Annotation:Ah! Sure Such a Pair

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X:1 T:Ah Sure a Pair M:6/8 L:1/8 Q:"Andante" R:Air B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 219 , p. 59) B: https://archive.org/details/flutemelodies0000rile/page/n73/mode/2up Z:AK/Fiddler’s Companion K:G G|G>AG B>cB|ded {ga}b2g|(gdB) (c>de)|(dg).B B>AG| (G>AG) d>ed|g>ag {bc'}d'2b|bgd e>fg|d>ed B2G| B2c d2g|{ab}b>ag adc|B2 {ga}b {b}a2g|f2g adc|{c}B2g {g}f2e| d2 {ab}c' {c'}b2a|b/c'/d'/b/a/g/ e>fg|d>ed BG a|b/c'/d'/b/a/g/ e>fg|d>ed BG||



AH! SURE SUCH A PAIR. AKA and see Annotation:Lowland Lads (The)," "New Highland Laddie (2)." Irish, Jig or March (6/8 time). G Major. Standard tuning (fiddle). AABB. The jig was originally printed in David Rutherford's Art of Playing on the Violin (c. 1755) as "New Highland Laddie (2)." The melody was used as the air for the song “Ah, sure a pair was never seen” from Richard Sheridan’s [1] (1751-1816) comic opera The Duenna (1775). The work was staged at Drury Lane and Covent Garden, London. The music for the production was composed by a father and son, both named Thomas Linley, although the opera is chiefly remembered for its libretto, which was the work of Sheridan. In fact, the libretto was well-enough thought of to form the basis of an opera by Roberto Gerhard, and for Prokofiev’s Betrothal in a Monastery. Linley the son was a friend of the young Mozart, while the elder Linely was Sheridan’s father-in-law.
The Duenna



The melody appears in the American publication Riley’s Flute Melodies (New York, 1814). New Hampshire flute player Newt Tolman, author of Quick Tunes and Good Times (1972) and the Nelson Music Collection (1969), was wont to spontaneously launch into this tune when playing at contra dances (no matter what anyone else was playing!), just as a buxom young lass would dance by the band (Dudley Laufman, Fiddle-L 2007).


Additional notes



Printed sources : - Johnson (A Further Collection of Dances, Marches, Minuetts and Duetts of the Latter 18th Century), 1998; p. 5. O'Neill (Music of Ireland), 1903; No. 1835, p. 345. Tolman (Nelson Music Collection), 1969; p. 3. Edward Riley (Riley’s Flute Melodies vol. 1), New York, 1814; No. 219, p. 59.






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