Annotation:Bruce's Address: Difference between revisions
No edit summary |
No edit summary |
||
| (3 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''BRUCE'S ADDRESS.''' | |f_annotation='''BRUCE'S ADDRESS.''' AKA - "[[Scots wha hae]]." Scottish, Song Air and March (2/4 or whole time). D Major. Standard tuning (fiddle). AB. "Bruce's Address," a version of "[[Scots wha hae]]," is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>. | ||
|f_printed_sources=O'Connor ('''The Rose in the Gap'''), 2018; No. 6, p. 142. William Ross ('''Ross's Collection of Pipe Tunes'''), 1869; No. 38, p. 75. | |f_printed_sources=O'Connor ('''The Rose in the Gap'''), 2018; No. 6, p. 142. William Ross ('''Ross's Collection of Pipe Tunes'''), 1869; No. 38, p. 75. | ||
|f_see_also_listing=Read the entry on "Bruce's Address" in Alexander Whitelaw's Book of Scottish Song (1843) [https://en.wikisource.org/wiki/The_Book_of_Scottish_Song/Bruce%27s_Address] | |||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Bruce's_Address > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Bruce's_Address > | ||
}} | }} | ||
Latest revision as of 02:37, 2 July 2022
BRUCE'S ADDRESS. AKA - "Scots wha hae." Scottish, Song Air and March (2/4 or whole time). D Major. Standard tuning (fiddle). AB. "Bruce's Address," a version of "Scots wha hae," is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1].
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.