T:Reel de l'hotelier
Z:Transcribed by Bruce Osborne
AG|F2D2 DFAd|B2G2 GBed|c2A2 Aceg|fdAd fdAG|!
F2D2 DFAd|B2G2 GBed|c2A2 Aceg|f2d2 d2:|!
|:ef|g2gf g2bg|abaf d2fa|gece Aceg|fdAd fdef|!
g2gf g2bg|abaf d2fa|gece Aceg|fddc d2:|!
REEL DE L'HÔTELIER. AKA and see “Chamberlain Reel (The),” “Gordon's Reel,” “Reel à Rémi,” “Remi Laporte," "Set américain 2ème partie (Soucy), "Set du Lac St. Jean," "Sets canadiens (1).” French-Canadian, Reel. D Major. Standard tuning (fiddle). AA'BB'. The tune under the "l'hôtelier" title was in the repertoire of highly influential Québec fiddler Joseph Allard (1873-1947), who was originally from Woodland, Maine, but who lived much of his adult life near Montréal. However, Allard's 1937 recording of the reel was predated by Montreal fiddler Isidore Soucy's 1926 recording entitled "Set américain 2ème partie (Soucy)," which itself was predated by fiddler Georges Frappier's version released as "Sets canadiens (1)" in 1921. See also Don Messer’s version under the title “Chamberlain Reel (The),” a translation of the word l'hôtelier. The first strain is shared with Shetland fiddler Arthur Scott Robertson’s “Laxo Burn” and with Montreal fiddler A.J. Boulay's "Reel de Verchères." Fiddler Louis Beaudoin (1921-1980, Burlington, Vt.) played it simply as “Galope.” Isidore Soucy also recorded the tune in 1930 as the 5th figure of his “Quadrille des Laurentides” (Star 15737A). The title "Reel à Rémi" comes from the group La Bottine Souriante and honors fiddler Rémi Laporte.