Mary Scott (2)
X:1 T:Mary Scott [2],The...,aka. HA.030 T:Sir John Fenwick,aka. HA.030 M:6/4 L:1/8 Q:3/4=55 S:Henry Atkinson's original MS,Hartburn,N'umberland,1694. O:England A:Hartburn,Northumberland N:aka Sir John Fenwick's The Flower Among Them All..CGP H:1/8 Z:vmp.Chris Partington.Jan.2004 F:http://www.village-music-project.org.uk/abc/atkinson.abc K:C "_No Key or Time Sigs"G4B2 d4g2|d4g2 B3AG2|\ A4B2 e4g2|e4d2 e4g2|! G4B2 d4g2|"^cr"d4g2 B3AG2|\ c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||! g6 g6|g6 B3AG2|A4c2 e4ga|b4a2 e4g2|! G4B2 (dB)(dB)(dB)|d6 B3AG2|\ c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||! g2G2B2 g2G2B2|g2G2B2 g2G2B2|\ g2A2B2 g2A2B2 |g2A2B2 e4d2|! g2G2B2 g2G2B2|g2G2B2 g2G2B2|\ c2 (dc)(BA) B3AG2|A4G2 e4d2|]
X:2
T:Mary Scott [2]
C:anon.
O:Scotland
S:Agnes Hume's music book, 1704, Adv.MS.5.2.17
N:for some sort of lute
N:original written on a six-line staff!
Z:Jack Campin 1998-2000
F:http://abc.musicaviva.com/tunes/scotland/mary-scott.abc
%Posted June 29th 2000 at abcusers by Jack Campin during a discussion
%about tune identification algorithms.
%Jack said:
%"Here's a set of tunes that for a dead cert are genetically related.
%Do any of the tune-matching algorithms suggested here detect that?"
M:6/4
L:1/4
F:http://jc.tzo.net/~jc/music/abc/mirror/musicaviva.com/tunes/scotland/mary-scott.abc
K:Amix
DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|\
EFA "="[B2d2][Ac]|"="[B2d2]A "="[B2d2]A|
DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A||
"="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|"="[e3E3] "="e>de|"="fe"="d "="e>dc|
"="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A|]
X:1
T:Mary Scot [2]
M:3/4
L:1/8
B:Alexander Stuart – “Musick for Allan Ramsay’s Collection of Scots
B:Songs, part 3” (Edinburgh, c. 1724, pp. 72-73)
F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3012
Z:AK/Fiddler’s Companion
K:D
V:1
D3 EFG|A4 GF|A2B2d2|F4 ED|E2F2A2|B4 de|f2 gfed|B4 A2|
D3 EFG|A4 B2|A2B2d2|F4 ED|G2 (AG)(FE)|F2 (GF)(ED)|E2F2A2|B4 A2:|
|:d2D2F2|d3efe|dedBGd|F4 ED|e2E2e2|e4 de|f2 gfed|B3 ABc|
d2A2B2|d3 efe|(de)(Bd)(AB)|F3 E D2|G2 AGFE|F2 GFED|E2F2G2|B4 A2:|
V:2 clef = bass
D,2A,,2D,,2|F,2D,2D,,2|D,2G,2F,2|D,2A,,2D,,2|A,,2D,2F,2|G,2F,,2 F,E,|D,2E,2F,2|G,2G,,2D,2|
D,4D,,2|D,2F,2G,2|F,2G,2F,2|D,2A,,2D,,2|E,4A,2|D,4 F,2|A,2D,2F,2|G,2G,,2D,2:|
|:D,4 D,,2|F,2D,2A,,2|F,2G,2F,2|D,2A,,2D,,2|E,6|E,E,,G,,B,, E,2|D,2A,2A,,2|G,2D,2G,,2|
F,2D,2G,2|D,D,,F,,A,,D,C,|B,,2G,,2D,2|D,2A,,2D,,2|E,2 F,E,D,C,|D,2 E,D,C,B,,|A,,2 D,2F,2|G,2G,,2D,2:|
X:3
T:Mary Scot [2]
M:3/4
L:1/8
R:Air
Q:"Slow"
B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 4, pp. 8-9)
Z:AK/Fiddler's Companion
K:G
G2 (G3A) Bc|d4e2|(d2e2)g2|{c}TB3A G2|A2B2d2
Te4 ga|b2a2g2|{f}Te4 {ef}g2|G3A Bc|d4e2|
{d}d2e2g2|{c}TB3AG2|c2 dcBA|(BcdBAG)|A2B2d2|e4d2:|
|:g2G2B2|g2G2d2|e>f g2 (fe)|dcBA G2|a2A2B2|a2A2B2|
b2 c'bag|{f}Te4 d2|g2G2B2|g2G2d2|e>f g2 fe|
dcBA G2|c2 dcBA|(BcdBAG)|(F<A) (G<B) cd|{f}Te4 d2:|
|:G2|(G3A) (G/A/B/c/)|{e}d4e2|(3ded (3efe (3efg|B>d (B/c/B/A/) G2|
A2 ABcd|{f2}Te4 (ga)|b2 (3c'ba (3bag|e4 {f}(3efg|{A}(G3A) (Bc)|
{e}d4e2|dD eE {ef}g2|{c}B3A G2|(c/d/c/d/) ecBA|(3BAG (3dcB (3ABG|
(3AGF (3BAG cd|{f}Te4d2::(3gfg (3DGB (3gfg|(3gfg (3DGB (3gfg|
(3gba (3gfe (3dec|{c}TB3A G2|(3DFA (3agf (3efd|(3DFA (3agf (3efd|b2 (3c'ba (3bag|
{f}Te4 d2|(gfga)ba|(gfgedc)|B(dgedc){c}B3A G2|(cAecBA)|D(GdBAG)|(FGABcd)|{f}Te4{fg}d2:|]
X:4
T:Mary Scot [2]
M:3/4
L:1/8
Q:"Slow"
S:McGibbon - Scots Tunes, book II, p. 60 (c. 1746)
Z:AK/Fiddler's Companion
K:D
D3 EFG | A4B2 | (A2B2)d2 | TF3ED2 | (E2F2)A2 | B4 (de) |
f2 (gf)(ed) | TB4d2 | D3EF>G | A4B2 | A2B2d2 |TF3ED2 |
G2 (AG)T(FE) | F2 (GF)T(ED) | (E2F2)A2 | TB4A2 :: d2D2F2 | d2 (ed)(cB) |
A2B2d2 | TF3ED2 | e2E2(ef) | f2 (gf)(ed) | TB4 (A/B/c) | d2A2d2 |
(dcd)(ef)e | d>edBAG | TF3ED2 | G>AGFGE | F>GFEFD | (E2F2)A2 |
TB4A2 :: D3 EFG | A4B2 | A2 (BcdA) | (FA)(GFTED) | (E2F2)A2 |
B4 de | T(f>e/2f/4 g)fed | B3(B/c/ d/B/c/ed/) | D2 DEFG | A4B2 | A2 BcdA |
TF3E (FE/D/) | GBAGT(FE) | (FAdF)T(ED) | (E2F2)A2 | TB4A2 :||: (dcd)DFA |
dcdefe | d>edBAG | TF3E (FE/D/) | (GA/B/) AGTFE | (F/D/F/A/) dFTED | (E2F2)(A>d) | TB4A2 :|
X:1
T:Mary Scott [2]
M:3/4
L:1/8
R:Air
Q:"Slow"
B:James Oswald – Caledonian Pocket Companion Book 1 (1760, p. 4)
Z:AK/Fiddler’s Companion
K:D
D3 EFG|A4B2|(A2B2)d2|TF3E D2|E2F2A2|
B4 d<e|f2 {a}gf{f}ed|TB4A2|D3 EFG|A2 (BA)(GF)|
(A2B2)d2|TF3E D2|G2 (AG)(FE)|F2 (GF)(ED)|E2F2A2|
TB4A2::d2D2F2|d2 {g}ed{d}cB|(A2B2)d2|TF4 (ED)|
E2 e2 (e/f/g)|Te4 (de)|f2 (gf)(ed)|B4 Tf>e|d3 DFA|
dAeAfA|d2 (cB)(AG)|TF3E D2|G2 (B/A/G) (G/F/E)|
(FAd)FED|(E2F2)A2|TB4A2::D4 TF>E|D4-(D/4E/4F/4G/4A/4B/4c/4)|
d3 (c/4B<<A) B>G|TF3E D2|E4 (D/E/F)|E4 (d>e)|f(e/f/) (gf)(ed)|
B2 (dB)(AF)|(EDE)FAd|TB4 A2::(dcd)DFA|(dcd)efe|
d(e/d/) B(d/B/) A(B/A/)|TF4 (ED)|e3 EFG|(e^de)f=de|f(e/f/) afed|
f(e/f/) afed|TB4A2|(d2e2)f2|e2 (fe)(dB)|(A2B2)d2|
TF4 d>e|f2 (gf)(ed)|B2 (dB)(AF)|(E2F2)A2|TB4 A2:|]
X:5
T:Planxty Scott
M:6/8
L:1/8
R:Air
N:A version of "Mary Scott [2]."
Q:"Moderate"
S:O'Neill - Music of Ireland (1903), No. 684
Z:AK/Fiddler's Companion
K:D
D>EF/G/ A2B|ABd F>ED|EFA B2 d/e/|fg/f/e/d/ B2d|
D>EF/G/ A2B|ABd F>ED|GA/G/F/E/ FG/F/E/D/|EE/F/G/A/ B2c|
d/f/e/d/c/e/ d2 c/B/|B/A/G/A/B/c/ A2 B/c/|dFd FdF|{F}EDD D2z||
dDF de/d/c/B/|A>Bd FED|eEe/f/ e2 d/e/|fg/f/e/d/ B2 (3A/B/c/|
dAd d/c/d/e/f/e/|d/e/d/B/A/G/ F>ED|G/A/BG F/G/AF|E/F/GE F>ED|
FAA A>FD|GBB B>cd|AF/A/F GE/G/E|{G}FDD D2z||
X:1
T:Mary Scott [2]
M:3/4
L:1/8
R:Air
Q:”Largo Lamentoso”
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 219)
Z:AK/Fiddler’s Companion
K:G
G3 (ABc)|d4e2|d2e2g2|{c}T(B3A)G2|(A2B2) d2|
{f}e4 g>a|b2 c’bag|{f}e4 {de}g2|G3 (AB)c|d4 e2|
d2e2g2|{c}B3A G2|c2 (dcBA)|B2 (cBAG)|(A2B2d2)|
{f}!fermata!e3 (f/g/) d2::g2G2B2|g2 agfe|d2e2g2|{c}B3AG2|
a2A2 (a>b)|a4 (ga)|b2 (c’bag)|{f}e4 (de/f/)|g2d2g2|
{a}g>f(gaba)|gagedc|{c}B3AG2|c2 (dcB)A|B2 c(BAG)|(A2B2d2)|{f}e3 f/g/ d2:|