Souters o' Selkirk (The)

Find traditional instrumental music
Jump to: navigation, search



Souters o' Selkirk (The)  Click on the tune title to see or modify Souters o' Selkirk (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Browse/:Souters o' Selkirk (The)
 Theme code Index    356 531H
 Also known as    Up Wi' the Souters, Suttors of Selkirk, Sulters of Selkerke, Butterfly (4) (The), North Cuntry Tune (A)
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Slip/Hop Jig
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    9/8
 History    ENGLAND(North East)
 Structure    AABB
 Editor/Compiler    Daniel Wright
 Book/Manuscript title    Aria di Camera
 Tune and/or Page number    No. 5
 Year of publication/Date of MS    1727
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   





X:20 T:A North Cuntry [sic] tune T:aka The Souters of Selkirk M:6/4 L:1/4 S:Wright 1713 N: N:barred as printed;bar 3 note 6 as printe F:trillian.mit.edu/~jc/music/abc/mirror/http://www.goodbagpipes.com/wright.abc Z:p K:G G | B<d g B/c/d/B/ g | dBG B/c/d/B/ g | B/c/d/B/ gg2A | B/c/d/B/ d B/c/d/B/ g | dBG e>ce | eBdf2A :||Bee/f/g>fe | dBGBde/f/ | g>fef2A | Bde/f/g>fe | dB/c/d/B/ e c/d/e/c/ | d B/c/d/B/f2A :||B/c/d/B/ dB/c/d/B/ g | dBG B/c/d/B/ d | B/c/d/B/ gf2A | B/c/d/B/ dB/c/d/B/ g | d>Bde>ce | d>Bdf2A :||GgBg>Bg | cgBGgB | g>BgAfA | GgBg>Bg | BfBAfA | f>Agf2A :||d2_e/d/e/d/ c/B/ g | dBG d2_e/d/ | e/d/c/B/ g f2A | d2_e/d/ e/d/c/B/g | dBd ece | dBdf2A :||Bdgg e/f/g/e/ | gGgB>dg | g e/f/g/e/f2A | Bdgg e/f/g/e/ | d B/c/d/B/ec/d/e/c/ | dB/c/d/B/f2A :||

X:1 T:Sulters of Sellkerke, The M:3/4 L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 5) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F:https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:G Bc d2 e2|d2B2g2|(ed)(cB)(AG)|Bc d2e2|d2B2g2| f4A2|Bc d2e2|d2B2g2|(ed)(cB)(AG)|c3d (c/d/e)| d2B2g2|f4 A2||g2G2B2|g2f2e2|d2B2G2|g2G2B2| g2f2e2|f4 (d/e/f)|g2G2B2|g2f2e2|d2g2B2| c3d (c/d/e)|d2B2g2| f4A2||d2 d4|d2 B2 (ef)| (ed)(cB)(AG)|d6|d2B2 (bc') |a4 A2|d6| d2B2 (bc')|a2 (gfed)|c3d (c/d/e)|d2B2g2|f4 A2|| G2B2 d2|g2f2e2|d2B2G2|G2B2d2|g2d2g2| f4A2|G2B2d2|g2f2e2|d2g2A2|c3d (c/d/e)| d2B2g2|f4 A2||d2 (dB) (dB)|g2 (gd) (gd)|(ed)(cB)(AG)| d2 (dB) (dB)|g2 (gd) (gd)|f4 A2|d2 (dB) (dB)|g2 (gd) (gd)| e2 (ec) (ec)|f2 (fd) (fd)|fg a2 (gf)|g4 G2||dcBcdB| gfefge|dcBABG|dcBcdB|gfefge|f2 A2| dcBcdB|gfefge|c'bagfe|gfedcB|c2e2a2| f4 A2||g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)| d2g2 (bc')|f4 A2|g2 (ag)(fe)|d2g2 (bc')| a2 (gf)(ed)|cBcde=f|d2 g2f2|g4 G2||

X:2 T:Sulters of Sellkerke M:3/4 L:1/8 R:Country Dance B:Wright's Compleat Collection of Celebrated Country Dances (1740, p. 44) Z:AK/Fiddler's Companion K:G Bc d2e2|d2B2G2|(ed)(cB)(AG)|Bc d2e2| d2B2g2|e4A2|Ac d2e2|d2B2g2|(ed)(cB)(AG)|c3cd2| d2B2g2|e4 A2||g2G2B2|g2f2e2|d2B2G2| g2G2B2|g2f2e2|f4A2|g2G2B2|g2f2e2| d2g2B2|c3d (c/d/e)|d2B2g2|e4 A2||

X:3 T:Sulters of Selkerke M:3/4 L:1/8 R:Country Dance B:John Walsh - Caledonian Country Dances (c. 1745, p. 96) N:Published in several volumes and different editions, 1731-c. 1745) Z:AK/Fiddler's Companion K:G Bc d2e2|d2B2g2|(ed)(cB)(AG)|Bc d2 e2| d2B2g2|Tf4A2|Bcd2e2|d2B2g2| (ed)(cB)(AG)|c3de2|d2B2g2|Tf4 A2:| |:g2G2B2|g2f2e2|d2B2G2|g2G2B2|{ef}g2Tf2e2|Tf4A2| g2G2B2|g2f2e2|d2g2B2|c3d (c/d/)e|d2G2g2|Tf4 A2:|]

X:1 T:Souters of Selkirk, The M:3/4 L:1/8 R:Air Q:"Slow" B:James Oswald – Caledonian Pocket Companion, vol. 1 (1760, p. 34) Z:AK/Fiddler’s Companion K:G (Bc) d2e2|d2B2g2|(ed)(cB)(AG)|(Bc)d2e2|{e}d2B2 (g>a)|{g}Tf4 A2| (B2c2)d2|g2 (ag)(fe)|d2 (cB)(AG)|c3d (c/d/e)|{e}d2B2 (g>a)|{g}Tf4A2:| |:g2G2B2|Tg3f e2|{e}d2 (cB)(AG)|g2G2B2|g2 (ag)(fe)|Tf4 A2| g2G2B2|g2 (ag)(fe)|d2g2B2|(cBcd)ec|d2B2 (g>a)|Tf4 A2:| |:G2 (Bcd)B|g2 (efge)|d2 (BcdB)|G2 (BcdB)|g2 (efge)|Tf4A2| G2B2d2|g2 (ag)(fe)|(dc)(BA)(BG)|c2e2a2|d2 (fgaf)|g4 G2:| |:g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)|d2g2 (b>c')| {b}a4A2|g2 (ag)(ge)|d2 (ef) g2|(ec)(dB)(AG)|(cBc).d.e.f| d3 g f2|{f}g4 G2::d2 (d<B)(d<B)|g2 (g<d)(g<d)|(ed)(cB)(AG)| d2 (d<B)(d<B)|g2 (g<e)(g<e)|Tf4A2|d2 (d<B)(d<B)|g2 (g<d)(g<d)| e2 (e<c)(e<c)|f2 (f<d)(f<d)|(fga)fdf|{f}g4 G2:||:g2d2e2| {c}TB4e2|d>edBAB|(G2A2)B2|(gfg)abc’|Ta4 (gf)| (gf)(gf)(ed)|(ed)(ed)(cB)|(ed)(cB)(AG)|c2e2c2|d2 (fg)(af)|g4 G2:| |:(d<B) B4|(d<B) A4|(d<B)G4|(d<B)(d<B) d2|(g<d)(g<d) g2| (fg)a2A2|(d<B)B4|(d<B)A4|(d<B)G4|(e<c)(e<c)e2 d2g2f2| {f}g4 G2::(G2a2)b2|G3A (G/A/B)|(E2F2)G2|g2G2B2| G2 b2 (ag)|(fg)a2A2|g4f2|e3 gde|(B2c2)d2| (e2f2)g2|a2 dgfa|G4G2:||(3B/c/d/ (.d.d.d.d)|Gg e2| (dB)(cA) G2|(3Bcd (.d.d.d.d)|g3a (g/a/b)|{b}a4 A2|(3Bcd (.d.d.d.d)| Gg e2 (dc)|BcBA G2|(3cde (3.e.e.e.e)|d2 (fg)(af)|{f}g4 G2:| |:(bgdB) G2|B2e4|(ded)BAB|(GBd)g b2|G2 b2 (ag)|(fg)a2 A2| (bgdB) G2|g2 (efg)e|(c’bag)(fe)|(agfe)(dc)|(Bdg)BAf|{f}g4 G2:| M:9/8 L:1/8 |:"Brisk"(B/c/d)d (e/f/)ge (dB)G|(B/c/)d (e/f/)ge Tf2A|(B/c/)dd (e/f/)ge (dB)G| c>de dBg Tf2A::gGB g(a/g/f/e/) dBG|gdB gdB|a(f/g/a/f/)| g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2 A:|]

X:4 T:Suttors of Selkirk M:3/4 L:1/8 R:Air Q:"Brisk" S:McGibbon – Scots Tunes, book III, p. 79 (1762) Z:AK/Fiddler’s Companion K:G G2 | (Bcd2)e2 | d2B2g2 | (ed)cBAG | (Bcd2)e2 | d2B2g2 | {g}Tf4A2 | (Bcd2)e2 | d2B2g2 | edcBAG | c3de2 | d2B2g2 |{g}Tf4A2 :||: g2G2B2 | g2f2e2 | d2 cBAG | g2G2B2 | g2 agfe |{e}f4 A2 | g2G2B2 | g2 agfe | d2g2B2 | c3de2 | d2B2g2 |{g}Tf4A2 :|]

X:1 T:Souters of Selkirk, The M:9/8 L:1/8 B: https://digital.nls.uk/special-collections-of-printed-music/archive/87709345 B: Neil Stewart – Select Collection of Scots, English, Irish and Foreign Airs, Jiggs & B:Marches, vol. 1 (Edinburgh, 1784, No. 63, p. 29) Z:AK/Fiddler’s Companion K:G (B/c/d)d (e/f/g)e (dB)G|(B/c/d)d (e/f/g)e Tf2A|(B/c/d)d (e/f/g)e (dB)G|c>de dBg Tf2A:| |:gGB g(a/g/f/e/) dBG|gdB gdB a(f/g/a/f/)| g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2A:|

X:5 T:Souters of Selkirk L:1/8 M:3/4 Q:"Slow" S:Peacock’s Tunes (c. 1805) Z:AK/Fiddler’s Companion K:G B>c d2e2|d2B2g2|edcBAG|B>C d2e2|d2B2g2|f4 A2| G2B2d2|g2 ecge|d2 cBAA|cBcdec|D2B2g2|f4 A2:| |:g2 GB/c/ dB|g2 efge|edcBAG|g2 GB/c/ dB|g2 efge| f4 A2|g2 GB/c/ dB|g2 efge|edcBAG|cBcdec|d2B2g2|f4 A2:| |:(3dcB e>e e2|(3dcB g>g g2|(3dcB (3cBA (3BAG|(3dcB e>e e2| (3dcB geGg|f4 A2|(3dcB e>e e2|(3dcB (3edc (3gfe| (3dcB (3cBA (3BAG|cBcdec|d2B2g2|f4 A2:| |:g2 dBdB|g2 ecge|dBcABG|g2 dBdB|g2 ecge|f4A2|g2 dBdB| g2 (3efg (3cde|dgdBAG|cBcdec|d2B2g2|f4 A2:| L:1/8 M:6/8 B/c/dd e/f/ge|dBG B/c/dd|e/f/ge f2A|B/c/dd e/f/ge|dBG c/B/c/d/e/c/| dBg f2A:||:GB/c/d/B/ dBg|dBg GB/c/d/B/|dBg f2A|GB/c/d/B/ dBg| d/c/B/A/G c/B/c/d/e/c/|dBg f2A:||:g/f/e/d/B g/f/e/d/B|g/f/e/d/G g/f/e/d/B| g/f/e/d/B g/f/e/d/A|g/f/e/d/B g/f/e/d/B|e/d/c/B/A/G/ c/B/c/d/e/c/|dBg f2A:| |:GgB gBg|BgB GgB|gBg AgA|ggB gBg| BgB cec|dBg f2A::d/B/d/B/e d/B/d/B/g|d/B/d/B/G d/B/d/B/e| d/B/d/B/g f2A|d/B/d/B/e d/B/d/B/g|dBG c/B/c/d/e/c/|dBg f2A:| |:gGB d/B/d/B/d/B/|d/B/d/B/d/B gAc|d/B/d/B/d/B/ c/A/c/A/c/A/|gGB g/f/e/f/g/e/| d/c/B/c/d/B/ c/B/c/d/e/c/|dBg f2A::d2B d2B|d/c/B/A/G d2B| d2B e/d/c/B/A|d2B d2B|d/c/B/A/G c/d/e/f/g/e/|dBg f2A:| |:G/a/B/c/d/B/ g/f/e/d/c/B/|dBg G/A/B/c/d/B/|g/f/e/d/c/B/ eAe|G/A/B/c/d/B/ g/f/e/f/g/e/| dgB c/B/c/d/e/c/|dBg f2A::B2G B2G|dBg B2G| B/c/dg f2A|B2G B2G|gdB cB/c/d/e/|dBg f2A:| |:d3e3|dBG d2G|ABd e2A|d3 e3|dBG c2e|dBg f2A:|

X:1 T:Souters o’ Selkirk, The M:9/8 L:1/8 R:Quickstep B:John McLachlan - Piper’s Assistant (1854, No. 57, pp. 32-33) Z:AK/Fiddler’s Companion K:Amix efe eca ecA|efe eca g2B|efe eca ecA|def eca g2B:| |:aAc agf ecA|aAc af/g/a/f/ g2B|aAc agf e>cA|def eca g2B:| |:cea cea ecA|cea cea g2B|cea cea ecA|def eca g2B:| |: aga cea ecA|aAa Tfec g2B|aga cea ecA|def eca g2B:|]