Clout the Caldron (1)

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 Theme code Index    13b3b7bL 3b3b3b5
 Also known as    Clout the Cauldron, Hammermens' March (The), TInker's Occupation
 Composer/Core Source    
 Region    Scotland, Ireland
 Genre/Style    Irish, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance, March/Marche
 Key/Tonic of    B
 Accidental    2 sharps
 Mode    Aeolian (minor)
 Time signature    4/4
 Structure    AABB
 Editor/Compiler    Biography:William Thomson
 Book/Manuscript title    Book:Orpheus Caledonius vol. 2
 Tune and/or Page number    No. 25, p. 101
 Year of publication/Date of MS    1733
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Score   (1)   

X:1 T:Clout the caldron [1] M:4/4 L:1/8 R:Air N:This version begins with the chorus B:The Guthrie Manuscript (c. 1680, p. 303) N:The music pages are inserted into a collection of the writings of N:James Guthrie (c. 1612-1661), Covenanting minister. K:Bmin E4E2F2|B2A2F2D2|E4E2F2|B2A4:| B2d2d2d2|d2e2f2d2|e2d2c2B2|e4 A4:| |:E4 E2F2|B2A2F2D2|E4 E2F2|B4A4:| |:B2d2d2d2|e2f2d4|e2d2c2B2|e4 A4:| B4 B2c2|f2e2c2A2|B4B2c2|f4e4||

X:1 T:Clout the Caldron [1] M:C L:1/8 R:Air B:William Thomson - Orpheus Caledonius, vol. II (1733, No. 25, p. 101) N:Thomson (c. 1695-1753) was a Scottish singer and folk song collector N:who lived in London for most of his adult career. Z:AK/Fiddler’s Companion K:Amin c c c c c c c f|d c B A B2 A G |G c c c c c c f|d c B A B2 A G | d d d e a g e c |d d d e a2 g e |e d d e a g e c |e d d e a2g2||

X:1 T:Clout the Cauldron T:Clout the Caldron [1] M:C L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The B:McFarlane Manuscript (c. 1741, No. 43, p. 86) F: N:The Society of Antiquaries of Scotland K:C A/B/c cc c>d ce|d(c{d}TB)A TB2 TA>G|A/B/c Tc>B c>d (c/d/e/)g/|dcBA (d/4c/4B/4A/4/B/)g/ TA>G| |:EDDE C(G/F/) TE(D/C/)|EDDc (A/B/c/)A/ (G/A/c/)G/|EDDc (A/B/c/)A/ (G/E/D/)C/|A,D D(E/G/) TA2!fermata!G2:| (A/B/c) E(c/B/) (c/B/c/)d/ ce|G(d/c/) TB>A (B/A/)(B/c/) (B/A/)(B/G/)|A/B/c E(c/B/)(c/B/)(c/d/) eg|(c'/g/)(a/e/) (g/e/)(d/c/) TB2 TA>G|| |:ed d(e/g/) (a/g/)(a/g/) (e/d/)(e/c/)|ed d(e/g/) (a/g/)(a/g/) (e/g/)(a/c'/)|ed d(e/g/) (a/g/)(a/b/) (g/e/)(d/c/)|Ad d(e/g/) a2 Tg2:| Sgc e/f/g cg/f/ Te(d/c/)|(d/c/)(B/A/) dg (B/A/)(B/c/) (B/A/)(B/SG/)|:EDDE (C/B,/)(C/D/) (E/D/)(E/C/)|(A,/E/)(A/E/) (A,/E/)(A/E/) TA2 SG2:| (E/G/)(c/G/) (E/G/)(c/G/) (c/d/)(e/c/) (B/c/)(d/B/)|D/(d/c/d/) (B/c/)(A/c/) TB2 A>G|(E/G/)(c/G/) (E/G/)(c/G/) (c/d/)(e/c/) (d/c/)(d/e/)| (g/c'/)(g/a/) (e/g/)(d/e/) TB2 TA>G||:S EA A(B/d/) (e/d/e/)g/ (d/B/A/)G/|(E/B/)(e/B/) (E/B/)(e/B/) [E2B2e2]d2:| (g/^f/)(g/a/) (g/f/)(g/a/) (g/B/)(g/a/) (g/a/)b|d(a/g/) T^f>e (f/e/)(f/g/) (^f/e/)(f/Sd/)||:(G/D/)(G/B/) (G/D/)(G/B/) (d/B/)(d/e/) (d/e/)g| dcBA (d/4c/4B/4A/4)B/g/ TA>SG:|FA A(G/B/) (e/d/e/)g/ (d/B/A/)G/|(E/B/)(e/B/) (E/B/)(e/B/) [E2B2e2]d2:|]

X:1 T:Clout the Caldron [1] M:C L:1/8 R:Air Q:"Slow" B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 12) F: N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:D V:1 Ad dd d>edJf|edTcB c2 T(BA)|(B/c/d) dd d>e (d/e/f)|TedcB Tc2 BA| TFE EF/A/ TBA TF(E/D/)|TFE EF/A/ TB2 A>G|TFE EF/A/ TBA TF(E/D/)|TFE EF/A/ T(B2{AB}A2):|] V:2 clef = bass D2C2B,2F,2|G,2zG,,A,,2 zF,|G,2A,2B,2F,2|G,2zG,, A,,2zA,,| D,A,, zD, G,,D, zD,|A,A,, zD, G,,2zA,,|D,A,, zD, G,,D, zD,|A,A,, zD, G,,2D,2:|]

X:1 T:Clout the Caldron [1] M:C| L:1/8 Q:"Brisk" S:McGibbon - Scots Tunes, book II, p. 45 (c. 1746) Z:AK/Fiddler's Companion K:Bmin (Bcde) d2A2 | d3ed2f2 | e2d2c2B2 | Tc4 (B2A2) :| |: (F2E2) E2(FA) | B3AF2D2 | (F2E2)E2(FA) |TB4A4 :||

X:2 T:Clout the Caldron [1] M:2/4 L:1/8 B:Oswald - Caledonian Country Dances, Book 7 (1760, pp. 32-33) Z:AK/Fiddler's Companion K:Bmin (B/c/d) d2-d2|d>edf|edcB|c2 {B}A2:| |:(FE)(EF)|BAFD|(FE)(EF)|{F}B2A2:| |:f/g/a df|adfd|(A/B/c/d/) (e/d/c/B/)|Tc2 {B}A2:| |:Tfe (ef/a/)|ba (fe/d/)|Tfe (ef/g/)|{a}b2a2:| |:(B/c/)d Dd|A(a/g/) fd|B(b/a/) (g/f/)(e/d/)|Tc2 {B}A2:| |:F>EE>F|D(d/B/) (A/F/)(E/D/)|eE E(F/A/)|{A}B2A2:| |:(d/f/)(a/f/) dA|(d/f/)(a/f/) d>B|(c/d/)(e/c/) (a/e/)(f/d/)|c2 {B}A2:| |:f(d/f/) e(a/g/)|f(b/a/) (g/f/)(e/d/)|Be e(f/a/)|{a}b2a2:| |:dfDf|AaDf|E(g/e/) .b/(g/f/e/)|{d}Tc2 {B}A2:| |:dF/D/ EF|B(F/d/) (A/F/)(E/D/)|d(F/D/) (E/F/)(d/c/)|TB2A2:|]

X:1 T:Clout the Caldron [1] M:C L:1/8 B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 142, p. 42) F: Z:AK/Fiddler’s Companion K:Bmin (Bcde)d2A2|d3e d2f2|e2d2c2B2|c4 (B2A2):| |:F2-E2 E2 (FA)|B3A F2D2|F2-E2 E2 (FA)|B4 A4:||

X:2 T:Clout the Caldron [1] M:2/4 L:1/8 S:Stanford/Petrie (1905), No. 403 Z:AK/Fiddler's Companion K:Bmin A | B/c/d/e/ dA | Bc df | ed cB | c2 BA | B/c/d/e/ dA | Bc df | ed cB | c2 BA | FE EF/A/ | BA FD | FE EF/A/ | B2 AF | FE EF/A/ | BA FD | FE EF/A/ | B2A ||