Find traditional instrumental music
Jump to: navigation, search
Welcome to The Traditional Tune Archive
    The Semantic Index of North American, British and Irish
 traditional instrumental music with annotations, formerly known as
                          The Fiddler's Companion.
The fiddler
48,774 Tunes by title

Crystal Clear app xmag.svg Find everytune 1rightarrow.png  Subscribe Subscribe 1rightarrow.png Insta.png Find us

Chenwett crest.gif
The Last Shot Got Him

Played by : Martin Simpson
Source : Soundcloud
Image : Chenoweth's Crest

The Last Shot Got Him

The tune was recorded by fiddler William B. Chenoweth (1858-1946, born on a farm in Dallas, Dallas County, Texas), and his group Chenoweth's Cornfield Symphony Orchestra, which consisted of family members. They were the very first country music band to be recorded (previous recordings were of single fiddlers, or fiddle duets), when OKeh records sent a portable recording studio in a truck to Dallas, in 1924. Chenoweth also recorded under the name The Texas Fiddlin' Wampus Cat and His Kittens.

Although he died a pauper, Chenoweth led a colorful life. In addition to his musical talents, he was an inventor and holder of some 17 patents for items such as an internal combustion engine, electrical appliances, a wind-generator, and a flying machine. The 2010 reminiscence [1] by his grandson, Joseph Thomas Chenoweth, makes for fascinating reading, and is reproduced below in its entirety (courtesy of Joe Chenoweth and the Chenoweth Family Website).

William Benjamin Chenoweth 1868-1946
Inventor & Musican: the Legacy of W. B. Chenoweth

by Joseph Thomas Chenoweth [July 2010]

My grandfather, William Benjamin Chenoweth, the oldest of Joseph & Rebecca Ann Crawford Chenoweth’s children who lived, was born on a farm in Dallas Co., Texas in 1868. Like most farm kids he grew up learning how to make do with what you had – and if something had to be built or something broke you had to fix it with whatever you had around the place – because town was too far away and there wasn’t enough money to buy whatever you needed anyway. Bill Chenoweth was a little more advanced in that regard, as he inherited mechanical aptitude at the genius level. Though he never made it out of high school, his initial profession was that of a mechanical draftsman, then a locomotive designer, and then an inventor. He married Anne Elvira Crenshaw in Nevada, Collin Co, TX in 1889.

...more at: The Last Shot Got Him - full Score(s) and Annotations

X:1 T:Last Shot Got Him [2] M:2/4 L:1/16 R:Reel S:W.C. Chenoweth & Chenotweth's Cornfield Symphony Orchestra N:OKeh (1926) Z:AK/Fiddler's Companion K:F A,B,|CB,CF AGFG|FEFd c4|fgag f2A2|B8| BcBA GAGF|EFED C4|e2d2 c2d2|c6 A,B,| CB,CF AGFG|FEFd c4|agfe fA3|B8| gagf ed3|cdcB AGFD|CB,CF AGFE|F6EF|| K:C GFGc edcB|cBca g3g|a2g2 (f/g/f)e2|d8 | GABA GAGF|DEDB, G,4|b2a2 g2a2|g8| GFGc edcB|cBca g3g|a2g2 (f/g/f)e2|d8 | GABc dcdg|b2a2 g2e2|GFGc edcB|c6EF|| GFGc edcB|c2G2 F2E2|DCDE FEFG|A8| GFGA BABd|g2f2 e2Bc|d2c2 B2A2|G6EF| GFGc edcB|c2G2 F2E2|DCDE FEFG|A8| GFGA BABd|g2f2 e2Bc|e2d2B2G2|c6|| K:F |:A,B,|C2A,C A2EG|F2DF C2 fg|a2e2 fA3|B8| GAGF EFED|CDCB, A, cd|e2d2c2d2|c6 A,B,| C=B,CF AGFE|FEFd c2 fg|a2e2f2A2|B8| gagf ed3|cdcB AGFD|CB,CF AGFE|F8:|]

Latest Tunes

Latest Tunes

Who Builds the TTA

Who Builds the TTA

Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education.
This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance.
Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want?
Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it.
Andrew Kuntz & Valerio Pelliccioni

Please register as a user to make the most of the many functions of the TTA, and enjoy the many ways that information about traditional tunes can be elicited and combined, from simple to complex situations. Users may make contributions, which, when reviewed by an editor, become part of this community project. Serious user/contributors may become editors through the TTA's autopromotion process, in which quantity and quality of entries allows increased levels of permission to edit and review the entire index.
Above all, the developers wish you joy in the use of the TTA.

Help Getting started


Navigation: Registered users can navigate the Traditional Tune Archive for information in a number of ways.

  • Search. The Search function is located at the top right, and can be used to search the entire index for any key word. See Search help pages
  • Alphabetically by tune title. Under “The Archive” on the SideBar on the left is “The Index”. Click on it to open up the list of tune titles in the TTA arranged in alphabetical order, 200 titles to a page. At the top of the page is an alphabetical breakdown that serves as a shortcut to pages. Clicking on any title will bring one to the music and tune fields. Once the tune appears, clicking “Tune Discussion” at the bottom of the page (below the notation) will open up the narrative information on the tune.
  • Query the Archive. The “Query the Archive” function under “The Archive” in the sidebar can be used to draw down reports from the TTA in either in single items or in a number of combinations. One might, for example, use a single item query to run a report in the TTA for a particular composer/core source. Clicking on the arrow at the right of the bar draws down a list of composer/core sources, or one may be typed in. For example, clicking on “Bill Pigg” and then the “Run Query” tab at the bottom left will result in a list of all compositions listed in the TTA that the Northumbrian piper either composed or is the core source for. Reports may also be run in combinations, as, for example, by selecting “William Marshall” as a composer/core source, “Three Flats” for the number of accidentals, and “Major” for the Key/Mode. This will result in a report of all Eb Major compositions of Scottish fiddler/composer William Marshall that are indexed in the TTA.
  • Tune Books/Magazines in the TTA can be accessed under “Publications” in the left side bar. These are reproductions of publications for which access has been granted to the TTA by the copyright holder, under the Creative Commons license.