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    The Semantic Index of North American, British and Irish
 traditional instrumental music with annotations, formerly known as
                          The Fiddler's Companion.
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Hey My Nanny

Played by: ames and the samllpipes
Source: Soundcloud
Image: Bewick's Pipe Tunes book

Hey My Nanny

AKA and see - Oh My Nanny, Hay My Nanny, Hey Me Nanny, Hey My Nancy, Up in the Garret I am Scottish, English; Jig (9/8 time) and Country Dance Tune. England, Northumberland. A Mixolydian (Bremner, Gow, Vickers, Young): D Major (Huntington, Kennedy). Standard tuning (fiddle). AABB.

The melody appears in the Northumbrian Bewick's Pipe Tunes as "Oh My Nanny," although "only the first strains correspond in detail" (Seattle).

The melody appears in the Drummond Castle Manuscript in the possession of the Earl of Ancaster; it is inscribed "A Collection of Country Dances written for the use of his Grace the Duke of Perth by Dav. Young, 1734".

Robert Bremner prints a version in his 1757 Collection of Scots Reels, which John Glen (1891), evidently not knowing of Young's MS, thought was the earliest printing.

The title also appears in Henry Robson's list (as "Hey, My Nanny, My Nanny") of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800.

The tune "Hunt the Fox" in Ryan's Mammoth Collection/Cole's 1000 is very similar. There is some thought "Hey My Nanny" may be the ancestor of "Drops of Brandy (1)."

Irish collector Frank Roche's "Up in the Garret I am" is a distanced version, most similar to the version that the Gows published.

Edinburgh music publisher Neil Stewart's version in 6/8 time, printed in his Select Collection of Scots, English, Irish and Foreign Airs, Jiggs & Marches, vol. 3 (c. 1788, also published by Elias Howe's in 1880-1882), is also a distanced variant of the usual 9/8 time.

...more at: Hey My Nanny - full Score(s) and Annotations

X:1 T:Hey my Nanny M:9/8 L:1/8 R:Slip Jig B:David Young – Drummond Castle/Duke of Perth Manuscript (1734, No. 23) Z:AK/Fiddler’s Companion K:Amix g|Tf2A (ce)A (ce)A|Tf2A (ce)A Bdg|Tf2A (ce)A (ce)f|gfe dBG (Bd):| |:g|(fg)a (ef)e (ce)g|(fg)a (ac)A (Bd)g|(fg)a (ef)e (ce)f|(gf)e (dB)G (Bd):|]

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Who Builds The Archive

Who Builds The Archive

Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education.
This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance.
Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want?
Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.
Andrew Kuntz & Valerio Pelliccioni

Please register as a user to make the most of the many functions of the TTA, and enjoy the many ways that information about traditional tunes can be elicited and combined, from simple to complex situations. Users may make contributions, which, when reviewed by an editor, become part of this community project. Serious user/contributors may become editors through the TTA's autopromotion process, in which quantity and quality of entries allows increased levels of permission to edit and review the entire index.
Above all, the developers wish you joy in the use of the TTA.

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Navigation: Registered users can navigate the Traditional Tune Archive for information in a number of ways.

  • Search. The Search function is located at the top right, and can be used to search the entire index for any key word. See Search help pages
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  • Query the Archive. The “Query the Archive” function under “The Archive” in the sidebar can be used to draw down reports from the TTA in either in single items or in a number of combinations. One might, for example, use a single item query to run a report in the TTA for a particular composer/core source. Clicking on the arrow at the right of the bar draws down a list of composer/core sources, or one may be typed in. For example, clicking on “Bill Pigg” and then the “Run Query” tab at the bottom left will result in a list of all compositions listed in the TTA that the Northumbrian piper either composed or is the core source for. Reports may also be run in combinations, as, for example, by selecting “William Marshall” as a composer/core source, “Three Flats” for the number of accidentals, and “Major” for the Key/Mode. This will result in a report of all Eb Major compositions of Scottish fiddler/composer William Marshall that are indexed in the TTA.
  • Tune Books/Magazines in the TTA can be accessed under “Publications” in the left side bar. These are reproductions of publications for which access has been granted to the TTA by the copyright holder, under the Creative Commons license.