Haymaker's Jig (2)
X:1 T:Hay Makers Dance in Fortunatus, The M:6/8 L:1/8 R:Jig and Country Dance Tune B:David Rutherford – Rutherford’s Compleat Collection of 200 Favourite B:Country Dances, vol. 2 (London, c. 1760, No. 102, p. 51) Z:AK/Fiddler’s Companion K:G D|G2B (A/B/c)A |B2G AFD|G2B (AB/c)A|(B/c/d)B G2:| |:G|B2d g2d|(e/f/g)e dBG|B2 d g2d|(e/f/g)e d2:| |:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/c)A G2:|]
X:1
T:Hay Makers [2], The
M:6/8
L:1/8
R:Jig
B:McGlashan - Collection of Scots Measures (1781)
Z:AK/Fiddler's Companion
K:G
D|G2B A/B/cA|B2G AFD|G2B A/B/cA|B/c/dB G2:|
|:c|B2d g2d|e/f/ge dBG|B2d g2d|e/f/ge d2:|
|:B|c2e dBG|AcA B2G|c2e dBG|A/B/cA G2:|
X:2
T:Hay makers [2], The
M:6/8
L:1/8
R:Jig
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 42, p. 15)
Z:AK/Fiddler’s Companion
K:G
D|G2B (A/B/c)A|B2G AFD|G2B (A/B/c)A|(B/c/d)B G2:|
|:G|B2d g2d|(e/f/g)e dBG|B2d g2d|(e/f/g)e d2:|
|:B|c2e dBG|(A/B/c)A B2G|c2e dBG|(A/B/cA) G2:|]
X:1
T:Haymakers (Old English)
M:6/8
L:1/8
R:Country Dance
Q:"Moderato"
B:Thomas Wilson - A Companion to the Ball Room (London, 1816, p. 111)
Z:AK/Fiddler's Companion
K:G
G2B A/B/cA |B2G AFD|G2B A/B/cA|B/c/dB G3:|
|:B2d g2d|ege dBG|B2d g2d|ege d3:|
|:c2e dBG|A/B/cA B2G|c2e dBG|A/B/cA G3:|]
X:2
T:Hay Makers [2], The
M:6/8
L:1/8
R:Jig
S:Howe - Complete Preceptor for the Accordeon (1843)
Z:AK/Fiddler's Companion
K:C
G | cde def | edc dBG | cde def | ege c2 :|
|: e2g c'2g | ac'a gec | e2g c'2g | ac'a g3 :|
|: e2a gec | ded gec | e2a gec | ded c3 :||
X:15
T:Hay Makers [2]. Roose.0015, The
T:Haymakers. Roose.0015, The
B:J.Roose MS, Manchester, 1850
Z:Village Music Project 2019 Eric Conrad
M:6/8
Q:3/8=120
L:1/8
N:A variant of this jig is common in American contradance.
N:
N:Abc2midi ignores the spiccato (wedge) in playback and generated warnings to that effect.
N:(These five warnings can be ignored.)
K:G
|: D | G2B (A/B/c)!wedge!A | B2G AFD | G2B (A/B/c)!wedge!A | (B/c/d)!wedge!B G2 :|
|: G | B2d g2d | eae dBG | B2d g2d | ege d2 :|
|: B | c2e dBG | (A/B/c)!wedge!A B2G | c2e dBG | (A/B/c)!wedge!A G2 :|
X:1
T:Hay Makers [2]
M:6/8
L:1/8
S:Anonymous 1862 American music manuscript collection (p. 7)
N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up
Z:AK/Fiddler’s Companion
K:G
D|GAB ABc|BAG AFD|GAB ABc|BdB G2:|
|:B2d g2d|ege dBG|B2d g2d|ege d2z:|
|:B2e dBG|ABA dBA|B2e dBG|ABA G2z:|]
X:1
T:Haymakers' Jig [2]
M:6/8
L:1/8
R:Country Dance
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 41)
Z:AK/Fiddler’s Companion
K:G
D|G2B A/B/cA|G2E AFD|G2B A/B/cA|B/c/dB G2:|
|:c|B2d g2d|(e/f/)ge dBG|B2d g2d|(e/f/)ge d2:|
|:B|c2e dBG|cBA BAG|cde dBG|ABA G2:|]
X:1
T:Haymakers’, The
T:Haymaker's Jig (2)
M:2/4
L:1/8
N:Frank Kidson notes that the tune occurs in a
N:Pantomime called Fortunatus written in 1753 by
N:James Oswald, a Scottish musician, who settled in
N:London in 1741 and became “Chamber Composer to His
N:Majesty George III.”
R:Country Dance Tune
B:Moffat - Dances of the Olden Time (1922, p. 17)
Z:AK/Fiddler's Companion
K:G
G>BA>c|B>G (3AFD|G>BA>c|(3BdB G2:|
|:B>dg>d|(3efg (3dBG|B>dg>d|e2d2:|
|:c>e (3dBG|(3AGA B>G|c>e (3dBG|(3ABA G2:|]