Annotation:Richard Brennan's Favorite
X:1 T:Richard Brennan's Favorite M:6/8 L:1/8 R:Jig K:D D/E/|~F3 FED|FAF FEF|DFA dAF|A,CE A,CE| ~F3 FED | FAF FEF | DFA dAF | A,CE D2 :| |: g | fed edc | dcB AFA | fed edc | dfb a2g | fed edc | dcd AFA | dFA GFE | DCE D2 :|]
RICHARD BRENNAN'S FAVORITE. AKA â âBrennan's Favourite,â "Richard Brennan's Delight," âRichard Brennan's Jig.â AKA and see "Bad Luck to this Marching," "Exile's Lament (The)," "Origin of Ireland," âPaddy OâCarrol (1),â âShaun Maguire's,â âTell Her I Am (3).â Irish, Jig (6/8 time). D Major. Standard tuning (fiddle). AB (Miller & Perron): AABB (Flaherty, McGuire & Keegan, Perlman): AAâBBâ (Mulvihill, OâMalley). Dick Brennan (d. 1968) was a fiddler from Killavil, County Sligo, and has been called (by Gregory Daly and P. J. Hernon) one of the finest players of his generation. Killavil is called Coleman Country, as it was also the birthplace of the famous fiddler Michael Coleman (1891-1945). Brennan (who was slightly older than Coleman) was a member of the Glenview CĂ©ilĂ Band with fiddlers Peter Horan (also a flute player, who was Brennanâs brother-in-law), Willie Coleman, Fred Finn, and other musicians. "Richard Brennan's Jig" was recorded in New York by both Michael Coleman (who recorded it twice for Decca Records, in 1922 and 1936[1]) and James Morrison (1891-1947), who also hailed from County Sligo, but it was Coleman who applied Brennan's name to it. Morrison recorded the jig as the second of a medley called "Maurice Carmody's Favourite" (preceded by "Stick across the Hob (The)" AKA âMorrison's Jig (1)."
The tune, however, is a derivation of an older jig called âPaddy OâCarrolâs,â appearing in different forms throughout the Britain and Ireland. In fact, Luke OâMalley has it in his collection as âPaddy OâCarroll,â though clearly it is the âRichard Brennanâ melody. In England, an early version can be found in the c. 1847 music manuscript collection of Ellis Knowles (Radcliffe, Lancashire, north-west England) under the title âDennis McCaster.â
Pipers and flute play the tune but forgo variations that go below these instruments' lowest note (D).
- â The 1936 recording was a medley with "Tell Her I Am (1)", and resulted in "Richard Brennan" tune also sometimes being called "Tell Her I Am (3)".