Annotation:King of the Cannibal Islands

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X: 1 T:King of the Cannibal Islands,aka. RH.493 T:Cumberland Reel,aka. RH.493 T:Nottingham Swing,aka. RH.493 R:jig S:Rev.R.Harrison's MS,c1815,Cumbria N:aka King of the Cannibal Islands, Cumberland Reel, N:Nottingham Swing, Hilly-go Filly-go all the way, etc. O:England A:Temple Sowerby,Cumbria Z:vmp.Simon Wilson. Review PJH, 2008. M:6/8 L:1/8 Q:3/8=120 F: K:G d|b2a g2f|f2e d2B|cBc A2c|B2c d2G| e2G g2G|d2G g2G|fga def|g3 g2:|! .b2.b .b2.a|.b2.b .b2.a|.b2.b .c'2.b|a>ba a2z| g2g g2f|g2g g2f|g2g a2g|fga def|! g3 fed|e2f g2z|g3 fed|e2f g2b| a2g a2b|a2g a2b|a2d' def|g3 g2|]

KING OF THE CANNIBAL ISLANDS. AKA and see "Nottingham Swing," "Hilly-Go Filly-Go All the Way," "Cumberland Reel," "Vulcan's Cave." English, Jig. England, Dorset. D Major. Standard tuning (fiddle). AAB A popular jig under a bewildering variety of titles, including "Cabbages and Onions," "Cannibal Islands (The)," "Hilly-Go Filly-Go All the Way," "Hokee Pokee Wonkee Fum," "King of the Cannibal Islands" "Deux Rivales (Les)," "Rivals (Les)," "Nottingham Swing," "Vulcan's Cave" and the "Cumberland Reel." The melody has been the vehicle for numerous songs and dances. In Scotland it is the vehicle for a Scottish Country Dance called "Cumberland Reel," in England it was a country dance called "Vulcan's Cave," and the "Nottingham Swing," while in Ulster it has been a popular tune for ceili bands who often play it as a single jig or slide, and finally, the melody has also seen service for parts of quadrilles. According to Anthony Bennett[1]the tune originally was a composition of John Charles White, published as the third set of a quadrille in Les Deux Rivales/The Two Rivals. White himself adapted it as a country dance and called it "Vulcan's Cave," "introduced at the Theatre Royal Covent Garden, performed at the Amicable Society's Balls, Willis's Rooms, and all Fashionable assemblies in London, Bath, Cheltenham, Brighton, etc." "King of the Cannibal Islands" (the Cannibal Islands referred to Fiji) is the name of a popular comic song set to the melody by A. W. Humphreys about 1830 and "Sung by him with great applause at the London Concerts." A broadside printing of the lyrics from Glasgow in 1858 directs it to be sung to the air of "Hokee pokee wonkee fum." It begins:

Oh, have you heard the news of late,
About a mighty king so great?
If you have not, 'tis in my pate-
The King of the Cannibal Islands.
He was so tall-near six feet six,
He had a head like Master Nick's,
His palace was like Dirty Dick's,
'Twas built of mud for want of bricks,
And his name was Poonoowingkewang,
Flibeedee flobeedee-buskeebang;
And a lot of Indians swore they'd hang
The king of the Cannibal Islands.
Hokee pokee wonkee fum,
Puttee po pee kaihula cum,
Tongaree, wougaree, ching ring wum,
The King of the Cannibal Islands.

The "Cannibal" title appears in a repertoire list brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898. While mostly traditional in his repertoire, Goodman regularly played several novelty or 'popular' tunes. In 1866 during the Canadian gold-rush Robert Burrell grumbled in a letter that the music from Bakerville's Hurdie house across the street was disturbing his sleep. He mentioned four of the songs that were ringing in his ears, among them "King of the Cannibal Islands." As "Vulcan's Cave," the melody not only appears in John Burk's manuscript collection but also those of the Rev. Robert Harrison of Brampton, Cumbria, dated 1820, and John Rook (Waverton, Cumbria), 1843. Whitchurch, Shropshire, musician Robert Hughes entered the melody under the title "Les Rivals" in his 1823 copybook.

There actually was a King of the Cannibal islands, Cakobau, head of state of the Viti Government of 1871-4, although first crowned in 1867 by some European settlers. His authority was always in question, and the European settlers hardly seemed to acknowledge his authority, but in 1871 he gained the support of European associates and formed a government. Unfortunately, it was not successful, and in 1874 he ceded Fiji to Great Britain. In his own words: "If matters remain as they are, Fiji will become like a piece of driftwood on the sea, and be picked up by the first passer-by. The whites who have come to Fiji are a bad lot. They are mere stalkers on the beach. … Of one thing I am assured, that if we do not cede Fiji, the white stalkers on the beach, the cormorants, will open their maws and swallow us.".

Cakobau, photographed in 1876

Additional notes

Printed sources : - Trim (The Musical Legacy of Thomas Hardy), 1990; No. 78 (includes harmony part. Only the harmony is original to Hardy's MS.).

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  1. Bennett, Anthony. "Rivals Unravelled: A Broadside Song and Dance", Folk Music Journal, vol. 6, no. 4, 1993 [1]