X:1 T:Irvine Steeple M:C L:1/16 R:Strathspey B:Davie’s Caledonian Repository (Aberdeen, 1829-30, p. 40) Z:AK/Fiddler’s Companion K:D f2|ddd2 d3A F3GA3=c|B3G=c3G EC3G3E|Dd3d3A F3GA3g|f3de3^c ddd2 d2:| f2|d3ef3g a3ba3f|g3e=c3g e2c2g2e2|d3ef3g a3ba3g|f3de3c d2D2D2f2| d3ef3g a2.b2a3f|g3e=c3g e3fg3e|(3f2e2d2 (3g2f2e2 (3a2g2f2 (3b2a2g2|(3f2e2d2 (3^c2d2e2 ddd2 d2||
IRVINE STEEPLE. AKA and see "Invernyty's Reel," "Lasses of Irvine." Scottish, English; Reel. England, Northumberland. D Major/Mixolydian. Standard tuning (fiddle). AAB (Stewart-Robertson), AABB' (Cranford). John Glen (1891) finds the earliest printing of this 'double-tonic' tune in Robert Bremner's 1757 collection Scottish Reels or Country Dances, appearing under the title "Irvin Stiple." As "Irvan Steaple," it is one of the "missing tunes" from William Vickers' 1770 Northumbrian dance tune manuscript. Paul Stewart Cranford (1995) remarks that this piece is closely related to another more popular tune, "Lady Muir MacKenzie," composed by William Gow. Alexander "King" McGlashan published the tune under the title "Invernyty's Reel" in his 1780 collection. Joshua Campbell printed a version of "Irvine Steeple" as "Lasses of Irvine," the title by which it was also entered into volume 4 (p. 158) of the large mid-19th century music manuscript collection of County Cork Church of Ireland cleric and uilleann piper James Goodman (musicologist)."