Annotation:Cooper's Hornpipe

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X:19 T:Cooper's Hornpipe. BHp.19 M:C| L:1/8 R:.Hornpipe Z:vmp. Peter Dunk 2013/15 B:Blackman - A Selection of the most favorite Hornpipes for the Violin ca1810-22 Q:1/2=80 K:D AG|FA d2d2cB|cd e2e2 dc|defd gfed|ecA2 ABAG| FA d2d2cB|cd e2e2 ag|fdec dABG|F2D2 D2:| |:(3ABc|dAFA DFAd|edcB Aceg|fdAF DFAd|edcB A3A| BGBd gfed|cAce d3A|BGAF GEAG|F2D2D2:|

COOPER'S HORNPIPE. AKA and see "Exciseman's Hornpipe (The)," "Fox in the Dumps (The)," "Maiden Hornpipe," "Smith's Hornpipe (8)," "Swan's Hornpipe." Scottish, Hornpipe. D Major. Standard tuning (fiddle). AABB (Athole, Blackman, Hardings): AA'BB (Kerr). Barry Callaghan (2007) included it in his section of duple-time tunes rather than hornpipes as he said "it also makes a great rant." The melody appears in a number of English 19th century musicians' manuscripts, including those of G. Huddeswell (Leeds, west Yorkshire), poet John Clare (c. 1820, Helpstone, Northants), and Swallow. In the Browne family manuscripts (Troutbeck, Lake District, Cumbria) it appears as "Swan's Hornpipe," while Northumbrian musician William Vickers had it in his 1770 manuscript twice, as "Fox in the Dumps" and "Exciseman's Hornpipe."

Additional notes

Printed sources : - Blackman (A Selection of the most favorite Hornpipes for the Violin), c. 1810-22; No. 19. Callaghan (Hardcore English), 2007; p. 33. Hardings All Round Collection, 1905; No. 57, p. 17. Kerr (Merry Melodies, vol. 2), c. 1880's; No. 346, p. 38. Stewart-Robertson (The Athole Collection), 1884; p. 297.

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