Annotation:Gypsy Hornpipe (9)

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X:1 T:Gypsy (Hornpipe) [9] M:C L:1/8 R:Hornpipe B:Rev. Luke Donnellan - "Oriel Songs and Dances," Journal of the County B:Louth Archaelogical Society vol. II, Sept. 1909, No. 29 K:A ed|cdBc ABGA|FGAF E2 FG|A2 EA c2 Bc|edcd B2 ed| cdBc ABGA|FGAF E2 FG|Afed cBAG|A2 AA A2 (3BAG|| F2 ff f2 (3AGF|E2 ee e2 (3GFE|D2dd d2 Bc|dcBA GFED| C2 ff f2 (3agf|e2 ee e2 fg|agfe gfed|edef edcB||



GYPSY HORNPIPE [9]. AKA and see "Japanese Hornpipe." Irish, Hornpipe (whole time). A Major. Standard tuning (fiddle). AB. "Gypsy Hornpipe [9]" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1]. The title was included in the tune list of piper Philip Goodman (c. 1831-1908), Carrickmacross, Ireland, who is variously described as "the last professional and traditional piper in Farney, Louth", and also recorded as having been from Donaghmoyne, County Monaghan (all of which are places from the same area, and contiguous to Donnellan's Oriel region). Goodman brought his list to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997).


Additional notes
Source for notated version : - Rev. Luke Donnellan music manuscript collection [O'Connor].

Printed sources : - Rev. Luke Donnellan, “Oriel Songs and Dances” (Journal of the County Louth Archeological Society, vol. II), No. 2, 1909; No. 29. O’Connor (The Rose in the Gap), 2018; No. 19, p. 125.






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  1. Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.