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Annotation:Coolun (The): Difference between revisions

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<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
<p><font face="sans-serif" size="2"> '''Additional notes''' </font></p>
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<font color=red>''Sources for notated versions''</font>: -  the Irish collector Edward Bunting noted the tune from the harper "Hempson, at Magilligan in 1796," who learned his set with variations from the famous harper Cornelius Lyons (of the Barony of Clanmaurice) who composed them in 1700 (Lyons, a friend and companion of O'Carolan, had built his reputation as the arranger of variations in a more 'modern' style to old melodies such as this and "Eileen a Roon"); Joyce prints the version collected by Forde from Hugh O'Beirne, a renowned fiddler from Ballinamore in the mid-19th century; "From Taig MacMahon, as sung in Clare" [Stanford/Petrie]; fiddler James O'Neill (Chicago) [O'Neill].  
<font color=red>''Sources for notated versions''</font>: -  the Irish collector Edward Bunting noted the tune from the harper "Hempson, at Magilligan in 1796," who learned his set with variations from the famous harper Cornelius Lyons (of the Barony of Clanmaurice) who composed them in 1700 (Lyons, a friend and companion of O'Carolan, had built his reputation as the arranger of variations in a more 'modern' style to old melodies such as this and "Eileen a Roon"); Joyce prints the version collected by Forde from Hugh O'Beirne, a renowned fiddler from Ballinamore in the mid-19th century; "From Taig MacMahon, as sung in Clare" [Stanford/Petrie]; fiddler James O'Neill (Chicago) [O'Neill].  
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<font color=red>''Printed sources''</font> : - Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 5'''), 1797; No. 71, p. 29. Bunting ('''Ancient Music of Ireland'''), 1840; No. 119, pp. 88–89. Carlin ('''Gow Collection'''), 1986; No. 537. Clinton ('''Gems of Ireland'''), 1841; No. 48, p. 24. Gow ('''Complete Repository, Part 2'''), 1802; p. 10. P.M. Haverty ('''One Hundred Irish Airs, vol. 2'''), 1859; No. 101, p. 45 and No. 180, p. 81 (two settings). Hime ('''Pocket Book, vol. 3'''), c. 1810; p. 33. Holden ('''A Collection of Old Established Irish Slow and Quick Tunes, vol. 1'''), 1806–7; p. 28. Joyce ('''Old Irish Folk Music and Songs'''), 1909; No. 564, p. 299 (appears as "The Coolin"). Kinloch ('''100 Airs, vol. 1'''), c. 1815; no. 25. Mooney ('''History of Ireland, vol. 1'''), 1846; p. 532 (as "The Youth with the Fair Flowing Locks"). Mulhollan ('''A Selection of Irish and Scots Tunes'''), Edinburgh, 1804; p. 20. Murphy ('''Irish Airs and Jigs'''), 1809; p. 8. Ó Canainn ('''Traditional Slow Airs of Ireland'''), 1995; No. 103, p. 88. O'Farrell ('''Collection of National Irish Music for the Union Pipes'''), 1804; p. 33 (appears as "Coolun with Variations"). O'Farrell ('''Pocket Companion'''), 1801–10; No. 122. O'Flannagan ('''The Hibernia Collection'''), 1860; p. 39. O'Neill ('''O'Neill's Irish Music'''), 1915; No. 46, p. 30 (with variations). O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 89, p. 16 (with nine variations). O'Sullivan/Bunting ('''Bunting's Ancient Music of Ireland'''), 1983; No. 119, pp. 168–170. Roche ('''Collection of Traditional Irish Music, vol. 1'''), 1912; p. 22, No. 43. Stanford/Petrie ('''Complete Collection'''), 1905; Nos. 598 & 599, pp. 150–151. Sullivan ('''Session Tunes, vol. 3'''); No. 40, p. 17. Samuel, Anne & Peter Thompson ('''The Hibernian Muse'''), London, 1787; No. 54, p. 33. Walker ('''Historical Memoirs of the Irish Bards'''), 1786; Appendix IX, No. 10, p. 8.
<font color=red>''Printed sources''</font> : - Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 5'''), 1797; No. 71, p. 29. Bunting ('''Ancient Music of Ireland'''), 1840; No. 119, pp. 88–89. Carlin ('''Gow Collection'''), 1986; No. 537. Clinton ('''Gems of Ireland'''), 1841; No. 48, p. 24. Gow ('''Complete Repository, Part 2'''), 1802; p. 10. P.M. Haverty ('''One Hundred Irish Airs, vol. 2'''), 1859; No. 101, p. 45 and No. 180, p. 81 (two settings). Hime ('''Pocket Book, vol. 3'''), c. 1810; p. 33. Holden ('''A Collection of Old Established Irish Slow and Quick Tunes, vol. 1'''), 1806–7; p. 28. Joyce ('''Old Irish Folk Music and Songs'''), 1909; No. 564, p. 299 (appears as "The Coolin"). Kinloch ('''100 Airs, vol. 1'''), c. 1815; no. 25. Mooney ('''History of Ireland, vol. 1'''), 1846; p. 532 (as "The Youth with the Fair Flowing Locks"). Mulhollan ('''A Selection of Irish and Scots Tunes'''), Edinburgh, 1804; p. 20. Murphy ('''Irish Airs and Jigs'''), 1809; p. 8. Ó Canainn ('''Traditional Slow Airs of Ireland'''), 1995; No. 103, p. 88. O'Farrell ('''Collection of National Irish Music for the Union Pipes'''), 1804; p. 33 (appears as "Coolun with Variations"). O'Farrell ('''Pocket Companion'''), 1801–10; No. 122. O'Flannagan ('''The Hibernia Collection'''), 1860; p. 39. O'Neill ('''O'Neill's Irish Music'''), 1915; No. 46, p. 30 (with variations). O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 89, p. 16 (with nine variations). O'Sullivan/Bunting ('''Bunting's Ancient Music of Ireland'''), 1983; No. 119, pp. 168–170. Roche ('''Collection of Traditional Irish Music, vol. 1'''), 1912; p. 22, No. 43. Stanford/Petrie ('''Complete Collection'''), 1905; Nos. 598 & 599, pp. 150–151. Sullivan ('''Session Tunes, vol. 3'''); No. 40, p. 17. Samuel, Anne & Peter Thompson ('''The Hibernian Muse'''), London, 1787; No. 54, p. 33. Walker ('''Historical Memoirs of the Irish Bards'''), 1786; Appendix IX, No. 10, p. 8.
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<font color=red>''Recorded sources'': </font> <font color=teal> - Cló Iar-Chonnachta CICD 167, Peter Horan & Gerry Harrington – "The Merry Love to Play" (2007).
<font color=red>''Recorded sources'': </font> <font color=teal> - Cló Iar-Chonnachta CICD 167, Peter Horan & Gerry Harrington – "The Merry Love to Play" (2007).
Green Linnet SIF 1084, Eugene O'Donnell – "The Foggy Dew" (1988).
Green Linnet SIF 1084, Eugene O'Donnell – "The Foggy Dew" (1988).
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