Birks of Abergeldie (The)

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X:1 T:Aber Geldy C:Henry Atkinson's music manuscript collection (Northumberland, 1694-95, p. 111) F:http://www.farnearchive.com/show_images.asp?id=R0111101&image=1 M:C| L:1/8 R:Reel Z:AK/Fiddler's Companion K:F F3G A2c2|f4 e2d2|f4 e2d2|efga g2a2| F3G A2 c2|.f2.g2a2g2|f2d2c2 (BA)|G4d4:| F3G A2f2|c2F2A2f2|c2F2A2f2|dcBA G2A2| F3G A2f2|c2F2A2 fg|agfd fdcA|G4d4| F3G A2B2|cA FA cA FA|cA FA cA FA|dcBA GABG| FEFG AGAB|cAcd cdfg|agfd fdcA|G4 d4||



BIRKS OF ABERGELDIE. AKA – "Aber Geldy." AKA and see "Bonnie Lassie Will You Go," "Cast a Bell," "De'els Dead (The)," "Scotch Ayre (A)." AKA - "Berks of Abergelde," "Birks of Aberfeldy." Scottish; Strathspey, Country Dance and Air (whole time). D Major (Kerr, Neil): F Major (Athole, Bremner, Cooke, Gow, Lowe): G Major (Howe, Jones, Kennedy, O'Farrell, Ross, Wright). Standard tuning (fiddle). One part (Howe): AB (Wright): AAB (Athole, Cooke, Gow, Jones, Lowe, O'Farrell): AABB (Bremner, Kennedy, Kerr, Neil, Ross).

Birks of Aberfeldy; Aberfeldy from the West

The usual meaning of the Scots word birk is of a birch tree, or a small wood of birch trees. In this case, the 'birks of Abergeldie' (or Aberfeldie) is a placename in Perthshire, Scotland. The tune appears Northumbrian musician Henry Atkinson's 1694-5 music manuscript collection [1] (as "Aber Geldy"), in a notebook of six pages of country dances called the Holmain Manuscript (1710–50), and in Walsh's Third Book of the Compleat Country Dancing-Master (1735). Somewhat later it appears in Bremner's 1757 collection (p. 35), the Caledonian Pocket Companion of 1760, and the Gillespie Manuscript (1768). The tune was published by Henry Playford in his Dancing Master of 1690 under the title "Scotch Ayre (A)" (it also appears in later editions), and later republished in his 1700 collection of Scottish dance tunes under the title "The Berks of Abergelde." In the Sinkler MS (1710) it can be found as "Birks of Ebergeldie" and in Northumbrian musician Henry Atkinson's 1694 MS it is simply "Abergeldie." As with many fashionable tunes it attracted other titles: London publishers Charles and Samuel Thompson included it in their Compleat Collection of 200 Favourite Country Dances, vol. 2 (1765) under the title "De'els Dead (The)" (from a song of that name), and it was printed by Daniel Wright in his Compleat Collection of Celebrated Country Dances (1740) as both "Berks of Abergelde" and "Cast a Bell"; and as "Bonnie Lassie Will You Go" in the Scots Musical Museum, vol. 2 (1788).

Poet Robert Burns set lyrics to the melody inspired while standing under the Falls of Moness on a 1787 Highlands excursion with his friend William Nicol. He adapted the chorus of an older song, a lover's dialogue, called "Birks of Albergedie," printed by David Herd (1776) and others, beginning "Bonnie lassie, will ye go", and authored other parts. Burn's version was printed in Edinburgh in James Johnson's Scots Musical Museum (vol. 2, 1788, No. 113). Herd's song begins:

Bonny lassie, will ye go, will ye go, will ye go,
Bonny lassie, will ye go to the Birks o' Abergeldie?
Ye shall get a gown of silk, a gown of silk, a gown of silk,
Ye shall get a gown of silk, and coat of calimancoe.

Hecht points out that the songs "I will kiss your wife, carl" and "Some say the deal's dead" are set to the same air, the music of which evolved in later editions of the Museum.

The classical composer Franz Joseph Haydn fashioned an arrangement of the tune, although Purser (1992) is of the opinion that his effort fails, as do those of other non-Scottish classical composers of the time who try to set Scottish music: "...it seems that they gild lillies with great skill, intrusive harmonies, and foolishly fussy harpsichord accompaniment."


Additional notes



Printed sources : - Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 3), 1788; No. 429, p. 166. Anderson (Anderson's Budget of Strathspeys, Reels & Country Dances), c. 1820; p. 13. Bremner (Scots Reels), c. 1757; p. 35. Bartlett Cooke (Cooke's Selection of Favourite Country Dances for the Year 1796), Dublin; No. 13. Gow (Complete Repository, Part 1), 1799; p. 26. Howe (1000 Jigs and Reels), c. 1867; p. 127. Jones [Ed.] (Complete Tutor Violin), c. 1815; p. 12. Kennedy (Fiddler's Tune-Book: Reels & Rants, Flings & Fancies), 1997; No. 5, p. 4 (appears as "Birks of Aberfeldy"). Kerr (Merry Melodies, vol. 3), c. 1880's; No. 7, p. 4. Joseph Lowe (Lowe's Collection of Reels, Strathspeys and Jigs, book 4), 1844–1845; p. 23. Neil (The Scots Fiddle), 1991; No. 104, p. 140. O'Farrell (Pocket Companion, vol. 3), c. 1808; p. 18. Oswald (Caledonian Pocket Companion, vol. 8), 1760; p. 16 (appears as "Berks of Abergelde"). Petrie (Second Collection of Strathspey Reels and Country Dances), 1796; p. 18. Playford (A Collection of Original Scotch Tunes), 1700; No. 25, p. 11. William Ross (Ross's Collection of Pipe Music), 1869; No. 137, p. 109. Stewart-Robertson (The Athole Collection), 1884; p. 209. Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2), 1765; No. 189 (appears as "The De'el's Dead"). Wright (Aria di Camera), 1727; No. 23. Wright (Wright's Compleat Collection of Celebrated Country Dances), 1740; p. 42 (appears as "Berks of Abergelde").






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