Barrack Hill (5)
X:1 T:Barrack Hill [5] M:C L:1/8 R:Reel N:Goodman obtained the tune from the music manuscript collection of N:19th century Dublin bookseller John O'Daly. S:Rev. James Goodman music manuscript collection (vol. 2, p. 152) N:Canon Goodman was a uilleann piper and cleric who collected primarily N:in County Cork in the mid-19th century F:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=155&z=1047.8431%2C1302.5165%2C7429.8284%2C2584.8765 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:Amin A|EAAB edBd|EAAB GABd|EAAB edBd|ef/g/ dB A2A2:| |:edef gage|dedB dedB|edef gaba|gedB A2A2:|]
X:1 T:Barack [sic] Hill [5] M:C| L:1/8 R:Reel B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 72, p. 29) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. Z:AK/Fiddler’s Companion K:Ador g|:eAAB edBd|eAAB GABd|eAAB edBd|edgB A2A2:| |:edef gage|dBAB dedB|edef gage|dBgB A2A2:|]