfed |
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| cABc | d2d2 :||: d2 BG | Bd =c2 | ABAG |
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| FG A2 | d2 BG Bd =c2 | Adce | d2d2 :|]
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| <section end=X8 />
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| </font> | | </font> |
| <font face="sans-serif" size="4"> | | <font face="sans-serif" size="4"> |
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| __NOTITLE__ | | __NOTITLE__ |
| </pre> | | </pre> |
| | | {{break}} |
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| <br>
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| {{-}} | | {{-}} |
| |} | | |} |
