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Annotation:Ships are Sailing (1) (The)
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X:1 T:Misses is Sick, The T:Ships are Sailing [1], The M:C| L:1/8 R:Reel N:A version of “Ships are Sailing” S:Daniel Kelleher S:P.D. Reidy music manuscript collection, London, 1890’s (No. 37) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. N:Reidy's source, Daniel Kelleher, was variously said to have been N:from Castleisland, Sliabh Luachra region, County Kerry, or from N:the native-Irish speaking region of Achadh Bolg, Múscraigh, in N:County Cork. Reg Hall (2017) also found a reference to Kelleher N:as one of the soloists who accompanied step dancing exhibitions N:at Gaelic League events in London between 1897 and 1901. According N:to Hall, Kelleher was a young fiddle player active within the N:Gaelic League. His name is attached to thirteen tunes in Reidy’s N:collection. F:http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:Edor (Be)ed (Bc)dB|(AF)GB (AF)EF|D2 (DE) (FE)FA|(Be)ef (gf)ed| (Be)ed (Bc)dB|(AF)GB (AF)EF|D2 (DE) (FE)FA|(Be)ef e2d2|| g2 ga (ga)bg|(af)gf (ef)ge|g2 ga (ga)bg|(af)df e2 ef| g2 ga (ga)bg|(af)gf (ef)ge|g2 ag f2 gf|e2 ef (gf)ed||
SHIPS ARE SAILING [1] (“Ta na lungaide” or “Longa ag seolad”). AKA and see "Boy in the Boat (2) (The)," "Misses is Sick (The)," "Take Her Out and Air Her (1),” “White-haired Lass." Irish, New England; Reel (cut time). E Dorian (Em). Standard tuning (fiddle). AAB (Taylor): AA'B (Mulvihill, O'Neill/1850 & 1001): AABB (Brody, Cole, DeMarco, Flaherty, S. Johnson, Mallinson, Miller & Perron): AA'BB' (Martin & Hughes, O'Neill/Krassen, Tubridy). A reel that has held currency as a popular session tune among Irish traditional musicians for some time. A version was printed in Ryan's Mammoth Collection (Boston, 1883) under the "Ships are Sailing" title that is very similar to the one O'Neill printed in 1903, and a version was entered into the 1890's music manuscript collection of London dancing master Patrick D. Reidy under the title "Misses is Sick (The)." This would seem to indicate that it was widespread at least since the latter 19th century.
Ken Perlman, writing in 1979, said this reel was very popular among Irish musicians in New York City. It is occasionally heard played in that city's sessions today, though considered somewhat worn. See also the related “Trim the Bonnet.”
