Killiecrankie (2)

Find traditional instrumental music

Killiecrankie (2)  Click on the tune title to see or modify Killiecrankie (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Killiecrankie (2)
Query the Archive
Query the Archive
 Theme code Index    5555 5155
 Also known as    Battle of Killiecrankie, Battle of Killicrankie, Battle of Kilicrankie, Killycrankie, Planxty Davis, Gilliecrankie
 Composer/Core Source    
 Region    Scotland, Ireland
 Genre/Style    Irish, Scottish
 Meter/Rhythm    March/Marche, Set Dance
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 Structure    AB, AABB
 Editor/Compiler    William McGibbon
 Book/Manuscript title    Book:Scots Tunes Book 2
 Tune and/or Page number    p. 37
 Year of publication/Date of MS    c. 1746
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Score   (1)   

X:1 T:Gilliecrankie T:Killiecrankie [2] M:C| L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations Book II” B:AKA – The McFarlane Manuscript (c. 1741, No. 159, p. 216) F: N:The Society of Antiquaries of Scotland K:C E/F/|G>c G>E G/E/G/c/ G>E|TD>C DE {DE}G2 G>c|A>c A>G A/G/A/c/ TA>G| c/B/c/d/ ec A2 Ae/g/|a(g/e/) g(e/d/) c(d/c/) de|TcAcE G2 Gc/B/|A(G/A/) c(A/c/) d(c/d/) Te>d| e/d/c/A/ G/A/c/E/ TD2C:||:e/f/|g>a Tg>e g/e/g/a/ Tg>e|g/f/e/d/ c/d/e/f/ g2 ge/g/| a>b a>g a/g/a/b/ ag|a/g/f/e/ d/e/f/g/ a2 ae/g/|a/g/e/a/ g/e/d/g/ e/d/c/e/ d/c/A/d/| (c/B/4A/4G/)A/ c/A/c/E/ G2 Gc/B/|A/G/A/d/ d/c/d/f/ Te(d/e/)|c/B/A/B/ c>E TD2C:|]

X: 1 T: Gilliecrankie O: McGibbon (c.1746) M: C L: 1/8 Q:"Brisk" B: McGibbon - Scots Tunes, book II, p.37 (c. 1746) S: AK/Fiddler's Companion F: 2008-2-23 K: D F/G/ \ | A>dAF (A/F/)(A/d/) AF | (A>Bd)F (A2A)d/c/| B>dBA T(B/A/B/)d/ BA | (d/c/d/)e/ (d/e/f/)d/ (B2B)f/a/ | b(a/f/) a(f/e/) f(e/d/) ef | A>BdF A2 Ad/c/| BB dd ee Tf>e | d>B (A/B/d/)F/ TE3D :||:(f/g/) | a>baf T(a/g/a/)b/ af | (a/g/)T(f/e/) d/e/f/g/ (a2a)f/a/| b>d'ba (b/a/b/)d'/ ba | (b/a/)(g/f/) (e/f/)(g/a/) (b2 b)f/a/ | | (b/a/f/)b/ (a/f/e/)a/ (f/e/d/)f/ (e/d/)(B/e/) | (d/B/)(A/B/) (d/c/d/)F/ (A2A)d/c/ | T(B/A/B/)c/ (d/c/d/)f/ (e/d/e/)g/ Tf>e | (d/B/A/B/) (A/B/d/)F/ TE3D :|

X:1 T:Killicrankie [2], with Variations M:C L:1/8 B:Mulhollan - Selection of Irish and Scots Tunes (Edinburgh, 1804, p. 16) Z:AK/Fiddler's Companion K:D F/G/|A>dA(F A/F/A/d/) AF|(A>Bd)F A2 A(d/c/)|B>dBA T(B/A/B/d/) BA|(d/c/d/e/) (d/e/f/d/) (B2 B)f/a/| (ba/f/) (af/e/) (fe/d/) ef|A>BdG (A2 A)(d/c/)|.B.B .d.d .e.e Tf>e|d>B A/B/d/F/ E2 D|| (f/g/)|a>baf T(a/g/a/b/) af|(a/g/Tf/e/) (d/e/f/g/) a2 af/a/|b>d'ba (b/a/b/d') ba| (b/a/g/f/) (e/f/g/a/) (b2 b)(d/a/)|(b/a/f/b/) (a/f/e/a/) (f/e/d/f/) (e/d/B/e/)| (d/B/)(A/B/) (d/c/d/)(F/ A2) Ad/c/|T(B/A/B/c/) (d/c/d/f/) (e/d/e/g/) Tf>e| (d/B/A/B/) (A/B/d/F/) TE2 D:|FG|A3B AF d2|AF d2 AF d2|DEFG AFdF|(A4 A2) dc| BdAd BdAd|BdAd BdAB|dfeg fedc|(B4 B2) fa|b2 af AF E2| af e2 FE D2|fedB ABdF|(A4 A2) dc|BBgB ccac|ddba gfed| cBAc dABF|TE4 D2::fg|{a}f4 {a}f4|afaf afaf|defg afbf| (a4 a2)fa|{c'}b4 {c'}b4|d'bd'b d'bc'a|afef defa| (b4 b2)a2|bgb fadf|gbeg fade|fedB ABdF| (A4 A2) dc|.B2.B2.d2.d2|.e2.e2 Tf3e|d3B d3F|TE4 D2:|

X:1 T:Killiecrankie [2], a Favorite Set M:C L:1/8 R:Strathspey C:”The 2 Last Variations by William Morrison.” B:William Morrison - Collection of Highland music, consisting of B:strathspeys, reels, marches, waltzes & slow airs (c. 1813, p. 13-15) Z:AK/Fiddler’s Companion K:D F/G/|A>BAF A>BAF/G/|A/G/F/E/ D/E/F/G/ A>BA d/c/|B>dBB, Bc T(B/A/B/c/)| d/f/e/g/ {g}(f/e/f/)d/ [G2B2]a2|{a}Tba/f/ {g}Taf/e/ {g}Tfe/d/ {f}Ted/c/|Td/(c/d/)B/ A/F/ d/F/ A>BA T(d/c/)| T(B/A/B/)c/ T(d/c/d/)e/ T(f/e/f/)a/ T(g/f/e/)d/|T(B/A/B/)c/ d/B/A/F/ TE2 {DE}D::f/g/|a>baf a>ba f/g/| a/g/f/e/ d/e/f/g/ a/f/a/d'/ ad'/c'/|Tb>d'ba b>c'bd'/b/|a/f/e/f/ d/e/f/a/ b>c'd'>c'| bg/b/ {b}af/a/ {a}g(3e/f/g/ {g}f(3A/B/c/|T(d/c/d/)TB/ A/F/ d/F/ [EA]>B[CEA] d/c/|TB/A/B/c/ Td/c/d/e/ Tf/e/f/a/ Tg/f/e/d/| TB/A/B/c/ Td/B/A/F/ TE2{DE}D::F/G/|A>B A/F/ d/F/ A/F/ d/B/ (A/G/TF/)E/|D/E/F/G/ A/F/ d/F/ A>BA Td/c/| B/d/c/d/ B/d/A/d/ B/d/c/d/ B/d/A/c/|d/f/e/g/ Tf/e/f/d/ TB3a|{A}ba/f/ {b}af/e/ {g}fe/d/ {f}ed/c/| Td/c/d/B/ A/F/ d/B/ [EA]>B[CA] Td/c/|TB/A/B/c/ Td/c/d/e/ Tf/e/f/a/ Tg/f/e/d/|TB/A/B/c/ d/B/A/F/ TE2{DE}D:| |:f/g/|a/f/Tf {ef}a/f/Tf {ef}a/f/Tf {ef}|a/g/f/e/ d/e/f/g/ a/f/a/d'/ ab/c'/|d'/b/Tb {ba} d’/b/Tb {ba}d'/b/Tb d'/b/Tb {ba}| a/f/e/f/ d/e/f/a/ bc' {b}d'c'|{c'}bg/b/ {b}af/a/ {a}g(3e/f/g/ {g}f(3A/B/c/|T(d/c/d/)B/ A/F/ d/F/ A>BA d/c/| TB/A/B/c/ Td/c/d/e/ Tf/e/f/a/ Tg/f/e/d/|TB/A/B/c/ Td/B/A/F/ TE2 {DE}D:| P:Jig M:6/8 L:1/8 F/G/|A>B A/G/ F/d/A/G/F/G/|A/^G/A/B/A/=G/ F/d/A/G/F/G/|F/D/F/A/d/e/ f/d/A/G/F/G/|A2 d A2 d/c/| B/A/B/d/c/d/ BB,B/c/|d/c/B/ f/d/c/ BB,B/c/|d/f/e/g/f/a/ (g/f/e/)d/c/d/|B3 a2 g/a/| {ga}b/a/g/b/a/g/ {fg}(a/g/f/)a/g/f/|{a}g/f/e/g/f/e/ {g}Tf/e/f/e/d/c/|B/d/c/e/d/e/ Tf/d/A/G/F/G/|[E2A2]d [C2A2]d/c/| B/A/B/c/d/e/ fFa|b/a/g/f/e/d/ a/g/f/e/d/c/|B/>d/c/>/e/d/>f/ (3e/4d/4c/4 (3B/4A/4G/4 (3F/4E/4D/4 TE3 {DE}D2:| |:f/g/|a/g/f/e/ d/d’/ (c’/b/a/)g/f/g/|a/^g/a/f/ d/d'/ c'/b/a/=g/f/g/|f/d/f/a/b/c'/ d'/a/b/g/f/g/|a2d' a2 d'/c'/| b/^a/b/d'/c'/d'/ B B/<d'/c'/>d'/|b/f/b/d'/c'/d'/ bB d'/c'/|b/^a/b/c'/d'/e'/ (3f'/e'/d'/ (3e'/d'/c' {d'e'}f>^a| b2c' d'2c'|Tb (3g/4a/4b/4 g/e/ Ta (3f/4g/4a/4 f/d/|Tg (3e/4f/4g/4 e/^c/ Tf (3d/4e/4f/4 (3A/4B/4c/4| (d/c/d/e/) f/d/ (3A/4B/4c/4 (3d/4c/4B/4 (3A/4G/4F/4|A2d A2 d/c/|(B/A/B/)c/d/e/ fFa| (3b/4a/4g/4 (4a/4g/4f/4 (3g/4f/4e/4 (3f/4e/4d/4 (3e/4d/4c/4 (3d/4c/4B/4|(3A/4B/4c/4 (3d/4e/4f/4 (3e/4d/4c/4 {e}(3d/4c/4B/4 {G}(3F/4E/4D/4|T(E3 {DE}D2):|]

X:1 T:Killycrankie [2] M:2/4 L:1/8 S:John Rook music manuscript collection (Waverly, Cumbria, 1840, p. 46) Z:AK/Fiddler's Companion K:D F/G/|A>BA>F A>BA>F|ED D/E/F/G/ A2 A>d|B>cBA B/A/B/d BA|d>efd B2 Ba| bgae fdef|ABAF A2 Ad|BB dd ee f>e|d>BA>F E2 D:| |:f/g/|a>baf a>baf|a/g/f/e/ d/e/f/g/ aaf>a|b>c'ba b/a/b/c'/ ba|fefa b2 bf/a/| bfae fdef|A>BAF A2 Ad|BB dd ee f>e|d>AF E2 D:|]

X:1 T:Killiecrankie [2] M:C L:1/8 R:Scottish air—Old set B:Manson – Hamilton’s Universal Tune Book vol. 1 (1844, pp. 69-70) Z:AK/Fiddler’s Companion K:C E/F/|G>A{A}(GE) (G/E/).G/.A/ G>E|(G/F/)(E/D/) (C/D/).E/.F/ TG2 GE/G/|A>cAG/A/ cAA G/4A/4B| Tc>d{cd}ed/c/ A2 Ae/g/|ag/e/ ge/d/ {f}ed/c/ de|Tc>A (G/A/).c/.E/ {E}G2 Gc/B/|AG/A/ cA/c/ (.d.d) {d}e>d| {B}c>A (G/A/)c/E/ TD2 C::e/f/|Tg>age (g/e/)g/a/ {a}g>e|(g/f/).e/.d/ (c/d/e/)f/ Tg2 g(e/g/)| Ta>c’ ag (a/g/)a/c’/ {a}ag|ag/e/ de/g/ Ta2 ae/g/|(a/g/).e/.a/ (g/e/)d/g/ (f/e/)(d/c/) de| ~c>A (G/A/).c/.E/ {E}G2 Gc/B/|AG/A/ cA/c/ (.d.d) {d}e>d|{d}Tc>A (G/A/)c/E/ TD2 C:|]

X:1 T:Killicrankie [2] M:2/4 L:1/8 R:Slow March S:Kerr - Merry Melodies, vol. 1, No. 23 (c. 1880) Z:AK/Fiddler's Companion K:D (F/G/)|A>BAF|A/F/A/B/ A>F|A/G/F/E/ D/E/F/G/|A2 AF/A/| B>dB (A/B/)|dBB (3A/B/c/|d>e f(e/d/)|B2 Bf/a/| ba/f/ af/e/|fe/d/ ef|d>B A/B/d/F/|A2 Ad/c/| BA/B/ dB/d/|ee f>e|A/B/d/F/|TE2D|| (f/g/)|a>baf|a/f/a/b/ a>f|a/g/f/e/ d/e/f/g/|a2 af/a/| b>d'ba|b/a/b/d'/ ba|ba/f/ ef/a/|b2 bf/a/| b2 bf/a/|b/a/f/b/ a/f/e/a/|g/f/e/d/ ef|d>B A/B/d/F/| A2 Ad/c/|BA/B/ dB/d/|ee f>e|d>B A/B/d/F/|TE2D||