Annotation:Trip to Cottingham: Difference between revisions
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A version tune inexplicably surfaced in Australia in the 1960’s played by fiddler and melodeon player Sally Sloane, and was called “Sally Sloane’s Jig” by local musicians. How this North Yorkshire tune remained in tradition to survive and be collected there is a mystery. "Sally Sloane's" version has been the beneficiary of "folk-processing", with a more developed second strain. | A version tune inexplicably surfaced in Australia in the 1960’s played by fiddler and melodeon player Sally Sloane, and was called “Sally Sloane’s Jig” by local musicians. How this North Yorkshire tune remained in tradition to survive and be collected there is a mystery. "Sally Sloane's" version has been the beneficiary of "folk-processing", with a more developed second strain. | ||
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The tune is useful for dances that require 48-bar tunes as accompaniment. | |||
|f_source_for_notated_version=an MS collection by fiddler Lawrence Leadley (Helperby, Yorkshire) [Merryweather & Seattle]. | |f_source_for_notated_version=an MS collection by fiddler Lawrence Leadley (Helperby, Yorkshire) [Merryweather & Seattle]. | ||
|f_printed_sources=Callaghan ('''Hardcore English'''), 2007; p. 74. Merryweather & Seattle ('''The Fiddler of Helperby'''), 1994; No. 85, p. 50. | |f_printed_sources=Callaghan ('''Hardcore English'''), 2007; p. 74. Merryweather & Seattle ('''The Fiddler of Helperby'''), 1994; No. 85, p. 50. | ||
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