John Patterson's Mare

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Theme code Index	31H31H 31H31
Also known as	Black and the Brown (2) (The), Black and the Grey (The), Horseman's Port (The), Black and the Brown (2) (The), John Paterson's Mare, John Patterson's Mare Goes Foremost, John Patterson's Mare Goes Forewort, New Market Jig, Newmarket Horse-Race, Làir Iain Ic. Phàdrig
Composer/Core Source
Region	England, Scotland
Genre/Style	Northumbrian/Borders, Scottish
Meter/Rhythm	Air/Lament/Listening Piece, Jig/Quadrille
Key/Tonic of	F
Accidental	1 flat
Mode	Ionian (Major)
Time signature	6/8
History	ENGLAND(North East)
Structure	One part
Editor/Compiler
Book/Manuscript title
Tune and/or Page number
Year of publication/Date of MS
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score (1)

John Patterson's Mare: Annotations

X:1 T:New Market, or John Paterson's Mare goes Foremost M:6/8 L:1/8 R:Jig S:Gow - 2nd Repository (1802) Z:AK/Fiddler's Companion K:F c/B/|AFA f2c|AFA f2c|AFA fcB|A3 F2A| BGB g2d|BGB gdc|B3 G2 c/B/|AFA f2c| AFA f2c|AFA fcB|A3 FGA|B>AB c>Bc| d>Bd e>de|f>ed gdc|B3G2||c|A/B/cF A/B/cF| A/B/cF A/B/cF|A/B/cF fcB|A3F2c|B/c/dG B/c/dG| B/c/dG B/c/dG|B/c/dG gdc|B3 G2B|A/B/cF A/B/cF| A/B/cF A/B/cF|A/B/cF fcB|A3 FGA|B>AB c>Bc| d>Bd e>de|f>ed gdc|B3G2||c|AFA f2c|f/g/a/g/f/e/ f2c| f/g/a/g/f/e/ fcd|~A3 F2A|BGB g2d|=e/f/g/f/e/d/ g2d| =e/f/g/f/e/d/ gdc|B3G2c|AFA f2c| f/g/a/g/f/e/ f2c| f/g/a/g/f/e/ fcf|~A3 FGA|B>AB c>Bc|c>Bc e>de| f>ed gdc|B3G2||c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/| f/g/ag/f/e/ fcd|A3Fd2|g/a/_b/a/g/^f/ g/a/b/a/g/f/| g/a/_b/a/g/^f/ g/a/b/a/g/f/| g/a/_b/a/g/^f/ gdc|B3G2c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ fcf| A3 FGA|B>AB c>Bc|d>Bd e>de|f>ed gdc|B3G2||

X:1 T:Engagement Begins, The T:John Patterson's Mare Goes Foremost M:6/8 L:1/8 R:Air Q:"Spirited" N:”A Highland Battle Piece, or Seige of Kildrummie; N:Partly composed, the whole arranged, and inscribed N:to the memory of Sir William Wallace, the Scottish N:Champion, by James Davie.” N:See also “Quick Step towards the Enemy,” “Address to N:the Army,” “War Song (The),” ”Pibroch of Victory.” B:Davie’s Caledonian Repository (Aberdeen, 1829-30) Z:AK/Fiddler’s Companion K:D A|F>ED D<A,D|F>ED D<AD|F>ED d<AG|TF3 (E2F)| G>FE E<B,E|G>FE E<B,E|G>FE e<BA|G3 T(F2E)|| FDF d2A|B/c/d/c/B/A/ d2A|B2A B/c/d/B/A/G/|TF3(D2F)| G<EB e2B|e/f/g/f/e/^d/ e2B|e2B e/f/g/e/B/A/|G3 T(F2E)|| F<DF d2A|d/e/f/e/d/c/ d2A|d2AB/c/d/B/A/G/|TF3 (D2F)| E<ee g2e|f>ed e<ag|f>ed e<ag|Tf3 {ef}d2|| a/g/|f>ed d2e|f/g/a/g/f/e/ d2A|B2A B/c/d/B/A/G/|TF3 (D2F)| "faster"G<EE B<EE|d<EE B<E|G<EE B<EE|e<EE B<EE| F<DD A<DD|d<DD A<DD|A<DD d<AG|TF3 (D2F)| G<EE B,<EE|G<EE B,EE|G>AB e<BA|G3 TF2A/G/| F<DD A,<DD|F<DD A,<DD|F<DD d<AG|TF3(D2F)| G<EE e2B|e/f/g/f/e/^d/ e2B|c/^d/e/d/c/B/ c/d/e/c/B/A/|G3 T(F2E)|| D/D/D/D/d F<Fd|D/D/D/D/d F<Fd|D/D/D/D/d F/F/F/F/d|A/A/A/A/d F/F/F/F/d| E/E/E/E/e G<Ge|E/E/E/E/e G<Ge|E/E/E/E/e G/G/G/G/e|B/B/B/B/e G/G/G/G/e|| FD/D/D A,D/D/D|FD/D/D A,D/D/D|fD/D/D dA/A/A|F/G/A/G/F/E/ D/E/F/G/A/F/| GE/E/E B,E/E/E|GE/E/E B,E/E/E|GE/E/E eB/B/B|G3 (F2E)|| Dd/d/d Fd/d/d|Dd/d/d Fd/d/d|Dd/d/d Fd/d/d|F/E/D/E/F/G/ B/A/G/F/E/^D/| Ee/e/e Ge/e/e|Ee/e/e Ge/e/e|Be/e/e gB/B/B|g3T(f2e)|| d/D/D/D/D/D/ A,/D/D/D/D/D/|F/D/D/D/D/D/ A,/D/D/D/D/D/|F/D/D/D/D/D/ A/D/D/D/D/D/| d/e/f/e/d/c/ B/c/d/c/B/A/|G/E/E/E/E/E/ B,/E/E/E/E/E/|G/E/E/E/E/E/ B/E/E/E/E/E/| e/E/E/E/E/E/ B/E/E/E/E/E/|G/A/B/A/G/F/ E/F/A/G/F/E/|| P:The Enemy Flies and is Pursued D/d/d/d/d/d/ f/A/a/A/g/A/|f/d/d/d/d/d/ f/A/a/A/g/A/| f/g/a/g/f/e/ d/e/f/e/d/c/|B/c/d/c/B/A/ G/A/B/A/g/F/| E/e/e/e/e/e/ g/e/b/e/a/e/|g/e/e/e/e/e/ g/e/b/e/a/e/| g/a/b/a/g/f/ e/f/g/f/e/d/|c/d/e/d/c/B/ A/B/A/G/F/E/| D/d/c/B/A/G/ F/B/A/G/F/E/|D/f/e/d/c/B/ A/B/c/d/e/f/| g/A/g/A/f/A/ e/A/e/A/f/A/|g/A/g/A/f/A/ e/f/a/g/f/e/| d/e/f/e/d/A/ d/e/f/e/d/A/|a/g/f/e/d/c/ B/A/G/F/E/D/| e/f/g/f/e/B/ e/f/g/f/e/B/|b/a/g/f/e/d/ c/B/A/G/F/E/| P:Pursuit Ended "Slower"F>ED D<A,D|F>ED D<A,D|F>ED d<AG|F3 T(E2D)| "Slower to the pause"G>FE E<B,E|G>FE E<B,E|G>FE e<BA|G3 T(F2!fermata!E)||

X:1 T:Làir Iain Ic. Phàdrig T:John Paterson’s Mare M:C L:1/8 R:Jig B:William Gunn - The Caledonian Repository of Music B:Adapted for the Bagpipes (Glasgow, 1848, p. 49) Z:AK/Fiddler’s Companion K:G e|BGG d2G|BGG d2G|BGB ded|BB2 G2d| cAA eAA|fAA e2A|cAc efe|c3 g3| BGG d2G|BGG d2G|BGB ded|B B2 G2a| ece dBd|cAc BGB|A<Ae efe|c3 A2|| e|BGB g2a|gfe g2e|def g2d|B B2 G2B| AAA a3|gfe g2a|ece eae|c3 A2e| BGB g2a|gfe g2e|def g2d|BB2 G2a| ece dBd|cAc BGB|A<Ae efe|c3 A2||

X:1 T:John Peterson's Mare gangs foremost M:C L:1/8 B:James Hoseason music manuscript, Yell, Shetland, 1862 Z:AK/Fiddler's Companion K:G (A/c/)|BG/G/ dG/G/ BG/G/ dG/G/|BG/G/ dG/G/ B3 (G/B/)|cA/A/ eA/A/ cA/A/ eA/A/| cA/A/ eA/A/ c3 d/c/|BG/G/ dG/G/|BG/G/ dG/G/|BG/G/ dG/G/ B3 (A/B/)|| Ge ga g/d/e (gd)|(e/d/e) gd B2 (AG)|Aaaa (3aba ag|(3ede ga (g/a/b/)(g/f)| (3e-d.e ga (3gde gd|(3e-d.e gd B3(A/G/)|BA/A/ eA/A/ BA/A/ eA/A/|(3BBd gd c3A||

X:1 T:Newmarket Horse-Race: or, John Paterson's Mare Goes Foremost M:6/8 L:1/8 R:Jig B:Köhler’s Violin Repository, Book One (1881, p. 82) Z:AK/Fiddler's Companion K:F (c/B/)|AFA f2c|AFA f2c|FAF fcB|A3 F2A| BGB g2d|BGB g2d|BGB gdc|B3 G2c/B/| AFA f2c|AFA f2c|AFA fcB|A3 FGA| {Bc}B>AB {cd}c>Bc|{Bc}d>Bd {df}e>de|f>ed gdc|B3 G2!Fine!|| c|(A/B/)cF (A/B/)cF|(A/B/)cF (A/B/)cF|(A/B/)cF fcB|A3 F2c| (B/c/)dG (B/c/)dG|(B/c/)dG (B/c/)dG|(B/c/)dG gdc|B3 G2B| (A/B)cF (A/B/)cF|(A/B/)cF (A/B/)cF|(A/B/)cF fcB|A3 FGA| {Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2|| c|AFA f2c|f/g/a/g/f/e/ f2c|f/g/a/g/f/ fcd|A3 F2A| BGB g2d|e/f/g/f/e/d/ g2d|e/f/g/f/e/d/ gdc|B3G2c| AFA d2c|f/g/a/g/f/e/ f2c|f/g/a/g/f/e/ f(cf)|A3 FGA| {Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2|| c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ fcf| A3 F2d|g/a/b/a/g/^f/ g/a/b/a/g/^f|g/a/b/a/g/^f g/a/b/a/g/f/| g/a/b/a/g/g/^f/ gdc|B3G2c|f/g/a/g/f/e/ f/g/a/g/f/e/| f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f(cf)|A3 FGA| {Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2!D.C.!:|]

John Patterson's Mare: Annotations