Bridal Jig (1) (The)

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X:1 T:Jig T:Bridal [1], The M:6/8 L:1/8 R:Jig S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 150. Mid-19th century, County Cork Z:AK/Fiddler’s Companion K:G GAG BAB|def gfe|dBG GFG|ABA/G/ FED| GAG BAB|def gfe|dBG cBA|BGG G3:| |:e3 edB|e2f g2a|bgg aff|gee edB| e3 edB|e2f g2a|bgg aff|gee e3:|]

X:1 T:Bridal, The T:Bridal Jig [1], The M:6/8 L:1/8 R:Jig B:Ryan's Mammoth Collection (1883) Z:AK/Fiddler's Companion K:G D|G2G BGB|def gfg|ecA dBG|FAG FED| G2G BGB|def gfg|ecA dBG|cAF G3:| |:B|Bee edB|def g2a|bag agf|e2e edB| Bee edB|def g2a|bag agf|(e3 e2):|]

X:1 T:Bridal, The T:Bridal Jig [1], The M:6/8 L:1/8 R:Jig S:Michael B. Shanahan S:P.D. Reidy music manuscript collection, London, 1890’s (No. 24) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. N:Reidy told O’Neill that his source, Shanahan was a “celebrated N:violinist”, the son of a piper born in Kilrush, Co. Clare, with a N:great reputation in Kerry and Limerick in the 1860’s. It is unclear N:where Shanahan was in relation to his acquaintance with Reidy N:(i.e. in London or Ireland). F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:G D|G2G BGB|def gfg|ecA dBG|FAG FED| G2G BGB|def gfg|ecA dBG|cAF G2:| |:B|Bee edB|def g2a|bag agf|e2e edB| Bee edB|def g2a|bag agf|(e3 e2):|]

X:1 T:Bridal Jig [1], The M:6/8 L:1/8 R:Jig S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 310 Z:AK/Fiddler's Companion K:G D|G3 BGB|def gdB|ecA dBG|FAG FED| G2G BGB|def gdB|ecA dBG|FEF G2:| |:B|Bee edB|def g2a|bgb afa|geg fdB| Bee edB|def g2a|bgb afa|1 gee e2:|2 g2g gdB||