• Home
  • Random
  • Log in
  • Settings
  • About The Traditional Tune Archive
  • Disclaimers
The Traditional Tune Archive

Annotation:Dora Dean: Difference between revisions

  • Language
  • Watch
  • View history
  • View source
← Older editNewer edit →
Revision as of 18:28, 12 March 2021 view source4 years ago
Andrew (talk | contribs)
Bureaucrats, contributor, editor, Administrators
383,779 edits
No edit summary
← Older edit
Revision as of 18:29, 12 March 2021 view source4 years ago
Andrew (talk | contribs)
Bureaucrats, contributor, editor, Administrators
383,779 edits
No edit summary
Newer edit →
Line 1: Line 1:
{{TuneAnnotation
{{TuneAnnotation
|f_annotation=[[File:Doradean.jpg|right|500px|thumb|Dora Dean]]'''DORA DEAN'''. American, Country Rag (cut time). F Major ('A' part) & D Minor ('B' part). Standard tuning (fiddle). AA'BB'BB'. This 'raggy' melody was composed by the great African-American entertainer and comedian Bert Williams (1874-1922) and published in 1896 ("Oh have you seen Miss Dora Dean, She's the sweetest gal you ever seen"). Mark Wilson remarks that it was a popular piano piece around the turn of the 20th century; widely popular at the time, it was coined “The Greatest Coon Song Ever Written”.  The song was composed in honor of vaudeville entertainer named Dora (Babbage) Dean, an African-American woman who possessed great style, poise and personality, and flaunted in front of white crowds in ways that were unheard of by an African American performer.  Along with her partner and husband, Charles Johnson, she is credited with helping to popularize the Cakewalk dance. Their song-and-dance act took them abroad for months on end, touring Europe and even Australia. They performed in Hungary and Russia, even for England’s King Edward VII.
|f_annotation=[[File:Doradean.jpg|right|390px|thumb|Dora Dean]]'''DORA DEAN'''. American, Country Rag (cut time). F Major ('A' part) & D Minor ('B' part). Standard tuning (fiddle). AA'BB'BB'. This 'raggy' melody was composed by the great African-American entertainer and comedian Bert Williams (1874-1922) and published in 1896 ("Oh have you seen Miss Dora Dean, She's the sweetest gal you ever seen"). Mark Wilson remarks that it was a popular piano piece around the turn of the 20th century; widely popular at the time, it was coined “The Greatest Coon Song Ever Written”.  The song was composed in honor of vaudeville entertainer named Dora (Babbage) Dean, an African-American woman who possessed great style, poise and personality, and flaunted in front of white crowds in ways that were unheard of by an African American performer.  Along with her partner and husband, Charles Johnson, she is credited with helping to popularize the Cakewalk dance. Their song-and-dance act took them abroad for months on end, touring Europe and even Australia. They performed in Hungary and Russia, even for England’s King Edward VII.
 
<blockquote>
 
:
''Say, have you seen Miss Dora Dean?''<br  />
''Say, have you seen Miss Dora Dean?''<br  />
''She is the finest gal you’ve ever seen;''<br  />
''She is the finest gal you’ve ever seen;''<br  />
''I’m a-goin’ try  and make this gal my queen,''<br  />
''I’m a-goin’ try  and make this gal my queen,''<br  />
''Next Sunday morning I’m goin’ to marry Miss Dora Dean.''<br  />
''Next Sunday morning I’m goin’ to marry Miss Dora Dean.''<br  />
 
</blockquote>
It is, however, a version of "[[I Don't Love Nobody (1)]]." Fiddle versions are usually sourced to the playing of regionally influential Eastern Kentucky/W.Va. peripatetic fiddler [[wikipedia:Ed Haley]] (1883-1951).
It is, however, a version of "[[I Don't Love Nobody (1)]]." Fiddle versions are usually sourced to the playing of regionally influential Eastern Kentucky/W.Va. peripatetic fiddler [[wikipedia:Ed Haley]] (1883-1951).
|f_printed_sources=Clare Milliner & Walk Koken ('''Milliner-Koken Collection of American Fiddle Tunes'''), 2011; p. 164.
|f_printed_sources=Clare Milliner & Walk Koken ('''Milliner-Koken Collection of American Fiddle Tunes'''), 2011; p. 164.
Retrieved from "https://tunearch.org/wiki/Annotation:Dora_Dean"

Languages

    This page is not available in other languages.

    The Traditional Tune Archive
    • Privacy policy
    • About The Traditional Tune Archive
    • Disclaimers
    • Desktop
    • Manage cookie preferences

    We use cookies (and similar technologies) to personalise content and improve The Traditional Tune Archive website.

    With these cookies we collect few and indispensable information about you. With this we adapt our website and communication to your preferences. You can read more about it in our privacy policy.

    If you want to manage your cookie preferences, click on Manage preferences. By clicking on Accept all, you agree to the use of all cookies. You can change or withdraw your consent at any time.

    Accept all cookiesManage preferences
    Something went wrong
    Dismiss