Molly St. George

Find traditional instrumental music


Molly St. George  Click on the tune title to see or modify Molly St. George's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Molly St. George
Query the Archive
Query the Archive
 Theme code Index    1H76 564
 Also known as    Bride of Malahide (The)
 Composer/Core Source    Biography:Thomas Connellan
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AAB, AABBCCDD
 Editor/Compiler    Biography:John & William Neal
 Book/Manuscript title    Book:A Collection of the Most Celebrated Irish Tunes
 Tune and/or Page number    p. 4
 Year of publication/Date of MS    1724
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   




X:1 T:Molly St. George S:J. & W. Neal, 'A Collection of the Most Celebrated Irish Tunes' N:Dublin, c 1724 Q:1/4=80 L:1/4 M:3/4 K:G (d/4e/4f/)|gfe|d(e/d/)(c/B/)|cBA3/4G/4|E2B/d/|e(g/e/)(d/B/)| AB/4c/4d/ D|E(G/4A/4B/) A/G/|G2::(D/E/)|G/A/B (A/4B/4c/)| B(c/B/)(A/G/)|(c/B/c/d/) e/f/|g2e/g/|ab/a/g/e/|de/d/c/B/| cd/c/B/c/|A2(B/A/4B/4)|c/B/c/d/ e/f/|g2(f/e/)|(d/g/)(d/B/)(A/G/)| E2B/d/|e(g/e/)(d/B/)|A(B/4c/4d/)D|E (G/A/4B/4) A/G/|G2|]


X:1 T:Molly St. George M:3/4 L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 46) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:G (d/e/f)|g2f2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd| e2 (ge)(dB)|A2 (b/c/d) D2|E2 (G/A/B) (AG)|G4:| (DE)|FA B2 (A/B/c)|B2 (cB)(AG)|cBcdef|g4 eg| a2 bage|d2 edcB|c2 dcBc|A4 (BA/B/)| cBcdef|g4 (fe)|(dg)(dB)(AG)|E4 Bd| e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) A>G|G4||


X:1 T:Molly St. George M:3/4 L:1/8 R:Air Q:"Slow" B:Burk Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 3, pp. 30-31) Z:AK/Fiddler's Companion K:G d/e/f|g2Tf2e2|d2 edcB|c2B2 TA>G|E4 Bd| e2 gedB|A2 (B/c/d) D2|e2 G/A/B TA>G|G4:| |:DE|GAB2 (A/B/c)|B2 cBAG|cBcdef|g4 ea| a2 bagf|d2 edcB|c2 dcBc|A4 BA/B/| cBcdef|g4 fe|dg(dBAG)|E4 Bd| e2 (gedB)|A2 B/c/d D2|E2 G/A/B TA>G|G4:| |:d/e/f|gbagfe|edcBAG|cB (3cBA (3BAG|E4 Bd| e/f/e/f/ gedB|A2 B/c/d D2|EedBAG|G4:| |:DE|G/F/G/A/ B/A/B/c/ d2|B2 (3cBA (3BAG|cB c/d/c/d/ e/f/e/f/|g4 eg| a2 b/c'/b/a/ g/a/g/f/|d2 e/f/e/d/ c/d/c/B/|ceecdB|A4 BA/B/| cB c/d/c/d/ ef|g4 fe|dgdBAG|E4 Bd| (3efe (3gfe (3dcB|A2 B/c/d D2|Ee e/d/c/B/ d/c/B/A/|G4:|]


X:1 T:Molly St. George M:3/4 L:1/8 R:Air B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 49) N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:G de/f/|g2Tf2e2|d2 (ed)(cB)|c2B2 A>G|E4 Bd| e2 (ge)(dB)|A2 (B/c/d) D2|E2 (G/A/B) TA>G|G4:| |:D>E|(GA) B2 (A/B/c)|B2 (cB)(AG)|(cBcdef)|g4 ea| a2 (ba)(ge)|d2 (ed)(cB)|c2 (dc)(Bc)|A4 (BA/B/)| (cB)(cdef)|!fermata!g4 fe|(dg)(dB)(AG)|E4 Bd| e2 (ge)(dB)|A2 (B/c/d)D2|E2 (G/A/B) TAG|G4:|


X:1 T:Molly St. George C:"Conalon" M:3/4 L:1/8 R:Air B:Bunting - A General Collection of the Ancient Music of Ireland (1796, No. 12, p. 7) Z:AK/Fiddler's Companion K:G d/e/f|[G2g2] (gf)(ed)|~d2 (ed~cB)|[D2c2][D2B2] {B}T(A>G)|E4 (A/B/d)| e2 (fe) (dB)|A>B d2 (D2|E2) {B}TA3G|[B,4G4]|| |:D/E/F|[B,2G2][F2A2] ([D2B2]A)|[D2B2][G2B2](AG)|[E2c2][G2d2] [ce]f|[G4d4g4] (d/e/g)| [A2a2][B2b2] (a/g/e)|[G2d2]e2 (e/d/B)|A2 dB AB|[D4F4A4] {d}cB| c2 [G2d2] [Ee][Ff]|[G2g2][G2B2d2g2] {a}gf/e/|d2B2 A>G|E4 D/E/F| [B,2G2] FE~DC|B,2 A,>B, G,2|E2{B}TA3G|[B,4G4]:|]


X:1 T:Molly St. George M:3/4 L:1/8 R:Air Q:"Andante" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 107, p. 54) N:Irish-born John Clinton was a flute player and teacher at the N:Royal Conservatory, London. Z:AK/Fiddler’s Companion K:G (d/e/.f)|.g2 (gf)({f}(ed)|d2 {ed^cd} (ed=cB)|(c2B2) {B}T(A>G)|E4 (A/B/).d| .e2 (fe)(dB)|(A>B) .d2.D2|.E2 {B}T(A3G)|G4|| |:(D/E/F)|(G2A2) (BA)|.B4 (AG)|.B2.d2 (ef)|g4 (d/e/g)| (a2b2) (a/g/).e|(d2e2) (e/d/).B|.A2 (dBAB)|A4 {d}(cB)| (d2e2) (ef)|g4 {a}(g/f/e)|(d2B2) {B}(A>G)|E4 (d/e/).f| g2 (fedc)|.B2 (A>B) G2|E2 {B}T(A3G)|G4:|]


X:1 T:Molly St. George M:3/4 L:1/8 R:Air Q:"Andante" B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 169, p. 77) Z:AK/Fiddler’s Companion K:G d/e/f|g2 (gf)(ed)|O[G2d2] (ed~cB)|[D2c2][D2B2]{B}(A>G)|E4 (A/B/d)| e2 (fe) (dB)|A>B d2(D2|E2) {B}TA3G|[B,4G4]|| |:D/E/F|[B,2G2][F2A2] (BA)|[D2B2] [G2B2] (AG)|[E2c2]d2 ef|[d4g4] (d/e/g)| [A2a2] b2 (a/g/e)|d2 e2 (e/d/B)|A2 dB AB|[F4A4] {d}cB| c2 d2 ef|g2 [d3g3] {a}gf/e/|d2B2 A>G|E4 D/E/F| G2 FE~DC|B,2 A,>B, G,2|E2 {B}TA3G|[G,4G4]:|]