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Annotation:McDonnaugh's Hornpipe
X:1 T:McDonnaugh’s Hornpipe M:C L:1/8 B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 316, p. 87) B: https://archive.org/details/flutemelodies0000rile/page/n101/mode/2up Z:AK/Fiddler’s Companion K:D AB/c/|d2 F>G AFAF|d2 F>G A2 Ad|BAGF E2 ef|gead dcBA| d2 F>G AFAF|d2 F>G AFAF|BAGF E2 ef>|gedc d2!fine!:| |:g2|f2 df dfdf|e2 ce cece|f2 df dfdf|edcB A2 Bc| dBdB cAcA|dBdB cAcA|defd edcB|A2A2A2!D.C.!:|
McDONNAUGH'S HORNPIPE. AKA and see "Czar of Russia's Favorite," "Hip Hornpipe," "Siege of Belgrade," "Siege of Belgrade," "Seige of Belgrade (1)," "Skelton's Hornpipe," "West's Hornpipe." English, American; Hornpipe (whole time). D Major. Standard tuning (fiddle). AABB. This hornpipe exists under a variety of titles in Britain and America. It can be traced to the opera Siege of Belgrade by British composer Stephen Storace, produced at the Drury Lane Theater in London on January, 1, 1791 and was printed soon thereafter (see note for "Seige of Belgrade" for more.
