Lass of Patie's Mill (The)

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 Theme code Index    3235 1H1H55
 Also known as    Carolan's Cap (1), I Like the Fox Shall Grieve, Lass of Paty's Mill (The), Peggy's Mill, Lass of Peatie's Mill
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AB, ABB, AABB, ABCD, AABBCCDDEEFFGG
 Editor/Compiler    Daniel Wright
 Book/Manuscript title    Book:Aria di Camera
 Tune and/or Page number    No. 31
 Year of publication/Date of MS    1727
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Lass of Patie's Mill (The): Annotations

X:1 T:Lass of Patties Mill, The M:C| L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 31) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:D (AG)|F2 (ED) FGAF|d3e c2 (BA)|B2 (AF) (dB)(AF)|E3A (EF)(GA)| F2 (ED) (FG)(AF)|a3b c2 (BA)|(Bc)(dB) (cd)(ec)|d6:| |:(f/g/a)|e2 d>e (dc)(BA)|(de) f2 A2 (de)|(fe)(dB) (AF)(ED)|E6 (fg)| (3agf (3fed (3gfe (3edc|(de) f2 A3A|(Bc)(dA) (Ee)(dc)|d6:|]


X:1 T:Lass of Paty’s Mill, The M:C L:1/8 B:David Young – “A Collection of Scotch Airs with the latest Variations” (AKA - The B:McFarlane Manuscript (c. 1741, No. 14, p. 36) N:Variation sonata: 2 strain tune + 3 variations. F: https://rmacd.com/music/macfarlane-manuscript/collection/pdfs/i_woul_d_ha_e_my_gown_made.pdf N:The Society of Antiquaries of Scotland K:D A>G|TF2 (ED) (F>G) A2|d4 A3d|TB>c dA BAGF|TE3F E2 TA>G|TF2 (ED) (F>G) A2| (d3 e/f/) A3d|(Bc) d2 Td3c|d3e d2::f>g|Te3d Tc2 (B/c/ A/4B/4c/)|d4 A3d| B>c dA B>A G>F|TE3F E2 TA>G|TF2 (F/G/A) D2 (3fgf|Te4 A3G|F>A G>B A>d (c/d/e/c/)| d3e d2::TA>G|(FA)(dA) TF3d|AF (3ded Tc2 (3BcA|(B/c/d) (A/B/A/G/) TF>G AF|TE3F E2 TA>G| (FG)(AB) (Dd)(ef)|(g/a/f/g/) (e/f/d/e/) TcBcA|(B>c) (d>e) B2 c>e|d3e d2:| |:(d/e/f/g/)|f2 Te>d cdec|d(c/B/ A/B/G/A/) TF2 (3EFD|(EF)(GA) (B/A/B/c/ d)F|E3F E2 A>G| FEFD (FGA)F|dB (e/f/e/d/) Tc2 (3BcA|(F/G/A/F/) (G/A/B/G/) (A/B/c/A/) (B/d/ c/4e/4d/3c/4)|d3 e d2:| |:TA>G|TF2 (G/A/B) D2 (AB/c/)|d2 TA>G TF2 (3EFD|(FAd)F (GBe)F|TE3F E2 TA>G| F>G A>B D2 d>B|c>d e>f A2 T(fe/f/)|gfed (e/d/c/B/ A)Tc|d6:| |:T(fe/f/)|gfed (e/d/c/B/ A)c|d(c/B/ A/B/G/A/ D)E|(3FED (3GFE (F/G/A/B/ c/A/d/F/)| TE3F E2 f>g|afge fdAf|gBed TcB TA(G/F/)|(G/A/B) A>d (c/d/e) ATc|d6:| |:TA>G|FEFD FGAF|BA (3ded TcBcA|B>c dA (B/A/G/F/) EA|GAGF EF G(A/G/)| (F/G/A/B/ A/G/F/E/) DAFA|dBed (c/d/B/d/ Tc)A|(B/A/B/c/ d/c/d/B/) (c/B/c/d/ ed/c/)| |1 d3c (B/A/G/F/) (E/F/G/A/):|2 d6|:{ed}(d/e/f/g/)|f>e (f/e/d/c/) d(B/c/ d/c/B/A/)|Bcde cBcA| (B/A/B/c/ d/c/d/A/) (B/A/G/A/ F/G/A/F/)|TE3F E2 TA>G|(F/E/F/D/) (G/F/G/E/) (A/G/A/F/) (B/A/B/G/)| (cB/A/) (dc/B/) (ed/c/) (fe/d/)|1 BcdA (B/c/d/B/) (c/d/e/c/)|d6:|2 BcdA Bdce|dAFA D2|| |:[M:6/8]A/G/|FED FGA|def AGF|GBd FAd|EFE E2 A/G/|FED FGA| def AGF|Bcd edc|d>ed d2::e/f/|gdB ecA|def AGF| GBd FAd|EFE E2 f/g/|afd gec|fdB ecA|Bcd edc|dAF D2:| |:[M:2/4]A/G/|FD FA|dD FA|dc df|A(A/B/) cA|(B/A/B/c/ d)c|(B/c/B/A/ G)F|TE3F|E2 (A/B/A/G/)| FD FA|dD FA|(d/c/d/e/) (f/e/f/g/)|a2 A2|(B/A/B/c/ d)B|(c/B/c/d/ e)c|dD FA|d3:| |:(f/g/)|fa2 g|(f/a/g/f/) (e/g/f/e/) |(d/c/d/e/) (f/d/e/f/)|A3d|(B/A/B/c/ d)c|(B/c/B/A/ G)F|TE3F| E2 (fg)|a d'2f|ea2c|df2B|ce2A|(B/c/d/B/) (c/d/e/c/)|(d/e/f/d/) (e/d/e/c/)|dD FA|d3||


X:1 T:Lass of Paty's Mill, The M:C L:1/8 R:Air B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 5, pp. 10-11 ) Z:AK/Fiddler's Companion K:D AG|F2 (ED) FG A2|{e}Td3e (d/e/f) A2|Bcd>c BAG>F|TE4 {F}E2 AG| {G}F2 ED FG A2|d3e (d/e/f)A2|(Bcd>B) (cde>c)|Td4 {e}d2:| |:f2|g>f Te2{d}Tc2 BA|{e}d3e (d/e/f) A2|(Bcd>c) (BAG>F)|TE4 {F}E2 fg| (a/g/f) (g/f/e) fdBg|{f}Te4 A2 G>F|F3B A>d c>e|d4 {e}d2:| |:A>G|F2 (F/G/A) D2 (A/B/c)|d2 A>G {G}F2 E>D|(DGBG) (FAdF)|TE4 {F}E2 A>G| FGAF D2 dB|(cdef) A2 gf|e>dc>B (cdef)|(d4{e}d2):| |:f2|gfed (e/d/c/B/) Ac|dB Gd FE FE/D/|(G/A/B/c/) dG FA dF|TE4{F}E2 fg| a>f g>e fdBf|g>B e>d cBAG|F>A G>B Gd ce|(d4{e}d2):| |:AG|(FGAF) DFAd|BGFG BcdB|efgf edcd|{d}Tc3B A2 AG| .F.A d2 .G.B e2|.A.c f2 .B.d g2|fagf gefc|d3 e2 d4:| |:f2|gfge Aceg|fdcd AFDF|DFAd fgBe|{d}Tc3B A2 AG| FA Dd BGFG|BGed cA^GA|fagf edce|d3 e d4:|]


X:1 T:Lass of Peatie’s Mill, The M:C L:1/8 R:Air Q:"Slow" B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 3) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:D V:1 TA>G|{G}F2 T(ED) F2A2|(d3 e/f/) TA3d|B>cdA (BA)(GF)|TE6 TA>G|{G}F2 T(ED) JF2A2| (d3 e/f/) TA3d|BcdB cd {f}e(d/c/)|d3e d2::(f>g)|{f}Te3d {d}c2 T(BA)|(d3 e/f/) TA3d|BcdA (BA)(GF)| TE6 f>g|(a/g/f) (g/f/e) f>dB>g|T(e3 d/e/) TA2 (GF)|G2JB2A2 (Tdc)|d3e d2:|] V:2 clef = bass z2|D,4C,4|B,,4F,,2F,2|G,3F,G,2G,,2|A,,2 A,B, A,G,F,E,|D,4 C,4| B,,4 F,,2 F,2|G,4A,2A,,2|D,2A,,2D,,2::D,,2|G,,4A,,4|B,,4 F,,2F,2|G,3F, G,2G,,2| A,,2 A,B, A,G,F,E,|F,2E,2D,2G,2|A,2G,2F,2D,2|B,2G,2A,2A,,2|D,2A,,2D,,2:|]


X:1 T:Lass of Patie’s Mill, The M:C L:1/8 R:Air Q:"Slow" B:Oswald – Caledonian Pocket Companion, Book 2 (1760, pp. 14-15) Z:AK/Fiddler’s Companion K:D (A>G)|TF2 (ED) (FG) A2|d4 A3d|(Bc)(dA) (BA)(GF) |{F}E6 (A>G)| F2 ED FG A2|(d3 e/f/) A3d|(Bc)(dB) (cd)(ec)|d3 e d2:| |:(f>g)|{f}e3e c2 (BA)|(d3e/f/) A3d|(Bc)(dA) (BA)(GF)| {F}e6 f>g| (a/g/f) (g/f/e) fdBg|{f}e4 A2 (GF)|GBAd ceAc|d3e d2:| P:"Variation" A2|(GF)(ED) (FG) A2|{de}f2 Te>d A3A|(B<G) d2 (A<F)(d<F)|E6 A2| (GF)(ED) (FG) A2|{de}f2 ed Tc2 (BA)|Bbag (fe)(dc) |d3e d2:| |:f2|(gf)(ed) (ce)(Ac)|dBAG TF2 ED|GBdA BGAF|TE3F E2 (fg)| (a/g/f/e/) db geca|fdBg Tc2 (BA)|(GF)(ED) {de}f2 Te>f| d3e d2:||:(AG)|FD2A2 (B/c/)|(d/e/f/e/) (f/d/e/f/) A3d| (B/A/B/c/ B/c/d/A/) (B/A/d/c/ B/A/G/F/)|{F}E3F E2 (AG)|F D2F2A2 (B/c/)| (d/e/f/e/) (f/d/e/f/) A3d|B/A/B/c/ dB ceAc|{c}d3e d2:| |:(f/e/f/g/)|{f}e3d (c/d/e/c/) (A/B/c/A/)|(d/f/e/f/) (d/f/e/f/) A3d|Bd- d/c/B/A/ BAGF| T(E3 D/4E/4F/) E2 (fg)|(a/g/f/a/) (g/f/e/g/) (f/d/c/d/) (B/a/g/f/)| (e/f/g/f/) (e/d/c/B/) A2 (GF)|GBAd B{ef}g {f}e(d/c/)|{c}d3e d2:|]


X:2 T:Lass of Paties Mill, The M:C L:1/8 R:Scots Measure Q:"Slow" S:McGibbon - Scots Tunes, Book 1 (c. 1762) Z:AK/Fiddler's Companion K:D A>G | F2 T(ED) F2A2 | d4A3d | (B>cd)A (BA)T(GF) | {F}E6 A>G | F2 T(ED) F2A2 | (d3 e/f/) TA3d | (Bcd)B (cde)c | d3e d2 :| |: (f>g) | {f}e3d Tc2 (BA) | (d3e/f/) A3d | (Bc)(dA) (BA)T(GF) | {F}E6 f>g | (a/g/f) (g/f/e) fdBg | {f}Te4 A2 (GF) | G2 (G/A/B) A2 Tc2 | d3e d2 :|] |:"Moderately Quick"AG | F2 T(ED) F2A2 | (B3c/d/) A3d | (B/A/B/c/ d)A BAGF | T(E3D/4E/4F/) E2 AG | F2 T(ED) F2A2 | (d3e/f/) A3d | (B/A/B/c/ d)B (c/B/c/d/ e)c | d3e d2 :|| f>g | {f}e3d (c>d/2e/4) (A>B/2c/4) | (d3c/B/) A3d | (B/A/B/c/ d)A (B/c/d/)A/ GF | {F}E6 f>g | (a/g/f/a/) (g/f/e/g/) fdBg | {f}(e2 e/)d/c/B/ A2 T(GF) | GABG Ad {f}ed/c/ | {c}d3ed2 :| |: AG | F D2F2 A2 (B/c/) | (d/e/f/e/) (f/d/e/f/) A3d | (B/A/B/c/ B/c/d/A/) (B/A/d/c/ B/A/G/F/) | {F}E4 E2 AG | F D2F2A2 B/c/ | (d/e/f/e/) (f/d/e/f/) TA3d | (B/A/B/c/ d)B ceAc | {c}d3e d2 :| |: (f/e/f/g/) {f}e3d (c/d/e/)c/(A/B/c/)A/ | (d/f/e/f/) (d/f/e/f/) A3d | B(d d/)c/B/A/ BAGF | T(E3 D/4E/4F/) E2 fg | (a/g/f/a/) (g/f/e/)g/ (f/d/c/d/) B/(a/g/f/) (e/f/g/)f/ e/d/c/B/ A2 GF | G>ABG A2 {e/f/}g2 {f}e(d/c/) | {c}d3e d2 :|]


X:3 T:Lass of Patie's Mill M:C| L:1/8 R:Scots Measure B:McGlashan - Collection of Scots Measures (177?) Z:AK/Fiddler's Companion K:D A2| GFED F2A2|d3 e/f/ A3d| Bcdc BAGF | E4 E2A2 | GFED F2A2 | d3e/f/ A3d |BcdB cdef|d4 D2:| |: fg | e3 d dcBA | d3 e/f/ A3d | Bcdc BAGF | E4 E2 AG | GFED FG A2 | d3 e/f/ A3d | BcdB cdef | d4 D2 :|


X:1 T:Lass of Paties Mill, The M:C L:1/8 R:Air Q:"Gracefully" S:John Rook music manuscript collection (1840, p. 40) N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria Z:AK/Fiddler’s Companion K:D A>G|{G}F2 E>D F>G A2{c}|d3e f2 zA|B>cdc BAG>F|{F}E4 a2 A>G| F2 E>D F>G A2|~d3e f2zA|B>cdB c>def|{e}d6:| |:f2|gfed {d}c2 BA|{c}d3e f2 zA|(B>c)(dA) (BAG)F|{F}E4 z2 fg| a<fge fdB>g|f2 {gf}e4 GF|G2 A>B A2 Pd{c}B/c/|d6:|]


X:1 T:Lass of Patty’s Mill, The M:C| L:1/8 R:Air B:James Goodman music manuscript collection, Book 2, p. 60 (mid-19th century) B:http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=63&z=1010.6685%2C1224.6479%2C8098.3776%2C3101.8519 Z:AK/Fiddler’s Companion K:F c>B|A2 GF A2c2|f3g a2 zc|d>ef>e d>cB>A|A2 G2 z2c2|BAGF A2c2| f3g a2zc|d>ef>e e>fg>a|g2f2 z2 cB|BAGF A2 c2|f2g2a2zc| d>e f>e d>c B>A|A4 G2 cB|BAGF A2c2|f3g a2zc|d>ef>d e>fg>a| g2f2 z2 a>g|g3f fedc|f>gff/e/ f>g a2c2|d>ef>d d>cB>A|A2 G2z2cB| BAGF A2c2|f3g a2c2|d>ef>d e>fg>a|g2 f2 z2 !fermata!ag|g3f fedc|f3g afc^c| d<ef<e dcBA|A4 G2 cB|BAGF A2c2|f3g a3c|d>ef>d e>fg>a|g2f2z2||


Lass of Patie's Mill (The): Annotations

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