Reel tartes aux pommes

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X:1 T:Tarte aux pommes N:From the playing of fiddler Joseph Allard (1873-1947, Montreal). M:C| L:1/8 R:Reel D:Victor 263901a (78 RPM), Joseph Allard (1932) D:https://www.collectionscanada.ca/obj/m2/f7/13110.mp3 Z:Transcribed by Andrew Kuntz K:A E2|ABAG Acec|defg aecA|EAce dBcA|GBBA G2E2| ABAG Acec|defg aece|agae (f/g/f) ed|cABG A2:| |:c-d|e2ce fddf|eccA GB B2|ecce fdfa|gbeg a2c-d| ecce fddf|eccA GBB2|agae f-aed|cABG A2:|




REEL TARTES AUX POMMES (Apple Pies Reel). A Major. Standard tuning (fiddle). AABB. "Tartes aux pommes" is another tune that uses a "floating" first stain that can be traced to the first strain of "Aldridge's Hornpipe (1)," named for the famous latter 18th century stage dancer, Richard Aldridge. The strain was used in a number of tunes, each with different second strains, including "King of all Reels," "Leviathan Hornpipe," "Prairie Hornpipe," "Big Indian Hornpipe" and others. Allard researcher Jean Duval finds "Reel tartes aux pommes" cognate with "Lardner's Reel (1)" in Ryan's Mammoth Collection (1883), but here too, the second strain differs. "Aldridge's Hornpipe (1)" was also printed in Ryan's Mammoth Collection, but earlier versions may yet surface.


Additional notes



Printed sources : - Jean Duval (La Musique de Jospeh Allard), 2018; No. 80, p. 38.

Recorded sources : - Victor 263901a (78 RPM), Joseph Allard (1932).

See also listing at :
Hear Joseph Allard's 1932 recording at the Virtual Gramophone [https://www.collectionscanada.ca/obj/m2/f7/13110.mp3]



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