Peacock Follows the Hen (The)

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Peacock Follows the Hen (The)

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  333 332
 Also known as    Peacock Follows the Hen, Brose and Butter, Cuddle Me Cuddy, Mad Moll (1), Up and Down Again, Yellow Stockings, Virgin Queen, Here We Go Up, Up and Down Again
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Slip/Hop Jig, Triple Hornpipe
 Key/Tonic of    A
 Accidental    1 sharp
 Mode    Dorian
 Time signature    12/8, 9/4, 9/8
 History    ENGLAND(North East), ENGLAND(North West)
 Structure    AABB, AABBCCDDEEFFGG
 Editor/Compiler    John Peacock
 Book/Manuscript title    Peacock's Tunes
 Tune and/or Page number    No. 46, p. 21
 Year of publication/Date of MS    c. 1805
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    


Tune annotations


X:112
%
T:Mad Moll. JJo2.112
T:Peacock Followed the Hen. JJo2.112
Z:vmp.Anne Wride 2014 www.village-music-project.org.uk
B:J.Johnson Choice Collection Vol 2 after c1750
W:Longways for as many as will
M:9/4
L:1/4
Q:3/4=100
K:AM
A |: c>de cAA cAA | c>de cAA B2G | c>de cAA cAA | B>cd d>ed B2G :|
|: c>de (ge)e (ge)e | c>de (gf)e f2d | c>de (ge)e (ge)e | B>cd d>ed B2G :|
W:The 1st Cu. take hands and draw in 2d Cu. Place, the 2d Cu. at the same time hands to 1st Cu. Place
W:then each Cu. Back to Back with Partners
W:2d Cu does the same which brings 1st and 2d Cu. as they began
W:All four Right hands across half round, then Left hands across, back again to the same
W:First Cu. cross over above 2d Cu to 2d Cu. Place, then go the whole figure of eight, which brings the 1st Cu to the 2d Cu. Proper
X: 1
T:Peacock Followed the Hen. JWDM.07
M:12/8
L:1/8
S:J.Winder MS,Wyresdale,Lancs.,1789
R:Slip Jig
O:England
A:Lancashire
Z:vmp.Taz Tarry
F:http://trillian.mit.edu/~jc/music/abc/mirror/atrilcoral.com/c.abc
K:D
"*"cde AcA AcA|cde AcA B2G|cde AcA AcA|Bcd dgd B2G:||!
:cde ege ege|cde ege g2e|cde ege ege|ded dgd B2 G:|]
%Time sig. given as 12/8--should be 9/8.
%Also key sig. given as D, should be G.

X:1
%
T:Peacock Follow’d the Hen
M:9/8
L:1/8
N:The two strains are in keys a tone apart, notes Matt Seattle
S:John Bell (1783-1864) music manuscript collection (Northumberland, c. 1812)
Z:AK/Fiddler’s Companion
K:D
def BcB BcB|def BcB c2A|def dBB dBB|
cde eae c2A::cde ege ege|cde ege f2d|
cde ege ef^g|{g}Tf2d dgd B2G:|]
X: 1
%
T:Peacock Followed The Hen,aka. JaW.021
M:9/4
L:1/4
Q:3/4=120
C:.."or Mad Moll"
S:James Winder Ms, Lancashire, 1835-41
R:.Slip Jig
O:England
A:Wyresdale,Lancashire
N:Identical, except barring to PLFD 9C
Z:vmp.Chris Partington, Aug 2004
F:http://www.village-music-project.org.uk/abc/winderja.abc	
K:C
"_Barred 6/4 in MS"A|:c>decAAcAA|c>decAAB2G|!
c>decAAcAA|B>cdd>edB2G:|!
|:c>de(ge)e(ge)e|c>de(ge)eg2d|!
c>de(ge)e(ge)e|B>cdd>edB2G:|
X:1
%
T:Peacock follows the Hen, The
M:9/8
L:1/8
R:Slip Jig
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 158)
Z:AK/Fiddler’s Companion
K:G
c2e c/B/A/B/c/A/ c/B/A/B/c/A/|c2e c/B/A/B/c/A/ TB2G|c2e c/B/A/B/c/A/ c/B/A/B/c/A/|
B2d dfd TB2G::c2e|g/f/e/f/g/e/ g/f/e/f/g/e/|c2e g/f/e/f/g/e/ g2d|
c2e g/f/e/f/g/e/ ce/f/g/e/|f2d dgd TB2G::c/B/c/d/e cAg cAg|
c/B/c/d/e cAg TB2G|c/B/c/d/e cAg cAg|BGg BGg B2G:|
|:gcg ce/f/g/e/ gce|gcg ce/f/g/e/ d/c/B/A/G|gcg ce/f/g/e/ gce|
Tf2d dgd B2G::ceg ceg ceg|ceg ceg B/c/dg|
ceg ceg ceg|f2d dgd B2G::c2e c/A/c/e/g/e/ c/A/c/e/g/e/|
c2e c/A/c/e/g/e/ B2G|c2e c/A/c/e/g/e/ c/A/c/e/g/e/|B/G/B/d/g/d/ B/G/B/d/g/d/ B2A:|
gce ec/d/e ec/d/e|gce ec/d/e dB/c/d|gce ec/d/e gge|f2d dgd B2G:|]
X: 1
%
T:Peacock Followed The Hen,aka. TLY007
M:9/4
L:1/4
Q:3/4=120
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.Slip Jig
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
F:http://www.village-music-project.org.uk/abc/tildsley.abc	  
K:G
F|c>d (ec) A A c A A|c>d (ec) AA B2 G|c>d e c A A c A A|!
B>c d d>e d B2G||c>d e (ge) e (ge) e|!
c>d e (ge) e f2 d|c>d e (ge) e (ge) e|\
B>c d d>e d B2 G|]
X:1
%
T:Peacock Followed the Hen
T:Cuddle Me, Cuddy
M:9/8
L:1/8
S: Bruce & Stokoe – Northumbrian Minstrelsy  (1882)
Z:AK/Fiddler’s Companion
K:Ador
c>de cAA cAA|c>de cAA B2G|c>de cAA cAA|B>cd dgd B2G:|
c>de gee gee|c>de gee f2d|c>de gee gee|B>cd dgd B2G:|]

Tune annotations