Annotation:I'm Off to Charlestown: Difference between revisions

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''I'll go down to Charlestown, the pretty gals to see.''

</blockquote>

William Donaldson (1822-1876) was a left-handed banjo-player who hailed from Poughkeepsie, New York, whose career alternated between clowning for the circuses (where he was the first to perform in black-face) and performing as a theatre minstrel. He made his debut in 1836 at the age of thirteen in Poughkeepsie, as “Young Jim Crow” (after the style of "Daddy" Rice) and ten years later was known mainly as a clown. According to E. Le Roy Rice ('''Monarchs of Minstrelsy'''), he "was the inventor of the jawbone as a musical instrument by black-face performers several years before the first minstrel performance was given...In June, 1847, he was one of the five original members of the first Campbell's Minstrels. About three years before his death he became the proprietor of the Lockwood House in Poughkeepsie. The individual he dedicated the song to, Charles White, owned a minstrel company, White’s Melodeon on the Bowery in New York. William Donaldson, Dan Bryant, Lilly Coleman, and Dan Emmitt performed together for Charlie White in the mid-1850s. See also the march variant "[[Off to Charleston]]" in Hopkin's '''American Veteran Fifer''' (1905).

William Donaldson (1822-1876) was a left-handed banjo-player who hailed from Poughkeepsie, New York, whose career alternated between clowning for the circuses (where he was the first to perform in black-face) and performing as a theatre minstrel. He made his debut in 1836 at the age of thirteen in Poughkeepsie, as “Young Jim Crow” (after the style of "Daddy" Rice) and ten years later was known mainly as a clown. According to E. Le Roy Rice ('''Monarchs of Minstrelsy'''), he "was the inventor of the jawbone as a musical instrument by black-face performers several years before the first minstrel performance was given...In June, 1847, he was one of the five original members of the first Campbell's Minstrels. About three years before his death he became the proprietor of the Lockwood House in Poughkeepsie. The individual he dedicated the song to, Charles White, owned a minstrel company, White’s Melodeon on the Bowery in New York. William Donaldson, Dan Bryant, Lilly Coleman, and Dan Emmitt performed together for Charlie White in the mid-1850s. There is an interesting story entitled "Capture of the Slave-Ship 'Cora'" in the periodical '''The Century''' [http://books.google.com/books?id=8C2gAAAAMAAJ&pg=PA129&lpg=PA129&dq=%22william+b.+donaldson%22+circus&source=bl&ots=g4ErMhe3LJ&sig=bl1PdUBhbmenHRtBjS7vOKSJ6qI&hl=en&sa=X&ei=0JoCVIL3FszJggTwj4D4Cg&ved=0CEAQ6AEwBg#v=onepage&q=%22william%20b.%20donaldson%22%20circus&f=false] (May, 1894, pp. 115-129) by Wilburn Hall that features Donaldson prominently in the role of Captain of the slave-ship ''Cora'', the last slave ship captured by the United States. The story concludes with a chance meeting between the naval officer who captured him and Donaldson, performing as a clown. After the show the two talked:

''I met him as agreed--and what a change! Once more the tall handsome man, a little older, perhaps a''

''little more rugged, but strong and manly in figure, and winning in manner and word. He told me much''

''of himself now, and gave me his real name, which was Donaldson. He had been a sailor, lounger, and''

''pseudo-gentleman of leisure on Broadway, negro minstrel, clown, slave-captain--perhaps the list had''

''better be closed; but he had a faithful, generous heart. He was a brave man, even though a statutory''

''pirate.''

</blockquote>

See also the march variant "[[Off to Charleston]]" in Hopkin's '''American Veteran Fifer''' (1905).

@@ Line 9: / Line 9: @@
 ''I'll go down to Charlestown, the pretty gals to see.''<br>
 </blockquote>
-William Donaldson (1822-1876) was a left-handed banjo-player who hailed from Poughkeepsie, New York, whose career alternated between clowning for the circuses (where he was the first to perform in black-face) and performing as a theatre minstrel. He made his debut in 1836 at the age of thirteen in Poughkeepsie, as “Young Jim Crow” (after the style of "Daddy" Rice) and ten years later was known mainly as a clown. According to E. Le Roy Rice ('''Monarchs of Minstrelsy'''), he "was the inventor of the jawbone as a musical instrument by black-face performers several years before the first minstrel performance was given...In June, 1847, he was one of the five original members of the first Campbell's Minstrels. About three years before his death he became the proprietor of the Lockwood House in Poughkeepsie.  The individual he dedicated the song to, Charles White, owned a minstrel company, White’s Melodeon on the Bowery in New York.  William Donaldson, Dan Bryant, Lilly Coleman, and Dan Emmitt performed together for Charlie White in the mid-1850s. See also the march variant "[[Off to Charleston]]" in Hopkin's '''American Veteran Fifer''' (1905).
+William Donaldson (1822-1876) was a left-handed banjo-player who hailed from Poughkeepsie, New York, whose career alternated between clowning for the circuses (where he was the first to perform in black-face) and performing as a theatre minstrel. He made his debut in 1836 at the age of thirteen in Poughkeepsie, as “Young Jim Crow” (after the style of "Daddy" Rice) and ten years later was known mainly as a clown. According to E. Le Roy Rice ('''Monarchs of Minstrelsy'''), he "was the inventor of the jawbone as a musical instrument by black-face performers several years before the first minstrel performance was given...In June, 1847, he was one of the five original members of the first Campbell's Minstrels. About three years before his death he became the proprietor of the Lockwood House in Poughkeepsie.  The individual he dedicated the song to, Charles White, owned a minstrel company, White’s Melodeon on the Bowery in New York.  William Donaldson, Dan Bryant, Lilly Coleman, and Dan Emmitt performed together for Charlie White in the mid-1850s. There is an interesting story entitled "Capture of the Slave-Ship 'Cora'" in the periodical '''The Century''' [http://books.google.com/books?id=8C2gAAAAMAAJ&pg=PA129&lpg=PA129&dq=%22william+b.+donaldson%22+circus&source=bl&ots=g4ErMhe3LJ&sig=bl1PdUBhbmenHRtBjS7vOKSJ6qI&hl=en&sa=X&ei=0JoCVIL3FszJggTwj4D4Cg&ved=0CEAQ6AEwBg#v=onepage&q=%22william%20b.%20donaldson%22%20circus&f=false] (May, 1894, pp. 115-129) by Wilburn Hall that features Donaldson prominently in the role of Captain of the slave-ship ''Cora'', the last slave ship captured by the United States. The story concludes with a chance meeting between the naval officer who captured him and Donaldson, performing as a clown. After the show the two talked:
+<blockquote>
+''I met him as agreed--and what a change! Once more the tall handsome man, a little older, perhaps a''
+''little more rugged, but strong and manly in figure, and winning in manner and word. He told me much''
+''of himself now, and gave me his real name, which was Donaldson. He had been a sailor, lounger, and''
+''pseudo-gentleman of leisure on Broadway, negro minstrel, clown, slave-captain--perhaps the list had''
+''better be closed; but he had a faithful, generous heart. He was a brave man, even though a statutory''
+''pirate.''
+</blockquote>
+See also the march variant "[[Off to Charleston]]" in Hopkin's '''American Veteran Fifer''' (1905).
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