Mary Scott (2)

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Mary Scott (2)  Click on the tune title to see or modify Mary Scott (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Browse/:Mary Scott (2)
 Theme code Index    113 556
 Also known as    Mary Scott the Flower of Yarrow, Sir John Fenwick's the Flower Among Them All, When ye cold winter nights were frozen
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Minuet
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    3/4
 History    ENGLAND(North East)
 Structure    AA'BB, AABBCCDD
 Editor/Compiler    Henry Atkinson
 Book/Manuscript title    Henry Atkinson's music manuscript
 Tune and/or Page number    
 Year of publication/Date of MS    1694
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   





X:1 T:Mary Scott,The...,aka. HA.030 T:Sir John Fenwick,aka. HA.030 M:6/4 L:1/8 Q:3/4=55 S:Henry Atkinson's original MS,Hartburn,N'umberland,1694. O:England A:Hartburn,Northumberland N:aka Sir John Fenwick's The Flower Among Them All..CGP H:1/8 Z:vmp.Chris Partington.Jan.2004 F:http://www.village-music-project.org.uk/abc/atkinson.abc K:C "_No Key or Time Sigs"G4B2 d4g2|d4g2 B3AG2|\ A4B2 e4g2|e4d2 e4g2|! G4B2 d4g2|"^cr"d4g2 B3AG2|\ c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||! g6 g6|g6 B3AG2|A4c2 e4ga|b4a2 e4g2|! G4B2 (dB)(dB)(dB)|d6 B3AG2|\ c2 (dc)(BA) B2(cB)(AG)|A4G2 e4d2||! g2G2B2 g2G2B2|g2G2B2 g2G2B2|\ g2A2B2 g2A2B2 |g2A2B2 e4d2|! g2G2B2 g2G2B2|g2G2B2 g2G2B2|\ c2 (dc)(BA) B3AG2|A4G2 e4d2|]

X:2 T:Mary Scott C:anon. O:Scotland S:Agnes Hume's music book, 1704, Adv.MS.5.2.17 N:for some sort of lute N:original written on a six-line staff! Z:Jack Campin 1998-2000 F:http://abc.musicaviva.com/tunes/scotland/mary-scott.abc %Posted June 29th 2000 at abcusers by Jack Campin during a discussion %about tune identification algorithms. %Jack said: %"Here's a set of tunes that for a dead cert are genetically related. %Do any of the tune-matching algorithms suggested here detect that?" M:6/4 L:1/4 F:http://jc.tzo.net/~jc/music/abc/mirror/musicaviva.com/tunes/scotland/mary-scott.abc K:Amix DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|\ EFA "="[B2d2][Ac]|"="[B2d2]A "="[B2d2]A| DEG "="A2[Bd]|"="A2[Bd] "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A|| "="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|"="[e3E3] "="e>de|"="fe"="d "="e>dc| "="[d3D3] "="d>cB|ABd "="[F3/2A3/2]E/D|GA/G/F/E/ FG/F/E/D/|EFA "="[B2d2]A|]

X:3 T:Mary Scot [2] M:3/4 L:1/8 R:Air Q:"Slow" B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 4, pp. 8-9) Z:AK/Fiddler's Companion K:G G2 (G3A) Bc|d4e2|(d2e2)g2|{c}TB3A G2|A2B2d2 Te4 ga|b2a2g2|{f}Te4 {ef}g2|G3A Bc|d4e2| {d}d2e2g2|{c}TB3AG2|c2 dcBA|(BcdBAG)|A2B2d2|e4d2:| |:g2G2B2|g2G2d2|e>f g2 (fe)|dcBA G2|a2A2B2|a2A2B2| b2 c'bag|{f}Te4 d2|g2G2B2|g2G2d2|e>f g2 fe| dcBA G2|c2 dcBA|(BcdBAG)|(F<A) (G<B) cd|{f}Te4 d2:| |:G2|(G3A) (G/A/B/c/)|{e}d4e2|(3ded (3efe (3efg|B>d (B/c/B/A/) G2| A2 ABcd|{f2}Te4 (ga)|b2 (3c'ba (3bag|e4 {f}(3efg|{A}(G3A) (Bc)| {e}d4e2|dD eE {ef}g2|{c}B3A G2|(c/d/c/d/) ecBA|(3BAG (3dcB (3ABG| (3AGF (3BAG cd|{f}Te4d2::(3gfg (3DGB (3gfg|(3gfg (3DGB (3gfg| (3gba (3gfe (3dec|{c}TB3A G2|(3DFA (3agf (3efd|(3DFA (3agf (3efd|b2 (3c'ba (3bag| {f}Te4 d2|(gfga)ba|(gfgedc)|B(dgedc){c}B3A G2|(cAecBA)|D(GdBAG)|(FGABcd)|{f}Te4{fg}d2:|]

X:4 T:Mary Scot [2] M:3/4 L:1/8 Q:"Slow" S:McGibbon - Scots Tunes, book II, p. 60 (c. 1746) Z:AK/Fiddler's Companion K:D D3 EFG | A4B2 | (A2B2)d2 | TF3ED2 | (E2F2)A2 | B4 (de) | f2 (gf)(ed) | TB4d2 | D3EF>G | A4B2 | A2B2d2 |TF3ED2 | G2 (AG)T(FE) | F2 (GF)T(ED) | (E2F2)A2 | TB4A2 :: d2D2F2 | d2 (ed)(cB) | A2B2d2 | TF3ED2 | e2E2(ef) | f2 (gf)(ed) | TB4 (A/B/c) | d2A2d2 | (dcd)(ef)e | d>edBAG | TF3ED2 | G>AGFGE | F>GFEFD | (E2F2)A2 | TB4A2 :: D3 EFG | A4B2 | A2 (BcdA) | (FA)(GFTED) | (E2F2)A2 | B4 de | T(f>e/2f/4 g)fed | B3(B/c/ d/B/c/ed/) | D2 DEFG | A4B2 | A2 BcdA | TF3E (FE/D/) | GBAGT(FE) | (FAdF)T(ED) | (E2F2)A2 | TB4A2 :||: (dcd)DFA | dcdefe | d>edBAG | TF3E (FE/D/) | (GA/B/) AGTFE | (F/D/F/A/) dFTED | (E2F2)(A>d) | TB4A2 :|

X:1 T:Mary Scott [2] M:3/4 L:1/8 R:Air Q:"Slow" B:James Oswald – Caledonian Pocket Companion Book 1 (1760, p. 4) Z:AK/Fiddler’s Companion K:D D3 EFG|A4B2|(A2B2)d2|TF3E D2|E2F2A2| B4 d<e|f2 {a}gf{f}ed|TB4A2|D3 EFG|A2 (BA)(GF)| (A2B2)d2|TF3E D2|G2 (AG)(FE)|F2 (GF)(ED)|E2F2A2| TB4A2::d2D2F2|d2 {g}ed{d}cB|(A2B2)d2|TF4 (ED)| E2 e2 (e/f/g)|Te4 (de)|f2 (gf)(ed)|B4 Tf>e|d3 DFA| dAeAfA|d2 (cB)(AG)|TF3E D2|G2 (B/A/G) (G/F/E)| (FAd)FED|(E2F2)A2|TB4A2::D4 TF>E|D4-(D/4E/4F/4G/4A/4B/4c/4)| d3 (c/4B<<A) B>G|TF3E D2|E4 (D/E/F)|E4 (d>e)|f(e/f/) (gf)(ed)| B2 (dB)(AF)|(EDE)FAd|TB4 A2::(dcd)DFA|(dcd)efe| d(e/d/) B(d/B/) A(B/A/)|TF4 (ED)|e3 EFG|(e^de)f=de|f(e/f/) afed| f(e/f/) afed|TB4A2|(d2e2)f2|e2 (fe)(dB)|(A2B2)d2| TF4 d>e|f2 (gf)(ed)|B2 (dB)(AF)|(E2F2)A2|TB4 A2:|]

X:5 T:Planxty Scott M:6/8 L:1/8 R:Air N:A version of "Mary Scott [2]." Q:"Moderate" S:O'Neill - Music of Ireland (1903), No. 684 Z:AK/Fiddler's Companion K:D D>EF/G/ A2B|ABd F>ED|EFA B2 d/e/|fg/f/e/d/ B2d| D>EF/G/ A2B|ABd F>ED|GA/G/F/E/ FG/F/E/D/|EE/F/G/A/ B2c| d/f/e/d/c/e/ d2 c/B/|B/A/G/A/B/c/ A2 B/c/|dFd FdF|{F}EDD D2z|| dDF de/d/c/B/|A>Bd FED|eEe/f/ e2 d/e/|fg/f/e/d/ B2 (3A/B/c/| dAd d/c/d/e/f/e/|d/e/d/B/A/G/ F>ED|G/A/BG F/G/AF|E/F/GE F>ED| FAA A>FD|GBB B>cd|AF/A/F GE/G/E|{G}FDD D2z||

X:1 T:Mary Scott [2] M:3/4 L:1/8 R:Air Q:”Largo Lamentoso” S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 219) Z:AK/Fiddler’s Companion K:G G3 (ABc)|d4e2|d2e2g2|{c}T(B3A)G2|(A2B2) d2| {f}e4 g>a|b2 c’bag|{f}e4 {de}g2|G3 (AB)c|d4 e2| d2e2g2|{c}B3A G2|c2 (dcBA)|B2 (cBAG)|(A2B2d2)| {f}!fermata!e3 (f/g/) d2::g2G2B2|g2 agfe|d2e2g2|{c}B3AG2| a2A2 (a>b)|a4 (ga)|b2 (c’bag)|{f}e4 (de/f/)|g2d2g2| {a}g>f(gaba)|gagedc|{c}B3AG2|c2 (dcB)A|B2 c(BAG)|(A2B2d2)|{f}e3 f/g/ d2:|