Annotation:Cobbler's Reel (1)
X: 1 T: Reel du petit cordonnier T: Tou d'un coup tu maries ma fille R: reel N: Un reel mais avant tout une chanson. F: http://mustrad.udenap.org/partitions/TQ400.jpg Z: 2010 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 F:http://jc.tzo.net/~jc/music/abc/Quebec/reel/ReelDesVieillesFilles_G.abc K: G |: B2d2 g4 | fgaf g2g2 | e2g2 f4 | gfeg f2f2| B2d2 g4 | fgaf g2g2 | B2d2 fgfe | dcBA G4 :| |: BcdB G2G2 | BcdB d2c2 | ABcA F2FF | ABcA e2d2 | BcdB G2G2 | BcdB d2c2 | ABcA F2fe | dcBA G4 :|
COBBLER'S REEL [1] (Reel des cordonnier). AKA and see "Partie de set canadien (Soucy)," "Reel des cordonniers," "Reel des vieilles filles," "Reel du père Latrimouille," "Reel du petit cordonnier (Le)," "Shoemaker's Reel," "You Married My Daughter but Yet You Didn’t." French-Canadian, New England; Reel. G Major. Standard tuning (fiddle). AABB. The melody under the title "Reel des cordonnier" (Cobblers'/Shoemakers Reel) stems from a 1941 recording under that name by Tommy Duchesne (1909-1986, originally from Saguenay, Quebec), Oscar Tiffault (1912–1998) and others. However, the tune was earlier recorded under the titles "Reel du père Latrimouille" (Jospeh Allard, 1933), and "Partie de set canadien (Soucy)" (Isidore Soucy, 1936). Allard and Soucy researcher Jean Duval notes that a version of the second strain of "Reel des cordonniers/Cobblers' Reel" is also to be found in the second strain of Soucy's "Quadrille des Laurentides 3ème partie."
The tune also has been popular as the vehicle for a Québec folk-song under the title "Tout d'un coup tu maries ma fille." The chorus goes:
Tout d'un coup tu maries ma fille,
Tout d'un coup tu la maries pas;
Tout d'un coup tu pars en Egypte,
Tout d'un coup tu restes au Canada.
The reference to Egypt could stem from the 1956 Suez Canal crisis, in which Canadians formed some of the peacekeeping force established by the U.N., or to late 19th/early 20th century Anglo-Franco Colonial excursions to Egypt and the Sudan.
The first recording of this melody was by Joseph Allard in 1933: T:Reel du père Latrimouille M:2/4 L:1/16 C:J. Allard / Victor 263916 / 1933 P:JD K:G "A"B2d2|g4 fgaf|g2g2 B2Bd|f4 efge|f2f2 B2Bd|! g4 fgaf|g2g2 B2d2|f2((3fgf) ecAF|G2G2:||:! "B"BddB|G2G2 FGAB|c3c AFAd|f2ed cBAG|B2G2 BddB|! G2G2 FGAB|c3c AFAd|f2((3fgf) ecAF| G2G2:||
However, Isidore Soucy had recorded one of the two parts in 1930, as the 3rd part of his Quadrille des Laurentides: T:Quadrille des Laurentides - 3ème partie M:2/4 L:1/16 C:I.Soucy / Starr 15736a / 1930 K:D "A"fgaf d2d2|ffdf a2g2|gage c2ef|gfga b2a2|abaf d2d2|ffdf a2g2|gage cAAA |BABc d2d2:||:! "B"ABAG F2A2|d2d2 e2E2|cBcd c2A2|BABc B2A2|ABAG F2A2|d2d2 e2E2|cBcd c2A2 |BAFA d2d2:||
Also in 1930, harmonica player Adélard St-Louis recorded a song with part of the well-known lyrics, but using melody of the Pigtown Fling for the song. Notice how the B part has a similar contour to the Cobbler's reel, though in E minor: T: Tu maries ma fille M: 2/2 L: 1/8 C: Adélard St-Louis et Borromée Bernaquez / Columbia 34272 / 1930 K: G "A"ge|d2ed B2ge | dBAB G2ge | d2ed B2AG | FAEF G2ge | ! d2ed B2ge | dBAB G2ge | d2ed B2AG |1 FAEF G2:||2 FAEF G2G2||! "B"B2e2e2g2 | fgaf gfed | B2e2e2g2 | fgaf gfg2 | ! B2e2e2g2 | fgaf gfed | B2e2e2g2 | fgab g2||
Isidore Soucy proposed another version than Allard in 1936: T:Partie de set canadien M:2/4 L:1/16 C:I.Soucy / Bluebird B-4859a / 1936 K:G "A"B2d2|g2g2 fgaf|ggg2 B2d2|({fg}f2)f2 efge|f2f2 B2d2|! g2g2 fgaf|ggg2 B2d2|fgfe
M:1/4 G2Bc|| |:! M:2/4 L:1/16 "B"dedB G2Bc|BAGB d2c2|cdcA F2AB|AFAc e2d2|! dedB G2Bc|BAGB d2c2|cdcA F2e2|1dcAB G2Bc:||2dcAB G2G2||
Then, Tommy Duchesne recorded it as Reel des cordonniers in 1941. I don't know of any version with the title Reel du petit cordonnier. There is tune/song with the title Le petit cordonnier by Alfred Montmarquette in 1928, but it's a different song, and a unrelated tune.
Both Thiffaut and Duchesne recorded it as a song in 1958, but with different lyrics, and a similar chorus.