Separation of Soul and Body

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X:1 T:Separation of soul & body, The M:C| L:1/8 R:Air N:Obtained by Goodman from the music manuscript collection of John Edward Pigot. B:James Goodman music manuscript collection, Book 2, p. 93 (mid-19th century) B:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=96&z=348.0999%2C2726.1131%2C8098.3776%2C3101.8519 Z:AK/Fiddler’s Companion K: Gdor d2g2 gfga|b2 gf f2 fg|b2 ag f2 dc|cdfg b3a| g2 gf d2 cB|Bcde f2 ag|fdcB A2 GF|G2 g2g2|| GF|D2G2 GFGA|B2 AG G2 FG|Bcde fdg2|g4 g3d| B2 AG G2 AB|cAGF F2 fe|fdcA G>FDF|G4 G2||



SEPARATION OF SOUL AND BODY. Irish, Air (cut time). G Minor. Standard tuning (fiddle). AB. Petrie notes this elegiac air is attributed to blind harper Turlough O’Carolan (1670-1738), though does specify by which authority. It was first printed by John & William Neal in Dublin in 1724 in their Collection of Most Celebrated Irish Tunes, but without naming a composer.


Additional notes



Printed sources : - Mulholland (A Collection of Ancient Irish Airs, vol. 2), 1810; p. 81. John & William Neal (A Collection of the Most Celebrated Irish Tunes), Dublin, 1724; p. 16. Stanford/Petrie (Complete Collection), 1905; No. 671, p. 168.






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