Annotation:Move up to Me: Difference between revisions
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'''MOVE UP TO ME''' (Biodg Suas Liom). AKA and see "[[Gladly Would I Go]], "[[My Pretty Fair Maid]]." Irish, Double Jig. G Major. Standard tuning (fiddle). AABB. One strain of this tune is the second part of "[[CailĂn Deas Donn (An)]]/[[Pretty Brown Girl (2) (The)]]." O'Neill printed a march in '''Waifs and Strays of Gaelic Melody''' (1922), collected from Highland piper William McLean, called "[[Gladly Would I Go]]," but failed to associate it with his earlier published jig "Move up to Me." Compare also with Scottish jigs "[[Cold Winds from Ben Wyviss]]," "[[Highlander's Jig]] | '''MOVE UP TO ME''' (Biodg Suas Liom). AKA and see "[[Gladly Would I Go]], "[[My Pretty Fair Maid]]." Irish, Double Jig. G Major. Standard tuning (fiddle). AABB. One strain of this tune is the second part of "[[CailĂn Deas Donn (An)]]/[[Pretty Brown Girl (2) (The)]]." O'Neill printed a march in '''Waifs and Strays of Gaelic Melody''' (1922), collected from Highland piper William McLean, called "[[Gladly Would I Go]]," but failed to associate it with his earlier published jig "Move up to Me." Compare also with Scottish jigs "[[Cold Winds from Ben Wyviss]]," "[[Highlander's Jig]]" and " | ||
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Revision as of 21:02, 15 July 2017
Back to Move up to Me
MOVE UP TO ME (Biodg Suas Liom). AKA and see "Gladly Would I Go, "My Pretty Fair Maid." Irish, Double Jig. G Major. Standard tuning (fiddle). AABB. One strain of this tune is the second part of "CailĂn Deas Donn (An)/Pretty Brown Girl (2) (The)." O'Neill printed a march in Waifs and Strays of Gaelic Melody (1922), collected from Highland piper William McLean, called "Gladly Would I Go," but failed to associate it with his earlier published jig "Move up to Me." Compare also with Scottish jigs "Cold Winds from Ben Wyviss," "Highlander's Jig" and "
Source for notated version:
Printed sources: O'Neill (Krassen), 1976; p. 74. O'Niell (Music of Ireland: 1850 Melodies), 1903; No. 757, p. 141. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 42, p. 23.
Recorded sources: