Lord Hardwicke's March

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 Theme code Index    3H3H3H3H 3H3H1T4H
 Also known as    Lord Hardwickis March, Lord Harwick's March, Lord Hawick’s March
 Composer/Core Source    Biography:Tom Cooke
 Region    England, Ireland
 Genre/Style    English, Irish, Military
 Meter/Rhythm    March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 Structure    AABBCCDD
 Editor/Compiler    Edward Riley
 Book/Manuscript title    Book:Riley's Flute Melodies vol. 3
 Tune and/or Page number    p. 77
 Year of publication/Date of MS    1820
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Score   ()   

X:1 T: Lord Harwick’s March M:C L:1/8 R:March B:Edward Riley – “Riley’s Flute Melodies vol. 3” (1820, No. No. 244, p. 77) F: https://digitalcollections.nypl.org/items/ab7b93e0-f959-0139-46b9-0242ac110002#/?uuid=277ff190-2ae4-013a-5cb8-0242ac110003 Z:AK/Fiddler’s Companion K:G d>c|{c}B2 B>B B2B2|B4 gddB|{B}A2 A>A A2A2|A4B (c>e) (d>c)| B2 B>B B2B2|B3d gddB|Aedc BAGF|G2 G>G G2|| d'>d'|d'2 d'>d' d'2 d'>d'|b2g2 d'2 d>d|d2 d>d d2 d>d|B2G2 d2 d'>d'| d'2 d>d d2 d'>d'|d'd'd'd' d'd'd'd'|d'2 d'2d'2 d>c|B2 B>B B2B2|B4 gddB| {B}A2 A>A A2A2|A3B c>ed>c|B2B>B B2B2|B3d gddB|Aedc BAGF|G2 G>G G2||

X: 1 T:Lord Hardwickes March. TLY.031 M:4/4 L:1/8 Q:1/2=80 S:Wm.Tildesley,Swinton,Lancs.1860s. R:.March O:England. A:Lancashire. N:Sign at start of first bar ofA. Pause at end of A part. Sign at end of N:B part and at end of D par H:1860. Z:vmp.Taz Tarry. K:D a>g|:f2 f>f f2f2|(~f3a) d'agf|e2 e>e e2e2|(~e3f) (gb).a.g|! f2 f>f f2f2|(~f3a) d'agf|(eb).a.g (fe).d.c|d2 d>d d2:|! |:A>A|A2 A>A A2A>A|F2 D2 A2 a>a|a2 a>a a2 a>a|f2 d2 a2 a>a|! a2 A>A A2 a>a|a2A>A A2 a>a|.a.a.a.a .a.a(.a^g)| a2 a>a (ab).a.g||! d4 A3 d|f4 d3 f|a2 d'>a f2 a>f| d2 f>d A2 g2|! f2 (d/2e/2f/2g/2) aagg|f2 (d/2e/2f/2g/2) aagg|\ f2 a>a f2 d2|a2 A>AA2 z2:|! |:AA/2A/2 AA AAAA|(g4e2) z2|AA/2A/2 AA AAAA|(a4f2) z2|! AA/2A/2 AA AAAA|g3f g3f|.g2.f2.e2.d2|.c2.b2.a2.g2:|

X:94 T:Lord Hardwicks march. Le4.094 M:C L:1/8 Q:1/4=120 N:NB-all the dotted quavers followed by semi-quavers are also N:marked as tied notes, which doesn't make sense so I have removed the ties B:L.Leadley MS#4 c1850 Z:Village Music Project, 2016 Ruairidh Greig K:F (c>B)|A2"^NB"A>AA2A2|A3c fcBA|G2G>GG2G2|G3 A B>dc>B| A2A>A A2A2|A3c fcBA|GdcB AGFE|F2F>FF2:| |:c'>c'|c'2c'c'c'2c'c'|a2f2c'2c>c|c2c>cc2c>c|A2F2c2c'c'| c'2c>cc2c'>c'|c'2c>cc2c'>c'|c'c'c'c' c'c'c'c'|c'2c'2c'2c>B| A2A>AA2A2|A3c fcBA|G2G>GG2G2|G3A B>dc>B| A2A>AA2A2|A3c fcBA|GdcB AGFE|F2F>FF2:| |:f4(c3f)|a4(f3a)|c'2e'c'a2c'a|f2(af)c2b2| a2(f/g/a/b/)c'2b2|a2(f/g/a/b/)c'2b2|a2c'c'a2f2|c'2c>cc2|| c2|c(c/c/) cc cccc|b4g2c2|c(c/c/) cc cccc|b4a2c2| c(c/c/) cc cccc|b2zz/a/b2zz/a/|bz az gz fz|ez dz cz Bz| A2A>AA2A2|A3c fcBA|G2G>GG2G2|G3A B>dc>B| A2A>AA2A2|A3c fcBA|BdcB AGFE|F2F>FF2:|

X:1 T:Lord Hawick’s March M:C| L:1/8 R:March B:Köhlers’ Violin Repository, Book 3 (1885, p. 224) Z:AK/Fiddler’s Companion K:G (d>c)|OB2B>B B2 B>B|B2 (B>d) gdcB|A2 A>A AA/A/ A>B|A2 A>B cedc| B2 B>B BB/B/ B>B|B2 (B>d) gdcB|cedc BAGF|G2 G>G G2:| |:d'>d'|d'2 d'>d' d'd'/d'/ d'd'|b2 (g/a/b/c'/) d'4|d2 d>d dd/d/ dd|B2 (G/A/B/c/) d4| d'>d' d'2 d>dd2|d'>d'd2' d>d d2|d'd'/d'/ d'd'/d'/ d'd'/d'/ d'>d'|d'2 d'>d' d'=c'ba!D.C.!|| D|G4 D3-G|B2 (d/c/B/A/) G2 B>c|d2 g>dB2 d>B|G2 B>G D4| b2 (g/a/b/c'/) d'd'd'd'|b2 (g/a/b/c'/)d'd'd'd'|bd'bg bd'bg|d'd'/d'/ dd'/d'/ d'2|| d>d|dd/d/ dd dd/d/ dd|c'4 (c'af2)|dd/d/ dd dd/d/ dd|d'4 (d'bg2)| dd/d/ dd dd/d/dd|c'zbzc'zbz|c'2b2a2g2|f2e2d2c2!D.C.!||