Sly Patrick

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X:1 T:Sly Patrick M:6/8 L:1/8 R:Air or Jig B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 10, p. 5) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:D (d/e/)|(f>e).d (ed).B|(A3 B2).d|(d>e).f (ag).f|(f3 e2)(d/e/)| (f>e).d (ed).B|(A3 B2)d|(d>e).f {f}(e2d)|(d3 d2):| |:f|(f>g).a .a.b.c'|(d'3 c'2).b|(ba).f (f>e).d|{^d}(e3 e2) (=d/e/)| (f>e).d (ed).B|(A3 B2)d|.d>.e(.f {f}e2)d|d3-d2:|]



SLY PATRICK (Padraic Glic). AKA and see "Has Sorrow Thy Young Days Shaded? (1)." Irish, Air (6/8 time, "tenderly"). B Flat Major (Hughes): D Major (Clinton): G Major (Haverty, O’Flannagan, O’Neill). Standard tuning (fiddle). AB. In the early 19th century Thomas Moore used the melody for his song “Has Sorrow Thy Young Days Shaded.”


Additional notes



Printed sources : - Clinton (Gems of Ireland: 200 Airs), 1841; No. 10, p. 5. William Forde (300 National Melodies of the British Isles), c. 1841; p. 6, No. 18. P.M. Haverty (One Hundred Irish Airs vol. 3), 1859; No. 242, p. 118. Hughes (Gems from the Emerald Isles), London, 1867; No. 95, p. 22. O’Flannagan (The Hibernia Collection), Boston, 1860; p. 25. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 85, p. 15.






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