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Welcome to The Traditional Tune Archive
    The Semantic Index of North American, British and Irish
 traditional instrumental music with annotations, formerly known as
                          The Fiddler's Companion.
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A dance tune composed in 1846 as "Jenny Lind's Lieblings-Polka," attributed to the composer Anton Wallerstein (1813-1892), commemorating the "Swedish Nightingale," Johanna Maria "Jenny" Lind (1820–1887), an operatic soprano.
Jenny Lind

Played by: moxadox
Source: Soundcloud
Image: Jenny Lind (1820–1887).

Lind.jpg

Jenny Lind

The melody was hugely popular and was published repeatedly, although Wallerstein's name as composer often does not appear. In America the name of Allen Dodworth, a dancing master and a member of "Dodworth's famous Cornet Band" is sometimes attached to the melody, but can be credited as an arranger only.

The popular melody, with its memorable opening bars, entered a number of English-speaking folk traditions, although in America the melody usually appears in two parts rather than the multiple parts that were originally printed. Jenny Lind toured Europe during 1844–48 to much popular acclaim, and took London, then Dublin by storm in 1847 and 1848. P.T. Barnum promoted an American tour of the by then world-famous singer in 1851–52, and she played a 150 concerts at $1,000 a performance.

She earned enough so that upon her return to Europe she retired from professional performing and became a philanthropist and singing teacher. She eventually settled in Malvern, Worcestershire, England, where she died and is buried.

Lind's fame coincided with the rise in popularity of the polka, although she and the form were not directly related except by this famous piece, dedicated to her.

...more at: Jenny Lind - full Score(s) and Annotations


X:1 T:Jenny Lind’s Favorite Polka M:2/4 L:1/8 R:Polka S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 130) S:http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler's Companion K:G V:1 clef=treble name="1." [V:1] (Bd) (ce)|.d.b (b/^a/).b|.c.a (a/^g/).a|(Bg) (g/f/).g| (Bd) (ce)|(db) (b/^a/).b|(ca) (a/^g/).a|ggg z!fermata!|| .g.e (e/^d/)e|.d.B (B/^A/).B|.c.A (A/^G/).A|.B.G (G/F/).G| .g.e (e/^d/).e|.d.B (B/^A/).B|.c.A (A/^G/).A|GGG z| (3A/B/A/ ^G/A/ dF|AG (G/F/)G|(3A/B/A/ ^G/A/ gc|ed (d/^c/)d| (3A/B/A/ ^G/A/ dF|.A.G (G/F/)G|(3A/B/A/ (^G/A/) gc|ddd z!D.C.!||

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Who Builds the TTA

Who Builds the TTA

Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education.
This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance.
Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want?
Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.
Andrew Kuntz & Valerio Pelliccioni

Please register as a user to make the most of the many functions of the TTA, and enjoy the many ways that information about traditional tunes can be elicited and combined, from simple to complex situations. Users may make contributions, which, when reviewed by an editor, become part of this community project. Serious user/contributors may become editors through the TTA's autopromotion process, in which quantity and quality of entries allows increased levels of permission to edit and review the entire index.
Above all, the developers wish you joy in the use of the TTA.

Help Getting started

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Navigation: Registered users can navigate the Traditional Tune Archive for information in a number of ways.

  • Search. The Search function is located at the top right, and can be used to search the entire index for any key word. See Search help pages
  • Alphabetically by tune title. Under “The Archive” on the SideBar on the left is “The Index”. Click on it to open up the list of tune titles in the TTA arranged in alphabetical order, 200 titles to a page. At the top of the page is an alphabetical breakdown that serves as a shortcut to pages. Clicking on any title will bring one to the music and tune fields. Once the tune appears, clicking “Tune Discussion” at the bottom of the page (below the notation) will open up the narrative information on the tune.
  • Query the Archive. The “Query the Archive” function under “The Archive” in the sidebar can be used to draw down reports from the TTA in either in single items or in a number of combinations. One might, for example, use a single item query to run a report in the TTA for a particular composer/core source. Clicking on the arrow at the right of the bar draws down a list of composer/core sources, or one may be typed in. For example, clicking on “Bill Pigg” and then the “Run Query” tab at the bottom left will result in a list of all compositions listed in the TTA that the Northumbrian piper either composed or is the core source for. Reports may also be run in combinations, as, for example, by selecting “William Marshall” as a composer/core source, “Three Flats” for the number of accidentals, and “Major” for the Key/Mode. This will result in a report of all Eb Major compositions of Scottish fiddler/composer William Marshall that are indexed in the TTA.
  • Tune Books/Magazines in the TTA can be accessed under “Publications” in the left side bar. These are reproductions of publications for which access has been granted to the TTA by the copyright holder, under the Creative Commons license.
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