Annotation:Reconciliation (The)
X:1 T:The Reconciliation M:C| L:1/8 R:Hornpipe B:O'Neill's Music of Ireland. 1850 Melodies, 1903, p. 310, no. 1670 N:The last note length of both parts has been corrected (A4 instead of A2). Z:François-Emmanuel de Wasseige K:A A2 c>A e>Af>A|e>Af>A e>cB>c|A2 c>A e>Af>A|e>cB>c A>FE>F| A2 c>A e>Af>A|e>Af>A e>cB>c|A>BA>F E>cd>f|e>cB>c A4:| |:A2 c>e a2 a>f|e>fe>d c>dB>c|A2 c>e a2 a>g|f>bb>a g>be>g| a>ga>e f>ae>c|d>Bc>A B>AF>G|A>BA>F E>cd>f|e>cB>c A4:|]
RECONCILIATION, THE ("An Reiteacad" or "An Reidteact"). AKA and see “Humphrey's Hornpipe (2),” "Humphrey's Reel," “Olive Branch Hornpipe.” Irish, Canadian, American; Hornpipe or Reel. A Major. Standard tuning (fiddle). AABB. Francis O’Neill probably sourced this tune (as he did a a number of others) from Boston publisher Elia Howe's Ryan’s Mammoth Collection (1883), where it appears as a hornpipe under the title “The Olive Branch” (a title that is, points out Paul de Grae, the source for O’Neill’s “Reconciliation” tune name).
