Annotation:Fair-Haired Mary
X:1 T:Fair-Haired Mary M:C| L:1/8 R:Reel S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 703 Z:AK/Fiddler's Companion K:Gmin Addc d2 cB|AFcF dFcF|Gddc d2 d=e|fdcA dcBA| Gddc d2 cB|AFcF dFcF|Gddc d2 d=e|fdcA AG G2|| g2 dg g2 ag|fdd=e f2 fe|g2 gf g2 ag|fdcA dBcA| Gddf g2 ag|fdd=e f2 fg|abag fgag|fdcA AG G2||
FAIRHAIRED MARY (Máire na/an Cuilfion/Cuilfhin). AKA - "Fair Haired Mary," "Fair Haired Molly," "Molly Bán." AKA and see "Molly Bawn's (2)." Irish, Reel. G Dorian/Mixoldyian (O'Neill): E Minor (Corfield, Miller). Standard tuning (fiddle). AB (O'Neill/1850 & 1001): AA'B (O'Neill/Krassen): AABB (Miller). Set by O'Neill in G minor, but with accidents and no minor third note the tune is in the mixolydian or dorian modes. Sometimes attributed (e.g. by Grattan-Flood, Hardiman) to the Irish harper Turlough O'Carolan (1670-1738), said to have been written after his arrival at Greyfield, Roscommon, for one of the visitors, Mary MacDermot, for whom he also composed the famous "Princess Royal/Miss MacDermott." Clare fiddler Paddy Canny recorded the tune under the title "Molly Bawn (3)," while Clare fiddler Martin Hayes recorded it as the translated "Fair Haired Molly."