Annotation:Ronfleuse Gobeil: Difference between revisions

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'''RONFLEUSE GOBEIL, LA.''' AKA and see "[[Gigue des vieux souliers]]," "[[Reel St-Siméon]]," "[[Snoring Mrs. Gobeil]]," "[[Snoring Gobeil]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Miller & Perron): AABBCC {40 bar reel} (Bégin, Carlin, Hinds). The 'A' and 'B' parts are French-Canadian, the 'C' part is the 'B' part of "[[Judy's Reel]]" (AKA - "[[Maid Behind the Bar (1) (The)]]"), printed in '''Ryan’s Mammoth Collection/Cole's 1000'''. ~~Hart & Sandell (2001) note the~~ tune was first recorded in 1927 on 78 RPM by fiddler Wellie "[[biography:Willy Ringuette]] [http://www.thecanadianencyclopedia.ca/en/article/wellie-ringuette-emc/] (1898-1969) of Trois-Rivières, one of the great Montréal fiddler Jean Carignan’s teachers. According to the authors, Ringuette composed two parts of the tune, then added the second strain of the Irish reel “Maid Behind the Bar” (AKA "Judy's Reel") as a third part. Jean Carignan further modified the first part, but kept Ringuette’s second part and the adopted (“Maid Behind the Bar”) third part. The first two strains in were the repertory of fiddler Jos (Joe) Bouchard (1905-1979) who recorded the reel in Montreal in 1938 for Victor Records (issued on their subsidiary label, Bluebird). It was titled "[[Reel St-Siméon]]" on Bouchard's recording, and omitted the Irish third strain. Montreal fiddler Isidore Soucy (1899-1962) recorded his version in 1929; it was much like Ringuette's, albeit slightly 'crooked' or irregular', but was issued as "[[Gigue des vieux souliers]]" (Old Shoes Jig).

'''RONFLEUSE GOBEIL, LA.''' AKA and see "[[Gigue des vieux souliers]]," "[[Quadrille de Matane Figure 2]]," "[[Reel St-Siméon]]," "[[Snoring Mrs. Gobeil]]," "[[Snoring Gobeil]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Miller & Perron): AABBCC {40 bar reel} (Bégin, Carlin, Hinds). The 'A' and 'B' parts are French-Canadian, the 'C' part is the 'B' part of "[[Judy's Reel]]" (AKA - "[[Maid Behind the Bar (1) (The)]]"), printed in '''Ryan’s Mammoth Collection/Cole's 1000'''. The tune was first recorded in 1927 on 78 RPM by fiddler Wellie "[[biography:Willy Ringuette]] [http://www.thecanadianencyclopedia.ca/en/article/wellie-ringuette-emc/] (1898-1969) of Trois-Rivières, one of the great Montréal fiddler Jean Carignan’s teachers. According to the authors, Ringuette composed two parts of the tune, then added the second strain of the Irish reel “Maid Behind the Bar” (AKA "Judy's Reel") as a third part. Jean Carignan further modified the first part, but kept Ringuette’s second part and the adopted (“Maid Behind the Bar”) third part. The first two strains in were the repertory of fiddler Jos (Joe) Bouchard (1905-1979) who recorded the reel in Montreal in 1938 for Victor Records (issued on their subsidiary label, Bluebird). It was titled "[[Reel St-Siméon]]" on Bouchard's recording, and omitted the Irish third strain. Montreal fiddler Isidore Soucy (1899-1962) recorded his version in 1929; it was much like Ringuette's, albeit slightly 'crooked' or irregular', but was issued as "[[Gigue des vieux souliers]]" (Old Shoes Jig).

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-'''RONFLEUSE GOBEIL, LA.''' AKA and see "[[Gigue des vieux souliers]]," "[[Reel St-Siméon]]," "[[Snoring Mrs. Gobeil]]," "[[Snoring Gobeil]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Miller & Perron): AABBCC {40 bar reel} (Bégin, Carlin, Hinds). The 'A' and 'B' parts are French-Canadian, the 'C' part is the 'B' part of "[[Judy's Reel]]" (AKA - "[[Maid Behind the Bar (1) (The)]]"), printed in '''Ryan’s Mammoth Collection/Cole's 1000'''. Hart & Sandell (2001) note the tune was first recorded in 1927 on 78 RPM by fiddler Wellie "[[biography:Willy Ringuette]] [http://www.thecanadianencyclopedia.ca/en/article/wellie-ringuette-emc/] (1898-1969) of Trois-Rivières, one of the great Montréal fiddler Jean Carignan’s teachers. According to the authors, Ringuette composed two parts of the tune, then added the second strain of the Irish reel “Maid Behind the Bar” (AKA "Judy's Reel") as a third part. Jean Carignan further modified the first part, but kept Ringuette’s second part and the adopted (“Maid Behind the Bar”) third part. The first two strains in were the repertory of fiddler Jos (Joe) Bouchard (1905-1979) who recorded the reel in Montreal in 1938 for Victor Records (issued on their subsidiary label, Bluebird). It was titled "[[Reel St-Siméon]]" on Bouchard's recording, and omitted the Irish third strain. Montreal fiddler Isidore Soucy (1899-1962) recorded his version in 1929; it was much like Ringuette's, albeit slightly 'crooked' or irregular', but was issued as "[[Gigue des vieux souliers]]" (Old Shoes Jig).
+'''RONFLEUSE GOBEIL, LA.''' AKA and see "[[Gigue des vieux souliers]]," "[[Quadrille de Matane Figure 2]]," "[[Reel St-Siméon]]," "[[Snoring Mrs. Gobeil]]," "[[Snoring Gobeil]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AABB (Miller & Perron): AABBCC {40 bar reel} (Bégin, Carlin, Hinds). The 'A' and 'B' parts are French-Canadian, the 'C' part is the 'B' part of "[[Judy's Reel]]" (AKA - "[[Maid Behind the Bar (1) (The)]]"), printed in '''Ryan’s Mammoth Collection/Cole's 1000'''. The tune was first recorded in 1927 on 78 RPM by fiddler Wellie "[[biography:Willy Ringuette]] [http://www.thecanadianencyclopedia.ca/en/article/wellie-ringuette-emc/] (1898-1969) of Trois-Rivières, one of the great Montréal fiddler Jean Carignan’s teachers. According to the authors, Ringuette composed two parts of the tune, then added the second strain of the Irish reel “Maid Behind the Bar” (AKA "Judy's Reel") as a third part. Jean Carignan further modified the first part, but kept Ringuette’s second part and the adopted (“Maid Behind the Bar”) third part. The first two strains in were the repertory of fiddler Jos (Joe) Bouchard (1905-1979) who recorded the reel in Montreal in 1938 for Victor Records (issued on their subsidiary label, Bluebird). It was titled "[[Reel St-Siméon]]" on Bouchard's recording, and omitted the Irish third strain. Montreal fiddler Isidore Soucy (1899-1962) recorded his version in 1929; it was much like Ringuette's, albeit slightly 'crooked' or irregular', but was issued as "[[Gigue des vieux souliers]]" (Old Shoes Jig).
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