Pop Goes the Weasel

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Pop Goes the Weasel  Click on the tune title to see or modify Pop Goes the Weasel's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Browse/:Pop Goes the Weasel
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 Theme code Index    1231 1231
 Also known as    
 Composer/Core Source    
 Region    England, Ireland, Canada, United States
 Genre/Style    Contra, Down-East/Maritime, English, Irish, Minstrel, Morris, Old-Time, Stage, Texas/Oklahoma
 Meter/Rhythm    Country Dance, Jig/Quadrille, March/Marche, Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/4, 6/8
 History    USA(Upland South), USA(Piedmont), USA(Southeast), USA(Deep South), USA(Mid Atlantic), USA(New England), USA(Ozarks/Western Tenn), USA(Southwest), CANADA(Maritimes/English), CANADA(Ottawa Valley/Ontario), CANADA(Western Canada)
 Structure    One part, AB, ABB, AABB
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 Score   (1)   




Pop Goes the Weasel: Annotations

X: 1 T:Pop Goes the Weasel S:R. Hughes MS, RHu.112, 1823, Whitchurch, Shrops. A:Whitchurch , Shropshire Z:Neil Brookes 2007 M:6/8 L:1/8 R:Jig B:Village Music project, Hughes, Richard F:http://www.village-music-project.org.uk/abc/HughesR.abc K:G G2B AcA|BdB AFD|G2B AcA|B3"cr in MS"G3:|! |:gfg efg|agf def|gfg efg|f3"cr in MS"d3|! gfg efg|afd d2B|G2B AcA|B3G3:|

X:1 T:Pop Goes the Weasell M:6/8 L:1/8 R:Jig B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 19, p. 8) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. Z:AK/Fiddler’s Companion K:D D2D E2G|FAF D2A|D2D E2G|F3 D2A| D2D E2G|FAF D3|B3 E2G|F3D3:| |:d3B2d|c2A ABc|d3 B2d|c3 A3| G2F G2A|B2c d3|B3 E2G|F3 D3:|]

X: 1 T:Pop Goes the Weasel M:6/8 L:1/8 R:Country Dance B:T. Westrop's 120 Country Dances, WES.044, 1860's Z:VMP-R.Greig 2010 K:G G2BA2c|BcdG2z|G2BA2c|B3G2z| G2BA2c|BcdG2z|+snap+e2z(A2d)|B3G2z|]! |:g2f (ef).g|(fa).fd2f|g2f (ef).g|f3d3| c2Bc2d|(e2f)g3|+snap+e2z(A2d)|B3G2z:|

X: 1 T:Pop Goes the Weasel M:6/8 L:1/8 S:George H.Watson MS, GHW.003, Swanton Abbott, Norfolk, c. 1880 R:.Jig O:England A:Norfolk N:mf indication at start of tune - assuming convention of notation under N:the relevant stave - otherwise could be at start of B part. N:Third bar of B part in MS appears as g3A3 e2 g - I have interpreted as N:double stop first dotted crotchet, then crochet quaver N:Rall sign over rests in penultimate bar of B part Z:vmp.Taz Tarry K:G G2G A2A|(Bd)B G2z|G2G A2A|(B3 G2) z|! G2G A2A|(Bd)B G2z|.e zz (A2c)|(B3 G2) z:|! "^MF"g3 e2g|(faf) d2 z|[f3A3] e2 g|(f3 d2)z|! .c z .B .c z .d|.e z .f .g zz|[eG] z z A2 c|(B3G2) z:|

X:1 T:Pop goes the Weazel M:2/4 L:1/8 B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 133, p. 46) B: http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=45&z=75.2901%2C581.1012%2C3451.7239%2C1437.3821 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:G G2 Gc|Bd/B/ G2|GBAc|B2G2|GBAc|Bd/B/ G2|e2 Ac|B2G2:| |:g2 eg|fa/f/ d2|gf/g/ eg|f2d2|cBcd|ef g2|e2 Ac|B2G2:|]

X: 1 T: Pop Goes the Weasel R: reel B: Köhler's Violin Repository, v.2, 1885, p.120, no.3 F: http://www.archive.org/details/klersviolinrepos02rugg Z: 2012 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A ((3uefg) !segno!|\ a2fa g2eg | a2fa g2ec | (dc)de (fg)af | (ef)ed (dc)BA | a2fa g2eg | a2fa g2ec | (dc)de (fg)a2 | "^Pizz.""_Pop."e2vBd c2A2 || vEAcA BAcA | EAcA ~B2A2 | EAcA Bcdf | (ef)ed (dc)BA | EAcA BAcA | EAcA ~B2A2 | EAcA Bdd2 | "^Pizz.""_Pop."e2vBd c2A2 !segno!"_D.C."|]

X:3 T:Pop Goes the Weasel. GHW.003 M:6/8 L:1/8 Q:3/8=120 B:George H.Watson,MS,Swanton Abbott,Norfolk,c1890 R:.Jig A:England; Norfolk N:mf indication at start of tune - assuming convention of notation under N:the relevant stave - otherwise could be at start of B part. N:Third bar of B part in MS appears as g3A3 e2 g - I have interpreted as N:double stop first dotted crotchet, then crochet quaver N:Rall sign over rests in penultimate bar of B part Z:Village Music Project, Taz Tarry, 2000 K:G G2G A2A|(Bd)B G2z|G2G A2A|(B3 G2) z| G2G A2A|(Bd)B G2z|.e zz (A2c)|(B3 G2) z:| "^MF"g3 e2g|(faf) d2 z|[f3A3] e2 g|(f3 d2)z| .c z .B .c z .d|.e z .f .g zz|[eG] z z A2 c|(B3G2) z:|

X:1 T:Pop Goes the Weasel M:2/4 L:1/8 S:Shaw – Cowboy Dances (1943) Z:AK/Fiddler’s Companion K:G D|G>G AA|(3BdB G>D|G>G A>c|B2 G>D| G>G A>A|(3BdB G2|ez A>c|B2 G>d| g>f g>e|(3faf d>d|g>f g>e|f2 d>d| c>B c>d|e>f g2|ez A>c|G2G||

Pop Goes the Weasel: Annotations

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