Annotation:President Garfield's Hornpipe: Difference between revisions

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PRESIDENT GARFIELD'S HORNPIPE. AKA and see "Garfield's Hornpipe," "Blue Water Hornpipe," "High Level (2)." American, Canadian, Irish; Hornpipe. USA; New England, Missouri. Canada; Prince Edward Island, Cape Breton. B Flat Major (Brody, Cole, Kerr, Martin & Hughes, Miller & Perron, Perlman, Phillips): D Major (Sweet). Standard tuning (fiddle). AABB (most versions): AA’BB’ (Martin & Hughes). American President James A. Garfield, the twentieth U.S. chief of state (elected in 1880) was assassinated by a lone anarchist, a European immigrant, shortly after taking office, making his one of the shortest terms in that office. The composition is credited to Harry Carleton in Ryan's Mammoth Collection (1883); Carleton (whose name is perhaps a pseudonym) is thought to have been a journeyman composer in the Boston, Mass., area, who contributed several tunes to Ryan's Mammoth, most having titles associated with the post-Civil War North. "President Garfield's" proved one of the more popular tunes from Ryan's collection, and became a staple at New England dances. However, it also has been widely disseminated in the past century and a half, becoming a popular hornpipe, for example, among Maritime Canadian fiddlers. Northumbrian concertina player Alastair Anderson introduced the tune into Northumbrian repertoire, finding it in Kerr’s Merry Melodies, vol. 2, but also being influenced by hearing New England fiddler Rodney Miller play it. As “Garfield’s Hornpipe” it is on Missouri fiddler Charlie Walden’s list of ‘100 essential Missouri fiddle tunes’.

Sources for notated versions: Rodney Miller (Antrim, N.H.) [Phillips]; Kenny Chaisson (b.c. 1947, Bear River, North-East Kings County, Prince Edward Island; now resident of Rollo Bay) [Perlman].

Printed sources: Brody (Fiddler’s Fakebook), 1983; p. 221. Cole (1000 Fiddle Tunes), 1940; p. 101. Craig's Empire Violin Collection of Hornpipes. Kerr (Merry Melodies, vol. 2), c. 1880’s; p. 42. Martin & Hughes (Ho-ro-ghedllaedh), 1990; p. 42. Miller & Perron (New England Fiddler’s Repertoire), 1983; No. 100. Perlman (The Fiddle Music of Prince Edward Island), 1996; p. 115. Phillips (Traditional American Fiddle Tunes, vol. 2), 1995; p. 216. Ryan’s Mammoth Collection, 1883; p. 137. Sweet (Fifer’s Delight), 1965/1981; p. 42.

Recorded sources: Canadian Broadcasting Corp. NMAS 1972, Natalie MacMaster - "Fit as a Fiddle" (1993). Fretless 119, Rodney and Randy Miller - "Castles in the Air." Glencoe 001, Cape Breton Symphony - "Fiddle." Green Mountain GMS 1052, "No Curb Service Anymore: The Pine Island Band." Philo 119, Rodney and Randy Miller - "Castles in the Air." Rounder 7008, "Jerry Holland." Boys of the Lough – “To Welcome Paddy Home.” Topic Records, Alistair Anderson – “Corby Crag” (1978). Paul O’Shaughnessy & Paul McGrattan – “Within a Mile of Dublin.” 422 – “One.”

See also listing at:
Alan Ng's Irishtune.info [1]

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-'''PRESIDENT GARFIELD'S HORNPIPE.''' AKA and see "[[Garfield's Hornpipe]]," "[[Blue Water Hornpipe]]," "[[High Level (2)]]." American, Canadian; Hornpipe. USA; New England, Missouri. Canada; Prince Edward Island, Cape Breton. B Flat Major (Brody, Cole, Kerr, Martin & Hughes, Miller & Perron, Perlman, Phillips): D Major (Sweet). Standard tuning (fiddle). AABB (most versions): AA’BB’ (Martin & Hughes). American President James A. Garfield, the twentieth U.S. chief of state (elected in 1880) was assassinated by a lone anarchist, a European immigrant, shortly after taking office, making his one of the shortest terms in that office. The composition is credited to Harry Carleton in '''Ryan's Mammoth Collection''' (1883); Carleton (whose name is perhaps a pseudonym) is thought to have been a journeyman composer in the Boston, Mass., area, who contributed several tunes to '''Ryan's Mammoth''', most having titles associated with the post-Civil War North. "President Garfield's" proved one of the more popular tunes from Ryan's collection, and became a staple at New England dances. However, it also has been widely disseminated in the past century and a half, becoming a popular hornpipe, for example, among Maritime Canadian fiddlers. Northumbrian concertina player Alastair Anderson introduced the tune into Northumbrian repertoire, finding it in Kerr’s '''Merry Melodies, vol. 2''', but also being influenced by hearing New England fiddler Rodney Miller play it. As “Garfield’s Hornpipe” it is on Missouri fiddler Charlie Walden’s list of ‘100 essential Missouri fiddle tunes’.
+'''PRESIDENT GARFIELD'S HORNPIPE.''' AKA and see "[[Garfield's Hornpipe]]," "[[Blue Water Hornpipe]]," "[[High Level (2)]]." American, Canadian, Irish; Hornpipe. USA; New England, Missouri. Canada; Prince Edward Island, Cape Breton. B Flat Major (Brody, Cole, Kerr, Martin & Hughes, Miller & Perron, Perlman, Phillips): D Major (Sweet). Standard tuning (fiddle). AABB (most versions): AA’BB’ (Martin & Hughes). American President James A. Garfield, the twentieth U.S. chief of state (elected in 1880) was assassinated by a lone anarchist, a European immigrant, shortly after taking office, making his one of the shortest terms in that office. The composition is credited to Harry Carleton in '''Ryan's Mammoth Collection''' (1883); Carleton (whose name is perhaps a pseudonym) is thought to have been a journeyman composer in the Boston, Mass., area, who contributed several tunes to '''Ryan's Mammoth''', most having titles associated with the post-Civil War North. "President Garfield's" proved one of the more popular tunes from Ryan's collection, and became a staple at New England dances. However, it also has been widely disseminated in the past century and a half, becoming a popular hornpipe, for example, among Maritime Canadian fiddlers. Northumbrian concertina player Alastair Anderson introduced the tune into Northumbrian repertoire, finding it in Kerr’s '''Merry Melodies, vol. 2''', but also being influenced by hearing New England fiddler Rodney Miller play it. As “Garfield’s Hornpipe” it is on Missouri fiddler Charlie Walden’s list of ‘100 essential Missouri fiddle tunes’.
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-''Printed sources'': Brody ('''Fiddler’s Fakebook'''), 1983; p. 221. Cole ('''1000 Fiddle Tunes'''), 1940; p. 101. Kerr ('''Merry Melodies, vol. 2'''), c. 1880’s; p. 42. Martin & Hughes ('''Ho-ro-ghedllaedh'''), 1990; p. 42. Miller & Perron ('''New England Fiddler’s Repertoire'''), 1983; No. 100. Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 115. Phillips ('''Traditional American Fiddle Tunes, vol. 2'''), 1995; p. 216. '''Ryan’s Mammoth Collection''', 1883; p. 137. Sweet ('''Fifer’s Delight'''), 1965/1981; p. 42.
+''Printed sources'': Brody ('''Fiddler’s Fakebook'''), 1983; p. 221. Cole ('''1000 Fiddle Tunes'''), 1940; p. 101. '''Craig's Empire Violin Collection of Hornpipes.''' Kerr ('''Merry Melodies, vol. 2'''), c. 1880’s; p. 42. Martin & Hughes ('''Ho-ro-ghedllaedh'''), 1990; p. 42. Miller & Perron ('''New England Fiddler’s Repertoire'''), 1983; No. 100. Perlman ('''The Fiddle Music of Prince Edward Island'''), 1996; p. 115. Phillips ('''Traditional American Fiddle Tunes, vol. 2'''), 1995; p. 216. '''Ryan’s Mammoth Collection''', 1883; p. 137. Sweet ('''Fifer’s Delight'''), 1965/1981; p. 42.
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