Annotation:Tweeddale Club (The): Difference between revisions
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|f_annotation='''TWEEDDALE CLUB, THE.''' Scottish (originally), Cape Breton; Strathspey (whole time). C Major (Athole, Glen, Gow, Lowe, Skye): D Major (Kerr). Standard tuning (fiddle). AB (Kerr): AA'BB' (Athole, Glen, Gow, Lowe, Skye). Composed by Nathaniel Gow (1763-1831) who published it in the 3rd Book of Niel Gow & Sons in 1792. The river Tweed marks the division between England and Scotland and ‘Tweedale’ is the older name for the district now known as Peeblesshire in the Borders | |f_annotation=[[File:Barrelorgan1.jpg|right|250px|thumb|Barrel organ by Longman, Clementi & Co. London, c. 1801]]'''TWEEDDALE CLUB, THE.''' AKA - "Tweedale Club." Scottish (originally), Cape Breton; Strathspey (whole time). C Major (Athole, Glen, Gow, Lowe, Skye): D Major (Kerr). Standard tuning (fiddle). AB (Kerr): AA'BB' (Athole, Glen, Gow, Lowe, Skye). Composed by Nathaniel Gow (1763-1831) who published it in the 3rd Book of Niel Gow & Sons in 1792. The reel has become very popular among Cape Breton fiddlers and has been often recorded. The first recording of the tune, however, was on a barrel organ c. 1798-1801 made by Longman, Clementi & Co. of London (who were also music publishers) with wood barrels with brass pins<ref>Currently in the collections of Colonial Williamsburg. </ref>. | ||
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The river Tweed marks the division between England and Scotland and ‘Tweedale’ is the older name for the district now known as Peeblesshire in the Borders. | |||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Carlin ('''The Gow Collection'''), 1986; No. 227. Glen ('''The Glen Collection of Scottish Dance Music, vol. 2'''), 1895; p. 18. Gow ('''3rd Collection of Niel Gow’s Reels'''), 1792; pp. 14-15. Kerr ('''Merry Melodies, vol. 1'''); Set 28, No. 5, p. 17. Joseph Lowe ('''Lowe's Collection of Reels, Strathspeys and Jigs, book 1'''), 1844–1845; p. 16. MacDonald ('''The Skye Collection'''), 1887; p. 113. Preston & Son ('''24 Country Dances for the year 1796'''). Stewart-Robertson ('''The Athole Collection'''), 1884; p. 69. | |f_printed_sources=Carlin ('''The Gow Collection'''), 1986; No. 227. Glen ('''The Glen Collection of Scottish Dance Music, vol. 2'''), 1895; p. 18. Gow ('''3rd Collection of Niel Gow’s Reels'''), 1792; pp. 14-15. Kerr ('''Merry Melodies, vol. 1'''); Set 28, No. 5, p. 17. Joseph Lowe ('''Lowe's Collection of Reels, Strathspeys and Jigs, book 1'''), 1844–1845; p. 16. MacDonald ('''The Skye Collection'''), 1887; p. 113. Preston & Son ('''24 Country Dances for the year 1796'''). Stewart-Robertson ('''The Athole Collection'''), 1884; p. 69. | ||
|f_recorded_sources=Breton Books and Music, Theresa, Donald and Marie MacLellan – “The MacLellan Trio.” Capitol/EMI Records, “The Rankin Family” (1989). DAB4, Donald Angus Beaton – “A Musical Legacy” (1985). Round Records CDROUN7024, Joe MacLean – “Old Time Scottish Fiddle Music from Cape Breton Island” (1998). Rounder Records 7020, Alex Francis MacKay – “A Lifelong Home” (1997). WMT002, Wendy MacIsaac – “That’s What You Get” (1998?). | |f_recorded_sources=Breton Books and Music, Theresa, Donald and Marie MacLellan – “The MacLellan Trio.” Capitol/EMI Records, “The Rankin Family” (1989). Celtic CX 14, "The Scottish Canadian Fiddle of Dan Joe MacInnis" (c. 1965). DAB4, Donald Angus Beaton – “A Musical Legacy” (1985). Foot Stompin' Records CDFSR1734, Shona Mooney - "Heartsease" (2006). Round Records CDROUN7024, Joe MacLean – “Old Time Scottish Fiddle Music from Cape Breton Island” (1998). Rounder Records 7020, Alex Francis MacKay – “A Lifelong Home” (1997). WMT002, Wendy MacIsaac – “That’s What You Get” (1998?). The Beatons of Mabou - "Abounding in Tradition" (2020). | ||
|f_see_also_listing=Alan Snyder’s Cape Breton Fiddle Recording Index [https://www.cbfiddle.com/rx/tune/t1960.html]<br> | |f_see_also_listing=Alan Snyder’s Cape Breton Fiddle Recording Index [https://www.cbfiddle.com/rx/tune/t1960.html]<br> | ||
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