Girl I Left Behind Me (1) (The)

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Girl I Left Behind Me (1) (The)

(The Traditional Tune Archive)   Browse Properties Browse/:Girl I Left Behind Me (1) (The)
 Theme code Index   6352 316L6L
 Also known as    As Slow Our Ship, Brighton Camp, Gal I Left Behind Me (The), Johnny Goodwin, Pretty Little Girl, Pretty Little Girl I Left Behind Me (2), Spailpin Fanach (1) (An), Rambling Laborer (The), Wandering Harvest Labourer (The), Waxies Dargle (The)
 Composer/Core Source    
 Region    Canada, England, Ireland, Scotland, United States
 Genre/Style    Contra, English, Irish, Military, Morris, Old-Time
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance, Hornpipe/Clog, March/Marche, Polka, Set Dance, Two-Step
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    One part, AB, AABB, AABBCC
 Editor/Compiler    Morris/Maurice Hime
 Book/Manuscript title    Hime's Pocket Book for the German Flute or Violin vol. III
 Tune and/or Page number    p. 67
 Year of publication/Date of MS    1810
 Artist    Jasper Bisbee
 Title of recording    Girl I Left Behind Me
 Record label/Catalogue nr.    Edison 51381 (78 RPM)
 Year recorded    1923


Tune annotations


X:1
T:The Girl I Left Behind Me [1]
M:2/4
L:1/8
S:Hime's Pocket Book for the German Flute or Violin, vol. III (c. 1810) [from Fleischmann, no. 5244]
K:G
g/f/|ec BA|BG EF|G3/2A/ G/A/B/c/|d3/2B/ gf/g/|
ec BA|BE E/F/G/A/|B/A/G/F/ EF|G2G:|]
|:e|ef gf/e/|fB Bd|ef g/f/e/d/|e3/2f/ gf/g/|
ec BA|BE E/F/G/>A/|B/A/G/F/ EF|G2G||
B/c/|dB gf/g/|dB ba/g/|f/e/d/c/ B/A/G/F/|E/G/F/A/ G:|]
X:1
T:Girl I Left Behind Me [1], The 
M:2/4
L:1/16
S:Rice_Walsh manuscript
Z:Paul Kinder
R:March
K:G
gf|edB^c dBA=c|BAGF EDEF|GFGA GABc|dedc B2gf|
(3efg de (3Bcd Ac|BAGF EDEF|GFED EGFA|G4 G2:|
|:BA|Bdef gfgb|agfe d2Bd|edef gfed|(3efg af g2fg|
(3efg de (3Bcd Ac|BAGF EDEF|GFED EGFA|G4 G2:|
|:gf|(3efg dB (3cde cA|(3Bcd BG FDEF|GBdB cdec|(3efg (3fga gfed|
(3efg dB (3cde cA|(3Bcd BG FDEF|GFED EGFA|G4 G2:|
|:GF|DGBd dcAB|cBGB BAFA|DGBd dcAg|(3fga gf gdBG|
DGBd dcAB|cBGB BAFA|BAGA (3Bcd FA|G4 G2:|
|:dc|BA (3Bcd ed (3efg|(3fga gf gdBG|BA (3Bcd ed (3efg|(3fga gf g2fg|
(3efg dB (3cde cA|(3Bcd BG FDEc|(3BdB GB (3AcA FA|G4 G2:||
X:3
T:Girl I Left Behind Me [1], The
M:2/4
L:1/16
H:John Carroll manuscript, c. 1804-1812
Z:Paul Tyler
B:55.2
K:G
g2|edcB cBAG|GABG E3F|G2G2 GABc|d3c B3g|
edcB cBAG|GABG E2BA|GFED EGFA|G3 G3:|
|:c2|B2d2 e2f2|g2ed B3A|B2d2 egfg|e4 g3e|
edcB cBAG|GABG E2BA|GFED EGFA|G4 G2:||
X:1
T:Girl I Left Behind
M:6/8
L:1/8
R:Air
B:John Bell (1783-1864) music manuscript collection (c. 1812)
Z:AK/Fiddler's Companion
K:G
g|e2c B2A|B2G E2F|G2G G2B|d3 B2g|
edc B2A|B2G (EF)G|FAF D2F|G3 G2:|
|:c|B2d e2f|g2d B2G|GBd e2f|g3 f2g|
edc B2A|B2G EFG|FAF D2F|G3G2:|]
X:1
T:Girl I Left Behind Me, The
M:2/4
L:1/8
R:Air
Q:"With tender expression"
N:”Author and date unknown.”
B:Bunting – Ancient Music of Ireland (1840, No. 57, p. 43)
Z:AK/Fiddler’s Companion
K:Eb
(e/d/)|c(B/A/) (.G.F)|{A}(G/F/)(G/E/) (.C>.D)|(.E.E) (E/F/)(G/A/)|(.B>.A.G) (e/d/)|
(c/B/)(A/G/) (B/A/)(G/F/)|{A}(G/F/)(G/E/) (.C.F)|(E/D/)(C/B,/) (.C.D)|(E2 E):|
|:.B|.c>.B .c.d|eB2 B|(.c>.B .c.d)|(e2c) (e/d/)|
(c/B/)(A/G/) (B/A/)(G/F/)|{A}(G/F/)(G/E/) (.C.F)|(E/D/)(C/B,/) (.C.D)|(E2E):|]
X:1
T:Girl I left behind me, The
M:C|
L:1/8
R:Air
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
Z:AK/Fiddler’s Companion
K:G
B2|d2 B2B2 Ac|BAGF E2 EF|G2 G2 GABc|d4 B2g2|
d2B2B2 Ac|BAGF E2 AG|F2D2E2F2|G4 G2||
d2|e2f2g2e2|f2d2B2d2|e2f2 gfed|e3f g2 fe|
d2B2B2 Ac|BAGF E2 AG|F2D2E2F2|G4 G||
X:1
T:Girl I Left Behind Me [1], The
M:2/4
L:1/8
R:Air
Q:”Moderato”
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 15, p. 8)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:C
"Moderato"(c'/b/)|(ae).e.d|(ecA>).B|.c>.B .c/.d/.e/.f/|(g>fe) c'/b/|
(ae).e.d|(e/d/c/B/) .A(c|B)(G/B/ A/c/B/d/)|(c>dc)||
|:(c/d/)|(eg).a.b.|(c'g)e (c/d/)|(eg).a.b|(c'2b) (c'/b/)|
(ae).e d/e/|(fe).d.c Ac|.B(G/B/ A/c/B/d/)|(c>dc):|]
X:1
T:Girl I left behind Me, The
M:2/4
L:1/8
R:Air
Q:"Moderato"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 182, p. 82)
Z:AK/Fiddler’s Companion
K:Gdor
f|(dB) (A>G)|(A>F) (D>E)|F>F (F/G/A/B/)|(c>B) (Af)|
(dB) (A>G)|(A>F) D>E|(F>G) (A/G/F/E/)|D2 D||
c|(Ac) (d>e)|(f>c) (AF)|(A>c) (de)|f2 (ef)|
(dB) (A>G)|(A>F) (D>E)|(F>G) (A/G/F/E/)|D2D||
X:1
T:Girl I Left Behind Me [1]
M:4/4
L:1/8
B:O'Flannagan - The Hibernia Collection (Boston, 1860, p. 15)
Z:AK/Fiddler's Companion
K:G
cd|e2B2B2 Ac|BAGF E2D2|G3A GABc|d4 B2 cd|
e2B2B2Ac|BAGF E2 FG|A2F2D2 EF|G4 G2:|
|:GA|B2d2e2f2|g2d2B2 GA|B2d2e2f2|g4 gfed|
e2B2 B2 Ac|BAGF E2 FG|A2F2D2 EF|G4 G2:|]
X:1
T:Girl I Left Behind Me [1], The, with Variations
M:
L:1/8
R:Hornpipe 
S:Clinton W. Bisbee (West Sumner, Me., August, 1904)
N:The inscription on the front cover indicates the that contents were
N:copied from the Dec. 25, 1864, music manuscript of Frank Richardson, 
N: who lived in a town called Mt. Vernon, Me., later called Canton, Me.. 
Z:AK/Fiddler’s Companion
K:G
g/f/|eB c/B/A/G/|AG EF|G{A}G/F/ G/A/B/c/|d2 Be|
d>B c/B/A/G/|AG EG|FA DE/F/|G2 G:|
|:d|Bdef|gdBG|Bdef|g2 zd|
e>d c/B/A/G/|AGEG|FA DE/F/|G2G:|]
P:"Variation 1"
d/c/|(B/G/).A/.B/ (c/d/).e/.f/|(g/f/).e/.d/ (c/B/).A/.G/|(B/G/).A/.B/ (c/d/).e/.f/|(g/a/).b/.a/ (g/f/).e/.d/|
(e/f/).e/.d/ (c/B/).A/.G/|A/G/A/G/ E>G|F/G/A/B/ c/d/e/f/|g3 z:|
P:"Variation 2"
|:d/c/|B(3d/^c/d/ ef|g/b/d/g/ Bd/c/|B(3d/^c/d/ e/g/f/a/|gg/a/ b/a/g/f/|
ee/d/ c/B/A/G/|A/B/A/G/ EG|Ff/e/ d/c/B/A/|G2-g:|
P:"Variation 3"
(3d/^c/d/|(3B/^A/B/ (3d/^c/d/ (3e/^d/e/ (3f/e/f/|(3g/f/e/(3d/c/d/ (3B/A/B/ (3G/F/G/|(3g/f/e/(3d/c/d/ (3B/A/B/ (3G/F/G/|(3g/d/B/ (3d/B/G/ (3D/G/B/ (3d/g/f/|
(3e/f/e/ (3d/e/d/ (3c/d/e/ (3d/c/B/|(3A/B/A/ (3G/A/G/ (3E/F/E/ (3G/A/G/|(3F/d/c/ (3B/A/G/ (3F/E/D/ (3c/B/A/|(3G/B/d/ (3G/B/d/ g2:|
P:"Variation 4"
d/c/|B(e/4d/4/^c/4d/4) ef|g/d/B/G/ g/d/B/G/|Be/4d/4^c/4d/4 e/g/f/a/|g/f/g/a/ b/a/g/f/|
e>d c/B/A/G/|A/B/A/G/ EG|E/F/G/A/ c/d/e/f/|f/d/B/d/ Gz:|
P:"Variation 5"
M:6/8
L:1/8
K:G
g/f/|eBc BAG|ABG E2F|G2G GAB|d3 B2e|
eBc BAG|ABG E2G|FGA DEF|G3 G2:|
|:d|Bcd def|gfe dBG|Bcd def|ggg g2d|
edc BAG|ABG EFG|FGA DEF|G3 G2:|]
X:4
T:Girl I Left Behind Me [1], The
M:2/4
L:1/8
R:Country Dance
B:T. Westrop's 120 Country Dances, Jigs, Reels, Hornpipes, Strathspeys, Spanish
B:Waltz etc. for the Violin, n.d. (c. 1923), no. 42
Z:R. Greig 2010
K:G
(g/f/)|ec B>A|BG E>F|G>G G/A/B/c/|(d2B) (g/f/)|
ec B>A|BG E>G|FA D(E/F/)|G>A G:|!
(G/A/)|Bde>f|g>dB (G/A/)|Bdef|(g2f)(g/f/)|
ecBA|B>G E(F/G/)|FA D(E/F/)|G>A G:|
X:5
T:Girl I Left Behind Me [1], The
L:1/8
M:2/4
S:Shaw - Cowboy Dances (1943)
Z:AK/Fiddler's Companion
K:G
g/f/|ed c/B/A/G/|AG E>F|GG G/A/B/c/|d2 B(g/f/)|
ed c/B/A/G/|AG E>G|FA DE/F/|G2G2||
GB de/f/|gd B>G|Bd ef|g2 f(g/f/)|
ed c/B/A/G/|AG E>G|FA DE/F/|G2G2||

Tune annotations